The Writer’s Almanac for June 16, 2018

Molly’s soliloquy from James Joyce’s Ulysses. Public domain. (buy now)

“O and the sea the sea crimson sometimes like fire and the glorious sunsets and the
figtrees in the Alameda gardens yes and all the queer little streets and pink and blue
and yellow houses and the rosegardens and the jessamine and geraniums and
cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put
the rose in my hair like the Andalusian girls used or shall I wear a red yes and how
he kissed me under the Moorish wall and I thought well as well him as another and
then I asked him with my eyes to ask again yes and then he asked me would I yes to
say yes my mountain flower and first I put my arms around him yes and drew him
down to me so he could feel my breasts all perfume yes and his heart was going like
mad and yes I said yes I will Yes.”


Today is Bloomsday, and James Joyce (books by this author) fans all over the world are celebrating. It commemorates the day on which the events of his novel Ulysses take place. Joyce chose June 16th, 1904, for the setting because it was the day of his first date with Nora Barnacle, his future wife. They’d met each other randomly on Nassau Street in Dublin on June 10th, chatted a bit, and agreed to meet up later. But she stood him up on their first would-be date of June 14th. On the 15th, the 22-year-old James Joyce sent a note to her that read:

“I may be blind. I looked for a long time at a head of reddish-brown hair and decided it was not yours. I went home quite dejected. I would like to make an appointment but it might not suit you. I hope you will be kind enough to make one with me — if you have not forgotten me!”

They successfully met up the following day, June 16th. They went for an evening stroll around the south bank of the Liffey River in Dublin. And Joyce later chose this day for the setting of Ulysses.

Even after the novel’s success, Joyce himself did not call June 16th “Bloomsday.” Nor did he really celebrate the day, though publisher Sylvia Beach organized a celebratory Parisian luncheon on June 16th, 1929 — years before the book was legal in the English-speaking world.

The first modern celebration of Bloomsday was in 1954, the 50th anniversary of the fictional events in Joyce’s book, and about three decades after Joyce published his novel in 1922. Irish writers Flann O’Brien and Patrick Kavanagh got together with critic John Ryan and a dentist cousin of James Joyce, named Tom Joyce, to make a daylong pilgrimage around Dublin. They were to have stops at the Martello Tower (the opening scene of the novel), Davy Byrne’s Pub (where Bloom eats a gorgonzola cheese sandwich) and 7 Eccles Street (where Bloom and his wife, Molly, lived). They role-played, acted out the dialogue, and rode in horse-drawn carriages like those described in the scene of Paddy Dignam’s funeral. They were supposed to end up in the red-light section of Dublin, where the 15th chapter of Ulysses “Nighttown” is set, but the literary pilgrims got a bit drunk and distracted at a pub about halfway through the route and lost their ambition to finish it.

There are big Bloomsday celebrations today in Paris, Toronto, Seattle, Sydney, San Francisco, Buenos Aires, Oslo, Trieste, Minneapolis, Melbourne, Genoa, and Pittsburgh. In Philadelphia, there are readings — seven hours’ worth — on the steps of the Rosenbach Library, where the original manuscript of James Joyce’s Ulysses resides.


It’s the birthday of Joyce Carol Oates (books by this author), born in Lockport, New York, in 1938. She grew up on her parents’ farm in nearby Millersport. Her parents weren’t educated, but they encouraged her in her passion for books and writing. “I can’t remember when I first began to tell stories — by drawing, it was then — but I must have been very young,” she said in an interview with The Paris Review. “It was an instinct I followed quite naturally.” Her grandmother gave Joyce her first typewriter when she was 14, and she never looked back, writing novel after novel in high school and then throwing them away immediately. She was the first in her family to graduate from high school, and she went on to Syracuse University, from which she graduated valedictorian of her class.

She published her first short story collection, By the North Gate, in 1963, and her first novel, With Shuddering Fall, in 1964. Thus began a career that has produced more than 50 novels to date, as well as numerous memoirs and collections of stories, essays, and poetry. She wrote her latest, A Widow’s Story: A Memoir (2011), after Raymond Smith, her husband of 47 years, died unexpectedly of pneumonia in 2008.

She once said, “A writer who has published as many books as I have has developed, of necessity, a hide like a rhino’s, while inside there dwells a frail, hopeful butterfly of a spirit.”

 


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Old man in his pew among the Piskies

A whole string of perfect summery September days and we sit outdoors eating our broiled fish and cucumber salad and the last of the sweet corn crop while looking at news of people stranded in flooded towns in North Carolina, unable to evacuate because they are caring for an elderly bedridden relative. They stand on their porch, surrounded by filthy floodwater, waiting for rescue, and meanwhile we pass a bottle of Pouilly-Fuissé and look forward to ice cream.

This is why a man goes to church, to give thanks for blessings and to pray for the afflicted, while contemplating the imbalance, us on the terrace, them on the porch. And to write out a check for flood relief.

I go to the church where my wife and I were married twenty-three years ago in New York City. She was raised Episcopalian so I became a Piskie too, out of pure gratitude. Had she been Quaker, I would’ve quaked; had she been Jewish, hand me the Torah, Laura. My evangelical family liked Jeremiah and Ezekiel a lot more than “Blessed are the meek” and if there had been a First Pharisee church in our town, we’d have been there.

Piskies are a mixed lot, lifelongs and newcomers, believers and tourists, and this church has African and Asian elements along with us Anglos in our wingtips and herringbones. After we confess our sins and are absolved, people ramble around the sanctuary shaking hands and hugging, a cheerful and democratic moment, like recess in school. We’ve all been forgiven for our arrogance and carelessness and put that behind us and now have a chance to do better. This is enormously uplifting and then the ushers come along with the collection plates. I scribble:

I say the prayer of contrition
And see my pernicious condition,
And then in an inst-
Ant am cleansed, at least rinsed,
A sinner but a newer edition.

I trust that after I die
I will fly to my home in the sky,
But if it’s not so,
I’ll never know.
I could worry about it, but why?

And onward we go to Communion. The church is practically full and Communion takes awhile and I turn to the Communion hymn and it’s not one of the high Anglican hymns that we’re often obliged to attempt, hymns meant for a choir in white robes with cinctures and ruffled collars, with singers named Alastair, Barnaby, Cecil, and Dorian, after which there will be tea and cakes in the refectory and someone will ask about our summer in Cornwall and we’ll say, “Brilliant. Smashing.”

No, it’s not one of those hymns, it’s Low Church, so low that I associate it with Pentecostals singing in a storefront, or a revival service under a tent. It’s “Give Me Jesus.” It’s a spiritual that’s made its way into bluegrass and Christian rock, and Southern quartets have recorded it and so has Kathleen Battle and it goes:

In the morning when I rise,
In the morning when I rise,
In the morning when I rise,
Give me Jesus.

And “When I am alone” and “When I lay me down to die” — and we Episcopalians of Manhattan are seized by the power of this simple song and sing it with feeling. The music takes hold of you and no matter what was on your mind a moment ago, you give yourself to this song, and then the organ drops out on the third verse and we’re acappella and tears come to your eyes because suddenly you are not a New Yorker anymore, not a white college graduate, but are maybe out in the middle of Nebraska or Oklahoma or North Carolina, surrounded by farmers and truck drivers and their wives, most of whom voted for the real-estate developer, and you’re singing, “You can have all this world, give me Jesus.” My aunts and uncles and cousins are there who didn’t come to the wedding because it was my third marriage, and we’re all singing, “Give me Jesus.” We’re together with people who disapprove of us almost as much as we do of them and we are all singing.

It’s why a man goes to church, to be shaken, and I walked out onto the street and past the deli, the Thai restaurant, the Korean grocery, and headed home to my wife. She was looking at photographs of people stranded in their homes in North Carolina, waiting for help to arrive. Brown floodwater up to the floorboards, woman in a chair, man in the doorway, waiting.

Old man spends Sunday among Lutherans

Back when I did a radio show in Minnesota, I liked to make fun of Lutherans for their lumbering earnestness, their obsessive moderation, their dread of giving offense. I felt obliged to make fun of them because they were the heart of my audience, but now that I’m old and out of the way, I feel obliged to do penance, and so last weekend I traveled to Bayfield, Wisconsin, to speak at an old Norwegian church, Bethesda Lutheran, celebrating its 125th anniversary there on the shore of Lake Superior. I was not paid to do this but I was offered coffee and doughnuts.

Bayfield is an old fishing and lumbering town whose main industry now is tourism. The town has tried to kill off tourism by raising the price of rooms to a Manhattan level but people still come from near and far to look at the lake. I myself would rather look at Lutherans, so I did that instead.

Bethesda is a handsome classic wooden church, high-pitched roof and steeple. You’d find it in Grant Wood and in New England landscape paintings. The sanctuary seats about 100 skinny people, or about eighty Lutherans, and it was full for the 8:30 a.m. service. The good people had put my favorite hymns in the service, “Sweet Hour of Prayer” and “Children of the Heavenly Father,” “Nearer, My God, To Thee,” and “Shall We Gather at the River,” and they sang them beautifully, as Lutherans do. Harmony is fundamental to their faith. You may disagree with them on doctrine but if you can sing alto or tenor, you’re okay.

They assigned me to read the Epistle at the service, and I noted that they’d chosen a passage from 1 Peter: “Rid yourselves, therefore, of all malice, and all guile, insincerity, envy, and all slander,” thereby paying me back for forty years of satire on the radio. I took it to heart, as one should. Envy and insincerity I’m certainly guilty of, malice and slander not so much, and guile — I don’t think so. “Guile” infers craftiness and smarts, and I plead innocent there.

They did give me a chance to speak in my own defense, which was only right, since I’d flown out from New York for the service. I began by correcting them: a pastor had said they were celebrating the 125th anniversary of “Christian worship and witness in Bayfield” and I reminded them that French Catholic missionaries such as Father Jacques Marquette, S.J., had preceded them by 200 years. They took this in good grace.

And then I said what I had come to say, which was that I love them, sincerely. They believe in kindness as a prime virtue and they believe in service to others, doing their part, chipping in, pulling their oar. Bethesda is a small church, only forty-five members, and a lady told me after the service, “We could merge with other churches, but the beauty of a small church is that everyone has to do their part, you can’t leave it to the others.”

They are a warm, accepting people. A note on the bulletin said, “We acknowledge that we worship on the traditional grounds of the Anishinaabe and we honor their elders both past and present.” And the service began with the lighting of sacred tobacco by an Ojibwe elder who played a solo on his wooden flute. He was welcomed and so was I.

I told them they remind me of my aunts who were the important people in my upbringing. I had eighteen of them. We were staunch fundamentalists, not Lutherans, and it was a time when women took a back seat, but my aunts were loving people, merciful, given to kindness, and lovingkindness triumphs over power.

There was coffee and ice cream afterward and extensive commingling, a beautiful Sunday on the shore. I talked with a couple who spend their summers taking wheelchair kids on canoe trips into the Boundary Waters and with a sailor who’d sailed from Bayfield to Norway and said, “When the weather’s rough, you depend on your boat to take care of you,” and I met old people my age who are caring for incapacitated spouses. I was glad I’d made the trip. They feel like family. I could’ve stayed all day but I had a plane to catch. So I stood in their midst and sang, “Wise men say, only fools rush in” and they all joined in and now they know. I can’t help falling in love with Lutherans.

A Prairie Home Companion An Evening of Story and Song Love & Comedy Tour Solo The Gratitude Tour
Schedule

October 14, 2018

Sunday

7:00 p.m.

Burlington, VT

Burlington, VT

October 14, 2018

Garrison makes a special appearance at the Burlington Book Festival, giving advice to writers.

7:00 p.m.

November 3, 2018

Saturday

5:00 pm and 8:00 pm

Minneapolis, MN

Minneapolis, MN

November 3, 2018

Garrison Keillor performs with duet partner Lynne Peterson and longtime collaborator & pianist Richard Dworsky.

5:00 p.m. and 8:00 p.m.

November 15, 2018

Thursday

5:30 p.m.

Bremerton, WA

Bremerton, WA

November 15, 2018

A solo performance with Garrison Keillor at the Admiral Theatre.

Doors at 5:30 p.m.

November 17, 2018

Saturday

7:30 p.m.

Manchester, NH

Manchester, NH

November 17, 2018

A solo performance with Garrison Keillor at the Palace Theatre.

7:30 p.m.

Radio
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Writing

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A whole string of perfect summery September days and we sit outdoors eating our broiled fish and cucumber salad and the last of the sweet corn crop while looking at news of people stranded in flooded towns in North Carolina, unable to evacuate because they are caring for an elderly bedridden relative. They stand on their porch, surrounded by filthy floodwater, waiting for rescue, and meanwhile we pass a bottle of Pouilly-Fuissé and look forward to ice cream.

This is why a man goes to church, to give thanks for blessings and to pray for the afflicted, while contemplating the imbalance, us on the terrace, them on the porch. And to write out a check for flood relief.

Read More

Old man spends Sunday among Lutherans

Back when I did a radio show in Minnesota, I liked to make fun of Lutherans for their lumbering earnestness, their obsessive moderation, their dread of giving offense. I felt obliged to make fun of them because they were the heart of my audience, but now that I’m old and out of the way, I feel obliged to do penance, and so last weekend I traveled to Bayfield, Wisconsin, to speak at an old Norwegian church, Bethesda Lutheran, celebrating its 125th anniversary there on the shore of Lake Superior. I was not paid to do this but I was offered coffee and doughnuts.

Read More

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My annual birthday column, no extra charge

It is a beautiful summer, says I, and I cannot offhand recall any that were beautifuler, not that I am unaware of human suffering, I am aware. I have elderly friends my age who are facing dismal prognoses and friends who are sunk in the miseries of divorce and I feel for all of them but does this mean I can’t feel fresh and eager and be crazy about my wife? No, it does not.

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An ordinary weekend in July, nothing more

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A walk under an umbrella is a form of meditation, and rain always makes me happy. I grew up out in the country and rain meant that I could stay in and read a book and not have to go to Mr. Peterson’s farm and hoe corn. Hoeing corn was the most miserable work I’ve ever done. Nothing I’ve done since even comes close. That, to me, is the definition of the good life, to have something so miserable in your distant past that you can recall in moments of distress and think, “Well, at least this is not as bad as that.”

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Up at cabin, leave paper on porch

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Feeling odd about feeling this good

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