At The New Yorker: My Own Memoir
More memoirs have been written on the theme Me and the New Yorker than about the Spanish-American War or homesteading in Nebraska or train trips down South America way, which is a tribute to its legendary editors Harold Ross and William Shawn and also to the rich self-consciousness of some of their writers. Mr. Shawn was followed by Bob Gottlieb who could easily have become legendary but didn’t stick around long enough, who was followed by Tina Brown who was legendary in her own mind and didn’t need to be remembered, and then David Remnick, a good guy who will surely inspire a memoir or two someday though the magazine now is so straight compared to the mysterious bundle of eccentricities I loved so much in my youth in Anoka, Minnesota — the absence of a masthead or Table of Contents, the unsigned Talk of the Town pieces with their brisk whimsical tone, the Letter from Paris signed simply “Genet,” the horse-racing column by “Audax Minor,” squibs about Ivy League football, the Long-Winded Lady, “The Wayward Press,” the great two-initial authors (E.B., J.D., A.J., S.J., J.F.), and “Annals of Medicine,” and enormous long pieces about exotic places winding their way through columns of ads for Baccarat and Jaguar and Chanel. It was another world from mine. I only knew Mr. Shawn from his neatly penciled comments signed WS in the margins of galley proofs and a couple of awkward lunches at the Algonquin, not enough material for a book-length memoir so I made up some stuff about him and stuck it in the novel Love Me. And while I was at it, I murdered a publisher, which I’d always wanted to do.

William Shawn took a shine to me right off the bat when I arrived at the magazine back in the fall of 1969. “Glad you’re not creepy and obsessive like some of these introspective sons of bitches around here,” he said. “I’ve had a bellyful of neurotics. White and Thurber drove me nuts and all those Harvard snots. You look like a midwesterner. Me, too. Chicago. Call me Bill.”

We liked to shoot pocket billiards at a little smoke-filled joint called Patsy’s and we discovered we shared a fondness for old Chicago bands like the Jazz Equestrians and the Skippers of Rhythm and we both knew the rules for a poker variant called footsie. He was an excellent bowler and arm wrestler and could toss playing cards into a top hat with accuracy at up to thirty-five feet, farther if he was drunk. He could size a man up by studying the soles of his shoes and the back of his shirt collar. He could tell if you’d recently been to church or taken an unmarried woman to the movies. He knew every species of bird and he could open any lock with a paper clip and could disassemble a typewriter and put it back together in two minutes flat. One night over a pitcher of martinis he told me his life story: it just flowed out. All about his mama and how she prayed every night that his schoolwork would be free of typographical errors. His childhood in Chi-town. His Irish dad, Sean Hanratty, a button man for the Bugs Moran gang, killed in the Arbor Day Massacre. Young William changed his name and hitchhiked to Vegas to deal blackjack for Bugsy Siegel and then a man named Crossandotti sent him to New York as Harold Ross’s stickman, back when the magazine was a hotbed of steady tipplers and wisecracking women with hinges on their heels. “The Mafia owned it, you know,” he told me.

“They owned The New Yorker?”

“What we talking about? Silk undies? Yes. The New Yorker. Still do.”

“The Mafia owns the magazine?”

He was lining up a very tricky bank shot, a Lucky Strike in the corner of his mouth, smoke curling up under his fedora — “What does it matter? Owners are owners. Thank God it’s not the Newhouses, I say. At least the Crossandottis know they don’t know anything. All the Newhouses want is to stick their noses up the butts of the rich and famous.” And then he banked the eight-ball into the side pocket off the fourteen and picked up the money off the bar and stuffed it in his breast pocket. “Want to go again? For double?” he muttered.

“You’re so different from the William Shawn I always imagined,” I said. “James Thurber portrayed you as a flustered guy who spoke in a whisper and obsessed over commas and ate dry cornflakes for lunch and dreaded elevators and other motor vehicles.”

He chuckled. “Thurber was blind, you know. The phone rang and he’d pick up the steam iron. He needed a lot of supervision. Him and White both. White struggled to operate an ordinary stapler. A coffeemaker was beyond him. His ambition was to raise chickens. And The Years with Ross was about as true to life as Rebecca of Sunnybrook Farm.

“Sometimes I feign fluster—it’s a useful stratagem with women,” he said.

“I liked hanging out with Dorothy Parker because she could talk louder than anybody else. Glamorous woman, if you like the smell of gin. She had a voice that could crack ice. Most guys were scared shitless and of course her pal Benchley was completely in the bag, so Dotty needed a man to stand up to her. We were having lunch at the Algonquin and Kaufman was there and Marc Connelly and Harpo Marx and Joe Kennedy and Dietrich and that whole crowd, and I said to Dietrich in kraut, ‘I got a sausage for your bun, mein Schatz,’ and that got Dotty all jealous and she was running her toe up and down my calf. So I took off her shoe and pissed in it without anybody noticing and handed it to her and said, ‘Hey, you’re in luck,’ and she jumped up and yelled, ‘He pissed in my shoe!’ and they all said, ‘Aw, shuddup, you’re drunk.’ All except Dietrich. She saw the whole thing. She saw that the great thing about being a quiet little bald guy is that you can piss in a lady’s shoe at lunch and nobody will ever believe you did it. She leaned over and said, ‘I have a sentence I’d like you to invert for me.’ And we went upstairs to her suite and steamed up the windows for a while. The woman had fabulous legs and her other features were pretty good too. Hemingway was passed out on the couch. I slipped a ladyfinger in his shirt pocket. She was crazy about me, and so were some others in that Hollywood crowd, but why look back? Now I’ve got Shochine and I’ve never been happier.”

This was before he broke up with Shochine and took up with Louise Twelve Trees.

He gave me the nickname Prairie Dog and he’d ring me up around 5:30 on a Friday afternoon and holler into the phone, “Come on, Skip, let’s go get our pant-legs wet,” and off we’d go to the 79th Street Boat Basin with a sack of grub and a bottle of bourbon and boarded the Shawnee and cast off the lines and motored down the Hudson. “Ain’t this the life!” he said. “To hell with Harvard and fuck the fact-checkers, let’s have a party!” He got out of his suit and into shorts and a black muscle shirt as midtown Manhattan slid past on the port side, the cross streets like corn rows, and when 43rd passed, we yelled, “Boogers!” and hooked little fingers. Around Canal Street I hoisted the mainsail and we caught fresh wind at the Battery and flew around Governors Island and out under the Verrazano Bridge to sea and he sang out, “The sun’s over the yardarm, Prairie Dog!” and I broke out the bourbon and poured two china cups full and he drew a chestful of salt air and started talking.

“I’m a hunted man. Crazy magazine’s got me jumping like a poisoned rat in a coffee can. Some fool stuck his head in my office today and asked what’s the difference between a solecism and a solipsism. Go spend a week with a dictionary I told him. A writer is supposed to know the English language, dang it.”

I asked him about the perils of success and how fame and fortune seem to dig a deeper hole for a guy. I was thinking of J.D. Salinger and J.F. Powers, two heavy hitters who hadn’t been heard from for a long long time.

“They’re swinging too hard. Trying to aim the ball.” He hawked and spat. “Listen, kid. Every writer I know is on a winding mountain road in the fog, headlights on high beam, worried about plunging over the cliff. That’s what it means to be in the business. Some of these bozos get confused about their capabilities, like a sumo wrestler trying to run the 440 low hurdles. Or they wind up as preachers pandering to high-minded dipshits. The Betterment of Man is the worst motive for writing.Better to write out of sheer cussedness and fling a cherry bomb into the ladies’ latrine and make them all jump out of their camisoles than climb into the pulpit and pontificate about the sun and moon and the Milky Way and the meaning of it all.

“John O’Hara had it about right. The purest motivation for a writer is to earn a pile of money. Which of course makes you the target of envy and you wind up with gobs of spit on your shoes and you don’t win the Pulitzer and critics spitball you for the rest of your life. But what the hell. You can cry on your way to the bank.”

Mr. Shawn walked to the rail and looked at the houses of Brooklyn as it slipped past in the twilight. “That’s Bay Ridge,” he said, pointing to a low rise. “I was in love with a lady who lived there. Bright red nail polish and curlicue hair and some of the nicest epidermis you ever saw. Met her at a party at Norman Mailer’s. What an arrogant blowhole he was before I slapped him around a little. He was coming on to the Brooklyn girl at that party and I had to take him outside and give him a nosebleed. Now the guy can almost write sometimes. My gosh, she was an angel. I’d be sailing along and she’d come swimming out from Coney Island with her clothes tied on top of her head. Not that the woman needed clothes. My gosh.

“Andy White used to come sailing with me sometimes and then I caught him below decks writing a Talk of the Town piece about the sea and the skyline and what not and I threw him over the side. The guy was what you might call over-sensitive. Wrote that crazy Elements of Style that screwed up millions of college kids. Cleanliness, accuracy, brevity — my aunt Sally. Somebody told him he was a great prose stylist and it went to his head and he devoted his life to painting Easter eggs. Him and Strunk have screwed up more writers than gin and Scotch combined. You take that Elements of Style too seriously and you’ll get so you spend three days trying to write a simple thank-you note.

If I were teaching college composition, my first assignment would be: write something that would horrify E. B. White. Write a scene in which a man backs his pickup to the edge of Yosemite and dumps a load of empties into a stand of Ansel Adams birch trees. Make it gutsy and wild and to hell with brevity. A sentence should contain no unnecessary words — what a prissy idea of literature! Tell it to Tolstoy! Damn it, am I drunk or what? Pour me another.” I refilled his cup.

“I have spent my entire adult life trying to make writers look good. Salinger! Capote! Hersey! Rachel Carson! The world hailed them as visionaries! All I can say is: YOU SHOULD’VE SEEN THE FIRST DRAFT, FOLKS! Man is conceived in ignorance and born into squalor and grief and it goes downhill from there. I was Mama and Daddy to those guys, I lent them lunch money and balanced their checkbooks and fended off old lovers and saved their bacon more than once, meanwhile I took their manuscripts, which had all the elegance of wet cardboard, and pressed them into shape and they were hailed as giants, and I was scorned as a balding obsessive-compulsive dwarf with an agoraphobia problem. Writers come in here, hat in hand, hairy-legged realists and agony queens and cloud gazers, and their egos are frail and feverish and they expect to be treated like undiscovered geniuses and if you tell them the straight truth and say ‘I ain’t printing this shit!’ they never forgive you. They lie in ambush, dreaming up demeaning anecdotes about you, hoping to review your autobiography in the Times so they can piss on your shoes.”

“You’re the greatest editor of the twentieth century,” I said with a degree of sincerity. “You’re my main man, Mr. Shawn. If nobody else does it, I will write your autobiography myself.”

“I never wanted to edit,” he said. “All I ever wanted was to go out on a boat with a bottle of bourbon and fish.”

We got through the Verrazano Narrows and tossed out a line and he pulled in a fine sea bass (“Chilean,” he said, removing the hook from its lip) and he told me how he’d fished with Hemingway in the Keys and had to show him how to jig for grouper and meanwhile I cleaned the fish and grilled it on a hibachi in the cockpit as Mr. Shawn played Gershwin and Kern and Porter on his concertina and then I hollered, “Eats is ready, Mr. Shawn baby!” and he and I sat on the deck and ate the fish with raw onions doused in gin between slices of pumpernickel and got good and tight.

Mr. Shawn took me golfing at the Westchester Country Club. He had a beautiful swing. To correct for some bursitis in his left shoulder, he adjusted his stance about 18 degrees clockwise and turned his right foot in and pinned a lead sinker to the bill of his cap, which hung down like a plumb bob, helping him to keep his shoulders level.

“Some people only know me from people’s memoirs of life at The New Yorker, and in the office I try to impersonate a spooky little recluse who obsesses over commas and semicolons,” he said, “but my big loves are fishing and women and golf and what I obsess over is my swing.”

It took him a minute to set himself up for the shot. He picked up some grass and tossed it to test the wind, got his feet dug in, adjusted the plumb bob, and waggled the club a few times. “I whipped Updike’s ass but good. Many times. He’s a yakker, you know. Likes to stand behind you on the tee and just as you get your feet planted, he’ll say something like ‘That sand trap sure reminds me of the crotch of a woman I knew once’ and try to throw you mentally off your game, but here’s what you do to shut a guy up—” And Mr. Shawn hit a beautiful drive that flew straight and long and dropped and rolled and rolled, a dream shot, and he marched down the fairway and hit a five-iron to the green, and then a long putt that curved and caught the corner of the cup and fell in for a birdie, meanwhile I had topped my tee shot and sent it dribbling twenty yards and then laced it into the neighboring fairway and wound up with an 8.

He turned to me as he shoved the putter in his bag. “Writers like to think that writing is like Arctic exploration or flying the Atlantic solo but actually it’s more like golf. You’ve got to go out and do it every day and live by the results. You can brood over it but in the end you’ve got to take the club out of the bag and take your swing. You hit the ball to where it wants to go, a series of eighteen small steel cups recessed in turf, on a course that others have traversed before you. You are not the first. You accomplish this by making big mistakes and turning them into advantages and overcoming your damn self-consciousness.”

He teed up and tied the lead weight to his cap and turned 18 degrees and set the back foot and waggled the club and hit a 200-yard beauty straight down the fairway.

“I can tell that you’re of the self-consciousness school,” he said.

“Oh?” I replied.

“Guys who spend a lifetime lining up a four-foot putt, reading the bent of the grass, the wind, the planets, checking out the geologic formations below, and then they tap the ball and it rolls eighteen feet into a mud puddle.”

I wasn’t sure what he meant, I said.

“Talking about your writing, Mr. Wyler. You’ve got the problem so many English majors have. You’re all fluttery inside. You suffer from a girlish sensibility. Your writing is all mannered and fussy and .”

“Girlish?” I was shocked.

I didn’t write much for a long time after that. Words wouldn’t come. I sat in my office and thought about writing but nothing happened. Every morning, walking along West 43rd Street, I saw men sitting in doorways on scraps of cardboard, begging, jiggling change in paper cups, and one old-timer with a sign against his chest, FORMER NEW YORKER WRITER DOWN ON LUCK. WILLING TO REMINISCE FOR FOOD. I gave him a five-dollar bill. “Once I was just like you,” he said, “and then I was on the street. Take it from one who knows, a person can fall a great distance in a short time. It happens all the time. Former stars of stage and screen hustling their next cup of java. Nothing fades faster than reputation, boy. Tempus goes fugiting along and your chins drop, your rave reviews turn dry and yellow and your name becomes a trivia question. So be kind to your inferiors because someday you’ll have to ask them for a dollar for coffee.”

Three weeks after Mr. Shawn said my writing was girlish, he told me to go to Alaska and write about it. “Get out there in the Alaska wilderness and climb those mountains and cross those vast frozen wastes and camp with the migrating caribou and meet the aboriginal peoples and go north until you can go no farther and pitch your tent and look at death and spit in its eye. Don’t you come back here and write some fitful 1,500-word showpiece of puissant sensibility and irony and ambiguity, some half-assed feuilleton about Canada. Sit your butt down in the tent with a paper and pencil and a bottle of rock ‘n’rye and write your damn heart out and come back here with 100,000 words and none of them modifiers and I’ll print the whole damn thing, and if the boys at the Century Club don’t like it, let them shake their wattles all they like. You understand me, boy?”

So I flew to Seattle and sat in the airport and a girl sat down next to me. Her name was Alana, her high cheekbones were flush with vitality and her lips were broad and full. I didn’t want her to be attracted to me but she was. She sat next to me on the plane to Juneau. “I can’t talk to you,” I said. “I’m writing for The New Yorker, I have to focus on my experiences so I can write.”

“I’d love to be an experience someone writes about in The New Yorker,” she remarked. I said that I was already in a relationship, one that begins with the letter M, and had no interest in fooling around. “Life doesn’t always turn out according to plan,” she said.

It was a rough ride. Juneau was socked in by clouds and the plane hurtled down through 10,000 feet of murk into a narrow mountain pass, jagged ridges visible at three o’clock and nine—the wheels lowered, the ground still not visible, and then the plane began to shake violently—I caught a glimpse of a pale flight attendant weeping and holding a rosary to her lips—the cockpit door flew open and the copilot stuck his head into the lavatory and cast up his lunch—a serving cart tore loose from its moorings and careened down the aisle, scattering ice and hot coffee—the plane rolled over to one side, then the other—there was wailing and gnashing—and Alana took my hand and told me she loved me, and she felt we must affirm life in the face of death—and she unbuttoned her blouse as the plane groaned and rolled and we groped and kissed passionately as it pitched and bucked and her blouse was off and my face was crimson with lipstick when finally the plane bounced twice on the tarmac and rolled to the terminal and I zipped up my fly and staggered into the terminal full of profound feelings and she and I took a courtesy van to a place called Dave’s Wilderness Lodge and tumbled into bed for more turbulence and slept for twelve hours and did it all over again.

“It was a good experience for you, wasn’t it,” she said. “I certainly felt it had literary qualities.”

“Well, I don’t know. It strikes me as unreal.”

“I want to be as meaningful for you as any other wilderness experience,” she said. “And it’s okay if you use my real name and everything.”

Two weeks, day after day, night after night, Alana and I shacked up at the Wilderness Lodge. I walked up and down the trail a little but I have never been good at the identification of birds or trees, and after two weeks, the Alaska piece seemed to be mostly about me and Alana. It began:

“What the heck are you doing in Alaska?” the old-timer said to us at the urinal in the Malamute Saloon one Sunday night not long ago after we had come down from two weeks on the Chilkoot Trail and found the bar made famous by the late Robert W. Service in his poem “The Shooting of Dan McGrew,” once a staple of amateur recitations, at least in this midwesterner’s boyhood, and ordered a pint of beer.

There was quite a bit about the Lodge and saunas and sleeping naked and and “taking Mr. Scroggins to town in the pink convertible.”

Mr. Shawn called me the next morning. “What does ‘getting the pole in the tent flap’ mean?” he asked. “And how about ‘parallel parking’?”

“I can tell that you don’t like it,” I said.

He said, “Don’t give it a thought. It was a warm-up piece. Alaska got your juices going. You’ll come back to New York and find something you really care about and everything will be jim-dandy.”

That was Mr. Shawn for you. The guy was a font of hope. He had unlimited faith in writers and their ability to work things out eventually, or if not unlimited, then darned near unlimited, certainly more than 65 percent.

I tiptoed out of the Pinecone Room while Alana was asleep and flew back to New York and took a taxi to The New Yorker to find the staff in ferment, people huddled in the hallway on the 17th floor whispering, office doors closed, secretaries weeping, urgent memos circulating and a petition to the publisher, Mr. Tony Crossandotti, pleading with him not to fire Mr. Shawn. And a note from Mr. Updike: “Keillor — Call me. John.” It thrilled me. A note from my hero, signed, by his first name.

I found Mr. Shawn in his office, his head out the window, elbows on the sill, watching a fire blazing out of control a few blocks away. Two hook and ladders were in the street, apparatus raised, pouring water on the blaze. Billows of smoke drifted westward.

Vanity Fair,” he said. “One of those dang celebrity rags. Somebody must’ve left a curling iron on and set fire to the glossies. Used to date a woman who worked there. A nice person but naïve. You worried about her having to cross busy streets. And of course the magazine is a piece of shit. Celebrity profiles, edited by the subject’s publicist.”

“Why were you fired, Mr. Shawn?”

“I wasn’t,” he said.

He reached down behind the galley proofs, the Webster’s 2nd Unabridged, and a photo of Dietrich, and took out a bottle of Jim Beam and a couple Dixie cups and poured us drinks.

“I fell in love,” he said. “I’m going to LA. to marry her. Ever hear of a songwriter named Joni Mitchell?” And he sang to me—

Pickle jars and foreign cars
The sun is setting here on Mars.
The saffron in the consommé
God, I love a rainy day
It’s raining on the jungle gyms
The tile roofs and spreading limbs
What can I say?
Just one more lonely lady in LA.

“How can you leave us in the hands of Tony Crossandotti?” I said. “The man is a beast. He doesn’t understand writers.”

“Neither do I,” said Mr. Shawn. “You, for example. You don’t learn from experience, Wyler. You’re a guy who’s capable of singing his song and doing his dance but you go crashing around trying to be all things to all people—and then suddenly you can’t write anymore. Big surprise.

“Anyway, I’m done with it. Meeting Joni changed everything. Life is too short to spend it trying to protect the inept from the insensitive. She and I are going to make a beautiful life in Topanga Canyon and enjoy the dappled foliage and the flickering shadows and water running over rocks, and you knuckleheads can edit yourselves.” He drained his cup of whiskey and grinned and shook my hand. “Go home, Wyler. New York is too rough for you. Go back to Minnesota. And learn how to fish.”

Updike’s office was packed with staff members when I got there and I had to squeeze in between Trillin and Salinger, who were perched on the windowsill.

“Here’s the situation,” said a lady with long braids who I think was Penelope Gilliatt or else it was Veronica Geng. “Crossandotti told Shawn that there were too many short stories in the magazine in which people take trains. Or they come back from Ireland and sit and recall a conversation they had with somebody in County Sligo. Somebody on a train. ‘Train travel is dead in this country,’ he tells Shawn. ‘And what’s the big deal about Ireland? You need more stories in which people fish and hunt and get laid.’ So Crossandotti is replacing Shawn with a guy from Field and Stream.”

“How can he do this?” said Trillin. “Even for a publisher, this is insane.”

The lady laughed. “Publishers care about writing the way bears care about butterflies.”

“What in God’s name can we do?” said Powers. “We’re screwed. Might as well move to Ireland.”

Pauline Kael looked slowly around the room. “Imagine this as a movie,” she said. “You’ve got yourself a peaceful little town and this gangster moves in and pushes people around to see how far he can go. And then somebody comes in and sizes up the situation and walks across 44th Street and faces the bully down. And somebody in this room is that person.” She looked at me. So did Updike.

“Well, shoot,” I said. “It sure seems to me that we can’t sit by and let this fella wreck a great American magazine like The New Yorker.”

Updike said, “We’ve taken a vote, Mr. Keillor, and decided you’re the shooter. The rest of us have books coming out, lecture tours, awards to receive — you seem to be going through a dry spell. Maybe homicide can help. There’s a pistol in your desk. Head over to the Algonquin and when he’s not looking, perforate him two or three times. Being a tall person, you can get a good angle. Aim for vital organs. If you’re caught, the rest of us will testify that you were under horrible stress and that you simply snapped. You’ll spend a year or two in a mental hospital and be released and you’ll have material for a best-seller.”

How could I say no?

When I got to my office to pick up the gun, there was a note on my door:

Keillor: Understand you drew the assignment to shoot yrs truly. Well, I’m waiting, Mr Numb Nuts. So write out your Last Will and Testament and leave it on your chair where the mourners can find it and don’t worry about putting on clean underwear. It ain’t going to be clean for long. Tony

Updike stuck his head in my door to see how I was and I said I was fine. I was filling my mind with murderous thoughts and preparing to do the deed.

“Don’t screw this up. It’s extremely important. Everybody at The New Yorker is counting on you. American literature is counting on you. J.D. McClatchy at the Academy of Arts and Letters called to wish you well. Philip Roth wants you to whack this bastard and so does Edward Hoagland. And Michiko Kakutani from the Times.

“Miss Kakutani called? About me?”

“Yes.”

“Consider the trigger pulled,” I said.

“We don’t want to open up The New Yorker someday and find a photograph of two guys in a boat on Lake Mille Lacs holding up a stringer of walleyes, do we?”

“No, sir.”

“The magazine that was home to Edmund Wilson and Richard Rovere, telling people what kind of bait to use for rock bass?”

I promised to do what I said I’d do. I said, “After I kill him, could I possibly call you John? If the answer is no, I would certainly understand, but I’d love to be able to do that.”

“Yes,” he said. “Certainly.”

And so I stood up, cheeks burning, and crossed 44th Street and walked into the Algonquin, where the lobby was empty except for Tony Crossandotti sitting in a wingback chair near the door to the Oak Room surrounded by six empty beer bottles and a pile of pistachio shells on the floor. He had just sprayed himself with cologne and slicked back his hair. He stood up. “Mr. Keillor,” he said. It was right then, facing him ten feet away, I realized I’d forgotten my pistol in my desk drawer.

“I was afraid you had gotten engrossed in a long book,” he said. He looked me over. “You have broccoli on your lapel,” he said. He brushed it away with a pinkie. “How long you been going around with broccoli on your lapel? I would think someone would point this out.”

“You just did,” I said, “and I’m grateful. I wouldn’t expect an asshole like you to take an interest in my personal grooming.”

“I don’t think I heard you clearly.” His breath was very rank. It reeked of beer and pistachios and something else — actually, it smelled of blood.

“Assholes like you, Mr. Crossandotti. People who take a good magazine and beat the shit out of it.”

“Let me give you a word of advice,” he said. “You maybe shouldn’t have come here, seeing as you’re so upset. You maybe should’ve headed over to France on a Guggenheim for a couple years. You could easily get yourself shot in the ear hole for saying things like that. Not by me. I’m a pussycat. But maybe some person loyal to me might hear about what you just said and come after you and blow a hole in your skull.” There was an odd vibrato in his voice, a sort of throbbing in the pineal gland.

“What I’m going to do for you,” he said, tapping me on the chest, “is teach you about gun safety.”

I said, “Mr. Crossandotti, what you’re going to do is leave The New Yorker alone. It’s a great American institution. So tell your Field & Stream guy to go sit on his thumb and find somebody smart to edit the magazine.”

“Hey. Thanks for the opinion. But I’m concerned about you. Let me demonstrate the workings of a pistol and give you a tip or two about firearm safety. Let us step into the Oak Room so as not to alarm the tourists.”

The lobby was deserted except for a man and a woman, English majors by the looks of them, stealing a few coasters for souvenirs.

“Fuck off!” Tony yelled. “Or I’ll rip the lungs out of your chests. Hers first.” They flapped away like startled pigeons.

I said, “Right after you teach me about gun safety, I’ll call up the Times and inform them that you are taking a well-deserved sabbatical in Weehawken and that you’ve agreed to let the staff of The New Yorker elect a new editor.”

“Hey. I appreciate your interest, Keillor. All what you know about publishing would about fit in a cockroach’s left nostril, but never mind. Come this way and let me show you how to wrest a .45 revolver away from a crazed attacker.”

He grabbed my sleeve and started to pull me toward the Oak Room. He was pretty riled and that was my plan, insofar as I had one — to infuriate him until he was frothing at the mouth and pissing his pants and then—do something sudden and violent and unexpected like shoving my forefinger in his eye socket. Or tripping him. Or maybe a sharp blow to the nose with the heel of the hand, driving the nasal bone into the frontal lobe and causing extreme disorientation and then death. I had a number of possibilities in mind.

He towed me into the Oak Room and pulled out his pistol and aimed it at the ceiling and said, “The first lesson in how to deal with a guy who is stronger than you and smarter than you and who is just about to blow a big hole in your ear is not to let yourself be drawn into the type of situation where it’s you and him alone in a room with no other people, okay? That’s the thing you want to avoid.”

“Got it,” I said.

“Number two: don’t attempt to distract him with a sudden move or coughing fit or that old trick of looking over his shoulder and saying, ‘Hi, Jim!’—that works in cartoons, it doesn’t work in real life. Number three: don’t have illusions about your own strength. Some guys, from having watched Alan Ladd movies, get the idea that they could hurl themselves at somebody and knock him to the floor. In your case, this just fucking ain’t gonna happen. It would be like a parakeet hurling itself at a late-model Chevrolet. Strictly unproductive in the larger scheme of things.”

He was about to get to No. 4 when a man walks in with a big Leica around his neck and says, “Is this the room where Dorothy Parker and Benchley and Woollcott and George Kaufman and Marc Connelly and Harpo Marx and Edna Ferber and their friends used to gather for the famous Algonquin Round Table? Which table was that, exactly? I’ve read so much about them and their witty bon mots and how much Harold Ross admired them but it was he, the roughneck from Colorado, who started The New Yorker and those great wits are largely forgotten today.” And Tony yells, “Who gives a fuck! Get your ass out of here or I’ll blow it off you one cheek at a time.”

The guy says, “I’m sorry, but are you talking to me?”

“Get your ass out of here, I said.”

“We came all the way from Minnesota to see the Round Table. Is that a problem? Is now not a good time?”

Tony yells, “Get the hell out!”

“I’m sorry” the guy says. “I didn’t mean to upset you. I just came in to take a picture. We’re New Yorker readers, going back years and years. My gosh, I grew up with the magazine. A big fan of A.J. Liebling and Wolcott Gibbs and Frank Sullivan. And I loved Benchley. And all of them.” And then he recognized me. “Aren’t you an author yourself?” he said.

“Yes, I’m Garrison Keillor,” I said. “I’m from Minnesota as well.”

“Right,” he said. “You used to do that radio show. What was it called? We used to listen to it sometimes.” He turned to ask his wife, but she was gone.

Tony held up the gun so the guy could see it. “This ain’t some book club or discussion group you walked into, this is a gangland-style execution. This is something you definitely don’t want to be a witness to because if you are, I would need to blow you away too. You hear me?”

“I loved when you used to tell stories about that little town, Lake Wabasso or whatever it was,” the guy said. “I grew up on a farm near Morris. You ever get out that way?”

“Not as often as I’d like. I wish I were there right now”

Tony is miffed. He stamps his foot.

“Hey,” he says. “You ever hear of the fucking Mafia?”

The guy said he had seen The Godfather, the first one, but thought the book was better.

“Brando was good and Duvall, but the rest of it was a piece of crap,” says Tony. “Only guy who can write about that stuff is Elmore Leonard.”

“Is he an actor?”

“Elmore Leonard?” Tony looks at me. “I cannot believe this yahoo never heard of Elmore Leonard.”

“Does he write for The New Yorker?” the guy said.

“You never heard of Elmore Leonard? You’re bullshitting me.”

Tony was saying something in Italian that sounded like a curse for when somebody spits in your mother’s tomato sauce. Either that, or a recipe for ground glass. And he was poking the gun in the guy’s ribs.

“Hey,” the guy said. “I can take a hint. Don’t get all hot and bothered. I can come back another time. We’re here for the whole week. I apologize for the trouble. Have a nice day, okay?”

And that was when I killed Tony, when the man said, “Have a nice day, okay?” Tony sort of lost control of himself at that point. He threw his head back and snarled and his arm twitched, and I grabbed the wrist of his gun hand and he yanked with all his strength and in the process pulled the gun down and shot himself in the forehead. The room goes boom and Tony falls down like a load of fresh sod and the guy says, “What happened to him?”

I said, “He tripped on a wrinkle in the carpet. It happens all the time.”

“Is he all right?”

“He’s better than he’s been in a long time. He’s resting now let’s tiptoe out and leave him to his thoughts.”

And Tony opens one red eye and says, “You’ll never write for my magazine again, Mr. Keillor.”

I tried to think of a witty retort—Oh? Really? Who died and made you editor?—and his head rolled to one side and he was out of here, he’d left the building. A powerful publishing tycoon murdered by a second-rate writer. Accidental, in a way, but in another way, quite deliberate. I certainly had homicide in mind when I entered the Algonquin, but the manner in which it happened was unintended so probably it’d be second- or third-degree manslaughter. My defense lawyer would argue that Tony, in resisting my attempt to disarm him, had caused his own demise, and the jury would deliberate for ten minutes and I’d go scot-free and soon thereafter would be waylaid by a van full of shooters and my bullet-riddled body lie on 90th Street, with punctured containers of chicken salad and tabouli strewn from hell to breakfast.

“Should we call an ambulance?” the guy says.

“The hotel will take care of it.”

I leaned down and opened Tony’s jacket and got a roll of bills out of his breast pocket. No sense leaving it for the cops. “Just making sure he’s got cab money,” I say to the guy. I’d never seen ten-thousand-dollar bills before. I didn’t know Reagan’s picture was on them. “I sure never expected something like this,” the guy says to his wife, and then remembered she wasn’t there, so he went to look for her.

The money came to $128,656. I stuck it in my pocket and thought to myself, This whole thing would make a good story, except I’d change it and make the murder more deliberate. I’d have the writer struggle with the tycoon and trip him and the tycoon’s noggin would bonk the leg of the sideboard and the tycoon eyes glaze and the writer snatch up the pistol and kill him. Or hold him until the cops arrive. Or maybe kill him, but with a fork. And I wouldn’t have me be a writer. Maybe a choreographer or composer. A more lethal line of work.

I walked out through the lobby. A bellman had locked the front door and pulled the drapes, and waiters had put up partitions to shield the brunch crowd in the Rose Room. A man in a black suit got off the elevator pushing a wheelbarrow He went in and got Tony and covered him with a tablecloth and wheeled him out to the curb and laid him in the backseat of a taxi and gave the cabbie some bills and away he went. The janitor tore up the carpet Tony died on and laid a black rug there and set a table on the rug. The place was back in business in ten minutes. That’s New York for you. When we die, we leave a hole behind that it takes them less than half an hour to fill. I turned left on 44th Street past the man with the sign FORMER NEW YORKER WRITER DOWN ON LUCK and I dropped $40 in his lap. I felt good. While I as a Christian am opposed to homicide, nonetheless the death of Tony Crossandotti was for the good of journalism. The New Yorker would live on, thanks to me. But I would have to leave New York. Publishing tycoons would be gunning for me after I offed one of their own and I’d be safer in St. Paul because New Yorkers are not sure exactly where it is. They keep getting it mixed up with Omaha.

So R.I.P. Tony Crossandotti. Good-bye to Manhattan and 25 West 43rd. Goodbye, Rainbow Room and Tower Records and H&H Bagels and Scribner’s beautiful bookstore on Fifth Avenue with the wrought-iron railing around the balcony. Goodbye to all that. I return to Minnesota, home of humorous, charitable, modest, soft-spoken people. A state on the same longitude as Italy, with the same slant of light that moved Raphael and Michelangelo illuminating our trees in the afternoon. A state of passionate hockey teams and world-class choirs where, God willing, I shall gain some clarity and lead a happy productive life.

Garrison's weekly columns

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Waiting for snow, hoping, praying

It has snowed a smidge in Minneapolis and I went to church Sunday to give thanks for it and ask for more. The TV weatherman talks about who might be “hit by” a snowstorm and who might “escape,” as if the flakes carry an infectious disease, but snow is light, it does not hit anybody so that you’d feel it, and true Minnesotans love a snowstorm, the hush of it, the sense of blessedness, as Degas loved the female form and Cezanne cared about apples. I thank God for all three, apples, women, and snow, and also for my good health.

 I am an old man chained to a computer and I get less exercise than your average statue in the park, meanwhile I avoid vegetables in favor of peanut butter and bacon sandwiches, I seldom wash my hands and often rub my eyes, my daily water intake is less than that of a small lizard, and yet I feel pretty darned good, knock on wood, whereas certain people I know who lead exemplary lives of daily workouts and hydration and veganism complain of insomnia, sharp stabbing pains, exhaustion, gassiness, and memory loss, so where is the justice, I ask you. How is it that the wicked prosper and the righteous suffer?

The answer is: I have an excellent doctor. I searched high and low for one, eliminating those with WASPy names like Postlethwaite or Dimbleby-Pritchett and those with old names (Amos, Portia, Naomi, Elijah) who maybe don’t know about antibiotics. I scratched very young doctors (Sean, Amber, Jared, Emerald) who maybe don’t understand geriatrics. I eliminated doctors who, when I called to inquire about an appointment, I was put on hold and heard flute music. I nixed doctors who had tassels on their shoes or whose M.D. degrees came from schools in Tahiti or Tijuana. And by the time I found a doctor, medical science had taken great leaps forward in the treatment of sedentary dehydrated germ-ridden men like me, so here I am.

My advice to the young is: Don’t sweat exercise. Eat what you want to eat. Live your life. Follow your heart. And be sure to marry well. I did that a quarter-century ago and it took me a while to realize it but now I feel buoyant around her and without her I’m just going through the motions. With her, I’m Mr. Successful, and without her I’m an old guy with soup stains on his shirt.

Thoreau said to advance confidently in the direction of your dreams and you’ll be successful, but he could’ve been more specific. He himself was a failure, as an author and as a lecturer and at finding a date for Saturday night. When he said, “The mass of men lead lives of quiet desperation,” he was talking about himself. His classic, “Walden,” would’ve been a better book if there’d been a woman living in the cabin with him, but he only had a hard narrow bed and was more interested in mushrooms than in being a fun guy. And he was a Red Sox fan.

Scientists have pointed out that fans of losing teams experience a 20 percent drop in testosterone. A cruel thing. Your warriors go down to defeat and you get up from the TV and your wife comes and puts her arms around you and you think, “Oh no, not this again.”

I’ve been a fan of the Twins (78-84), the Golden Gophers (3-6), the Democratic Party (1 out of 4, counting the Supreme Court), and country music (he gets fired, his wife leaves him, he gets drunk, she runs off with a successful orthopedic surgeon) so I’m running low on testosterone, but there is hope. The lessons last Sunday in church said so. The prophet Isaiah said, “You shall be a crown of beauty. … You shall be called My Delight,” which nobody ever said to me before. The psalm was about feasting, and in the Gospel of John, Jesus did his magic trick turning water into wine at the wedding. I was absolved of my transgressions and I prayed for my daughter and for the infant Ida Rose, one week old, and afterward people around me reached over and shook my hand. I pulled out a five to put in the collection plate and saw too late that it was a twenty and the usher had seen it, so I let it go. Fifteen bucks for a sense of hope? Cheap at the price. And now I look out and see snow falling.

News bulletin: offensive joke ahead

I have a small mind and I don’t mind admitting it. Friends of mine are concerned about the future of democracy in America and thank goodness for them, meanwhile I get a thrill out of sticking a fork into the toaster to retrieve the toasted bread, which I was warned against as a child. Mother saw me do it and imagined sparks flying and the sizzle of her middle child, like a murderer in the electric chair. And now I do it (very carefully) and I’m still here. This is me writing these words, not a ghostwriter.

I take pleasure in the fact that the plastic bags from the grocery store exactly fit our garbage pail and so the garbage goes out the door in the same bag in which the food arrived. I derive pleasure from this. It isn’t about economy or conserving our plastic resources, no, it’s about symmetry. In, out; same bag. I don’t shop at the big fancy megamarkets: bags are wrong size.

I have just discovered that the best way to retrieve the last of the blueberry jam from the bottom of the jar is to use a teaspoon, not a knife. With the time I’ve spent over the years fishing up specks of jam with the tip of a knife, I could’ve written a very bad novella: a teaspoon gets the job done.

I sat through a four-hour performance of “Aida” with the ridiculous Act II procession of triumphant Egyptians hauling wagonloads of defeated Ethiopians through a set the size of the grain silos of Omaha, trumpet fanfares, four horses (count them, 1 2 3 4) on the stage of the Metropolitan Opera, ballet dancers, spear-carriers, priests, the Met chorus in their robes and sandals singing the march, which sounds noble in Italian but the English is so dumb:
We won the war so we wear
The lotus and the laurel:
They smell good and we don’t care
If you think the war was immoral.
(My translation.)

It only made me think of high school commencements I have seen, but with singing instead of speaking.

The great transcendent moment of the opera is at the end. Aida and Radamès locked in the tomb, facing death, sing their farewell to this earth, a delicate ethereal duet that stays with you all the way home on the subway. The Met could’ve shown a movie for Act II, a scene from “Ben Hur,” and saved a half-million bucks.

I am a man with a small mind. (Am I repeating myself?) The major event of this week, plus the opera, was a joke told to me over the phone by a millennial feminist in San Francisco, a friend (I think) but who knows? She told me a joke I’d never dare tell to any woman under sixty. It is so incorrect, alarms go off, red lights flash, a semaphore drops. Do not read the following paragraph, please. Skip it and go to the end.

A woman decides to kill herself and goes out on the Brooklyn Bridge to jump and a sailor grabs her and cries, “No! You have much to live for! Listen. I’m sailing to Italy tonight. I’ll stow you aboard and take care of you and in ten days you’ll be in Naples.” The woman has always wanted to see Italy, so she says yes. The sailor takes her to the boat that night and stows her in a tiny cabin below decks and for a week, as the ship sails, he brings her food every night and they make love. Then one night the captain finds her: “What are you doing here?” She explains. “A wonderful sailor saved my life and he’s taking me to Italy and — he’s screwing me.” The captain says: “He sure is. This is the Staten Island Ferry.”

I explained to the m.f. that this is about date rape, it’s about sexual treachery, about male oppression. And she said, “I thought it was funny. It made me laugh.”

This is bigger news than the government shutdown. An m.f. told a joke because she thought it was funny. The world turns. Aida may yet be rescued. Do not stick a fork into a toaster. Call me a romantic but I believe that someday the Staten Island Ferry may sail to Italy and I hope to be aboard with my wife when it does and we’ll be very happy in a small cabin below decks.

Life is good, unless you get on the wrong train

In response to the government shutdown, I have stayed in bed, gone without bathing, turned off the phone. I am going to continue until Walmart sends me six fresh walleye and a set of white sidewalls autographed by Barbara Walters. I know what is needed and I can hold out for years if I have to.

Meanwhile life is good. Of course tragedy is at the heart of great literature but life is not a novel and we’re here because our parents got excited and happy and if we put our minds to it, we can be happy too. Politics is a mess because liberals want a just world and it just isn’t going to happen, meanwhile conservatives want it to be 1958, but goodness never depended on politicians. Goodness is all around us.

Senator Romney said last week, “To a great degree, a presidency shapes the public character of the nation,” and that is a bunch of hooey and horse manure. America has not suddenly become a nation of sleazy con men and compulsive liars. If anything, the presidency in its current state offers a valuable moral object lesson on an hourly basis. Senator Romney is way off base, like saying “To a great degree, a U.S. senator wields great influence on hair style.” I don’t see it. Children are growing up during this administration who are learning a good lesson: if you don’t know history and you can’t do math, you’re in deep water and there’s no way to hide it.

Goodness is lavished on the world from all sides. Small generosities engender tremendous force against the darker powers. Great kindness pervades our lives. The man at the newsstand says “Good morning” and “How is your day so far?” and he is from somewhere in the Middle East and I am warmed by his blessing. The woman at the café pours a cup of coffee, light, and toasts my sesame bagel and slathers it with cream cheese with scallions. I ask her how her day is so far and she smiles enormously and says, “Excellent, sweetheart.”  I’m in Penn Station, with my daughter, waiting for the train to Schenectady, and a Schenectadian tells me to be sure to visit the Nott Memorial at Union College, which I take as a joke — what is a memorial that is not? “N-o-t-t,” he says. “The guy who built the thing.” Schenectady is a depressed old factory town but here is a man who loves it and I have a perfect bagel and coffee and we two are about to embark on the 8:15 train. It is a very good morning and it is shaped by good people and God Almighty, not by the president. He is as irrelevant as Delaware, El Dorado, the Elks Club or L.S.M.F.T.

I have no business in Schenectady: the trip is my gift to my daughter who just turned 21 and who loves train rides. We’ll go up on the Adirondack and back to New York on the Lake Shore Limited, which used to be the 20th Century Limited, which Cary Grant rode in North By Northwest. I will sit by the window, point out the Tappan Zee Bridge, Poughkeepsie, Albany, and she will study the people around us. I’m a loner, she’s the sociable one, scoping out the neighbors. Up around Yonkers, she leans against me, scootches down, lays her head on my shoulder. She says, “I love you.” She falls asleep.

When I say “life is good,” I’m not talking about serenity. I’m not a guy who feels complete within himself and at home in the universe. I am talking about the basic animal goodness of having a mate — my wife, who doesn’t care for trains, enjoying her day alone in the city — and having a daughter who loves me and nestles against me. I was a neglectful father, obsessed with work, on the road, and yet I got this beautiful daughter, jokey, loyal, good company, affectionate. I want to warn her against men, their cruelty and treachery. When they’re not vulgar, they’re clueless. They are brutes and savages, all of them, and you should avoid them whenever possible, especially the shy and sensitive ones, they’re the worst, and if you decide to have one of your own, find one who seems trainable. This may take years. If he doesn’t show progress, kick him down the stairs and start over. This is what needs to happen in Washington. What are we waiting for? Hurl the bozo out on the street and his robotic vice president with him. Nancy Pelosi for president. Next week would not be too soon. Next stop, Schenectady.

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The Writer’s Almanac for January 23, 2019

The Writer’s Almanac for January 23, 2019

It was on this day in 1977 that the miniseries “Roots” premiered on ABC. Restaurants and shops cleared out while it was showing, and bars showed it on their TVs in order to keep customers there.

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A Prairie Home Companion: January 26, 2008

A Prairie Home Companion: January 26, 2008

This week, huddle close together for another stream of a classic winter episode! With special guests Chuck Mead, Becky Schlegel, Nellie McKay, and humorist Roy Blount Jr. (pictured).

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The Writer’s Almanac for January 22, 2019

The Writer’s Almanac for January 22, 2019

Today is the birthday of British Romantic poet Lord Byron (1788), who was called “mad, bad, and dangerous to know” by one of his many lovers.

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The Writer’s Almanac for January 21, 2019

The Writer’s Almanac for January 21, 2019

Today is Martin Luther King, Jr., Day, a national holiday that Ronald Reagan signed into law in 1983, following years of activists’ petitions, conferences, and advocacy.

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The Writer’s Almanac for January 20, 2019

The Writer’s Almanac for January 20, 2019

It’s the birthday of the late Susan Vreeland (1946), whose novels, such as “Girl in Hyacinth Blue,” intersected with alternate histories of art.

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The Writer’s Almanac for January 19, 2019

The Writer’s Almanac for January 19, 2019

Today is the birthday of Edwidge Danticat (Port-au-Prince, Haiti, 1969), author of “Krik? Krack!” and the upcoming short story collection “Everything Inside.”

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The Writer’s Almanac for January 18, 2019

The Writer’s Almanac for January 18, 2019

It’s the birthday of Rubén Darío (1867), a great poet in the Spanish-speaking world who is barely known to English speakers.

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The Writer’s Almanac for January 17, 2019

The Writer’s Almanac for January 17, 2019

Anton Chekhov’s “The Cherry Orchard” premiered on this day in 1904. He had meant for it to be a comedy, and was annoyed that the director had presented it as a tragedy.

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The Writer’s Almanac for January 16, 2019

The Writer’s Almanac for January 16, 2019

On this day in 1605, Book One of Cervantes’ “Don Quixote” was published. The novel remains the most-translated book in the world after the Bible.

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The Writer’s Almanac for January 15, 2019

The Writer’s Almanac for January 15, 2019

“If a man hasn’t discovered something that he will die for, he isn’t fit to live.”
–Martin Luther King, Jr., born this day in Atlanta, 1929

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Writing

Waiting for snow, hoping, praying

It has snowed a smidge in Minneapolis and I went to church Sunday to give thanks for it and ask for more. The TV weatherman talks about who might be “hit by” a snowstorm and who might “escape,” as if the flakes carry an infectious disease, but snow is light, it does not hit anybody so that you’d feel it, and true Minnesotans love a snowstorm, the hush of it, the sense of blessedness, as Degas loved the female form and Cezanne cared about apples. I thank God for all three, apples, women, and snow, and also for my good health.

Read More

News bulletin: offensive joke ahead

I have a small mind and I don’t mind admitting it. Friends of mine are concerned about the future of democracy in America and thank goodness for them, meanwhile I get a thrill out of sticking a fork into the toaster to retrieve the toasted bread, which I was warned against as a child. Mother saw me do it and imagined sparks flying and the sizzle of her middle child, like a murderer in the electric chair. And now I do it (very carefully) and I’m still here. This is me writing these words, not a ghostwriter.

Read More

Life is good, unless you get on the wrong train

In response to the government shutdown, I have stayed in bed, gone without bathing, turned off the phone. I am going to continue until Walmart sends me six fresh walleye and a set of white sidewalls autographed by Barbara Walters. I know what is needed and I can hold out for years if I have to.

Meanwhile life is good. Of course tragedy is at the heart of great literature but life is not a novel and we’re here because our parents got excited and happy and if we put our minds to it, we can be happy too. Politics is a mess because liberals want a just world and it just isn’t going to happen, meanwhile conservatives want it to be 1958, but goodness never depended on politicians. Goodness is all around us.

Read More

Onward, my friends! Courage! Comedy!

My first resolution for 2019 is “Lighten up. When someone asks you how you are, say ‘Never better’ and say it with conviction, make it be true.” And my second resolution is: “Don’t bother fighting with ignorance. It doesn’t bother him, and you wind up with stupidity all over you.”

So I ignore the government shutdown and write about the one-ring circus I saw in New York last week, under a tent by the opera house. It was astounding. The beauty of backflips and the balancing act in which a spangly woman does a handstand one-handed on a man’s forehead. The perfect timing of clowns and the dancing of horses, a bare-chested man suspended on ropes high above the arena as a woman falls from his shoulders to catch his bare feet with her bare feet and hang suspended with no net below. A slight woman on the flying trapeze hurling herself into a triple forward flying somersault and into the hands of the catcher. I have loved circuses all my life. This was one of the best. A person can pass through the turnstile in a sour mood and the impossible perfection of feats of style brightens your whole week.

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A Christmas letter from New York

It was, in my opinion, the best Christmas ever. Men are running the country whom you wouldn’t trust to heat up frozen dinners, a government shutdown meant that TSA people worked as volunteers (and also the DOJ employees investigating Individual-1’s dealings with the Russians), and on Wall Street the blue chips were selling like buffalo chips, and yet, in my aged memory, granted that the MRI map of my brain shows numerous multipolar contextually based synopses and a narrowing of the left strabismal isthmus, my little family had a beautiful and blessed week.

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Why I left home and crossed over the river

It was an enormous heroic undertaking that if I told you the whole story, you’d be breathless with admiration, so I will just say this: my wife and I — mostly my wife but I was there, too — have moved from a three-story house in St. Paul to a two-bedroom apartment in Minneapolis. We did it, shed ourselves of truckloads of material goods, and now enjoy the gift to be simple and the gift to be free. Period. End of story.

We did it because it dawned on us that we were two people living in a few corners of a house for ten and that if we didn’t move, the county would send social workers who specialize in dementia issues.

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Time passes except when it suddenly leaps backward

Snow on the ground in Minnesota and a frosty grayness in the air and a delicious chill that makes a person feel alive and vibrant. Cold is a stimulant, but of course some people don’t tolerate it well and they decamp for the Sun Belt and — don’t tell anyone I said this — everything works better when those old people leave town. Traffic flows, the line at checkout moves faster without querulous oldsters demanding a discount on bruised bananas, you don’t have fifteen cars waiting at the drive-up ATM while some old coot tries to remember his PIN number. I can say this because I’m 76. If you said it, you’d be accused of ageism, which it is, but past the age of 70, one is entitled.

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Having reached the end, he continues

The real news these days is about science, and last week the Centers for Disease Control and Prevention reported that life expectancy is dropping in the U.S., and the American male’s average life expectancy is 76.1 years, a figure I reached in October. My expiration date has passed. This comes as a shock, to think that I’m expected to die now, in a state of ignorance, still trying to figure out the basics (What am I here for? Why do rainy days make me happy? Where are my glasses?).

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One more week, its little successes, etc.

It’s a father’s duty to take at least one long trip with each of his children, the two of you, nobody else along, and now that my daughter and I have traveled by rail, the old 20th Century Limited route from Chicago to New York, the trip Cary Grant took with Eva Marie Saint in North By Northwest, we are ready to take another. Nineteen hours from Chicago’s magnificent Union Station to Manhattan’s wretched Penn Station, including a fast run along the Mohawk and Hudson rivers, and the bond between young woman and her old man is sealed solid.

Highly recommended, especially for us newspaper readers constantly fussed-up over national crises — from a train, you see the solidity of the country, its infrastructure, factories, warehouses, everything working remarkably well.

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A great task lies before us, but first we sleep

Small sorrows speak; great sorrows are silent. My current small sorrow is a daily flood of junk e-mail — cheap insurance, health nostrums, hernia repair, free loans, travel discounts, an app to find out if your spouse is unfaithful — a stream of crap generated in Orlando. In tiny print at the bottom is “If you wish to unsubscribe, click here,” and I click there and the stuff keeps coming, an infestation of electronic cockroaches.

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