The Writer’s Almanac for March 18, 2019


I Need to Live Near a Creek
by Hayden Saunier

because
the lush

mossy
rush of it

hushes
me up.

 

“I Need to Live Near a Creek” by Hayden Saunier from How to Wear this Body. © Terrapin Books, 2017. Reprinted with permission. (buy now)


It’s the birthday of writer Manly Hall, (books by this author) born in Peterborough, Ontario (1901). He was fascinated by the occult and he traveled all over lecturing. He wrote quite a few books, and he is most famous for The Secret Teachings of All Ages: An Encyclopedic Outline of Masonic, Hermetic, Qabalistic, and Rosicrucian Symbolical Philosophy (1928). It took him six years to write the book, and during that period he worked for a while on Wall Street, which he hated. He wrote: “I felt strongly moved to explore the problems of humanity, its origin and destiny, and I spent a number of quiet hours in the New York Public Library tracing the confused course of civilization. … Translations of classical authors could differ greatly, but in most cases the noblest thoughts were eliminated or denigrated. Those more sincere authors whose knowledge of ancient languages was profound were never included as required reading, and scholarship was based largely upon the acceptance of a sterile materialism.” So he translated and interpreted the texts himself, and wrote his magnum opus.


It’s the birthday of poet Wilfred Owen, (books by this author) born in Shropshire, England (1893). When he was young, his family was well-off, living in a house owned by his grandfather, a prominent citizen. But then his grandpa died, and it turned out that the old man was broke, and the family had to leave and move into working-class lodgings in an industrial town.

He started writing poems as a boy, and he was good at literature and science, but he didn’t do well enough on his exams to get a scholarship at a university. He enlisted to fight in World War I, and he became a lieutenant. In 1917, he was wounded, diagnosed with shell shock, and sent to a hospital to recuperate. There he met another soldier diagnosed with shell shock, Siegfried Sassoon, who was an established poet and mentored Owen. At the hospital, Owen wrote many of his most famous poems, including “Dulce et Decorum Est” and “Anthem for Doomed Youth.” He was one of the first poets to depict the horrifying realities of war, instead of writing glorified, nationalistic poems.

But the next year, he went back to fight, and he was killed in battle at the age of 25. Two years later, Poems of Wilfred Owen (1920) was published.


It’s the birthday of a writer described in his New York Times obituary as “a lanky, urbane man possessed of boundless energy and perpetual bonhomie”: George Plimpton, (books by this author) born in New York (1927). He said of himself: “I am built rather like a bird of the stiltlike, wader variety — the avocets, limpkins, and herons.” He came from an old, wealthy family, went to Phillips Exeter, Harvard, and Cambridge, and served in World War II. He was the founding editor of The Paris Review, a job that he held for 50 years, from 1953 until his death in 2003, and he conducted long, insightful interviews — including one of only two interviews that Hemingway gave in his life. He lived in an apartment above the Paris Review offices, and it never made money so he didn’t get paid for his work. He said: “I can’t help but be hands on. It’s my life, my love. There are other things, fireworks, as you may know, birds and finishing books and articles and God knows what else, but my primary fascination and love is this magazine.”

He was equally famous for the exploits he staged in order to write about them. He fought with Archie Moore in a boxing ring, and cried when he got his nose bloodied. He played baseball with Willie Mays, tennis with Pancho Gonzalez, and golf with Arnold Palmer. He scrimmaged with the Detroit Lions and played goalie with the Boston Bruins, during which he caught a puck with his hand and badly hurt his finger. He played percussion for the New York Philharmonic and hit the gong so hard that Leonard Bernstein, who was conducting the piece, stopped to applaud him. He auditioned for the circus on a trapeze, played bridge against champion players, entered piano contests, and helped design a fireworks display for the city. He lost or did badly at almost everything, but he enjoyed it, constantly proclaiming that things were “Marvelous!” And he wrote clever, funny pieces about his misadventures.


It’s the birthday of John Updike, (books by this author) born in Reading, Pennsylvania (1932). He grew up with a stutter. He wrote: “My first memory of the sensation is associated with our Shillington neighbor Eddie Pritchard, a somewhat larger boy whom I was trying, on the sidewalk in front of our houses, to scream into submission. I think he was calling me ‘Ostrich,’ a nickname I did not think I deserved, and a fear of being mistook or misunderstood accompanies the impediment ever since. There seems so much about me to explain — all of it subsumable under the heading of ‘I am not an ostrich’ — that when freshly encountering, say, a bored and hurried electrician over the telephone, my voice tends to seize up. If the electrician has already been to the house, the seizing up is less dramatic, and if I encounter not his voice but that of his maternal- and amused-sounding secretary, I become quite vocal — indeed, something of a virtuoso of the spoken language. For there is no doubt that I have lots of words inside me; but at moments, like rush-hour traffic at the mouth of a tunnel, they jam. […] Viewing myself on taped television, I see the repulsive symptoms of an approaching stammer take possession of my face — an electronically rapid flutter of the eyelashes, a distortion of the mouth as of a leather purse being cinched, a terrified hardening of the upper lip, a fatal tensing and lifting of the voice. And through it all a detestable coyness and craven willingness to please, to assure my talk-show host and his millions of viewers that I am not, appearances to the contrary, an ostrich.”

And he said: “My father thought that I had too many words to get out all at once. So, I didn’t speak very pleasingly, but I never stopped speaking or trying to communicate this way, and I think the stuttering has gotten better over the years. I have found having a microphone is a great help, because you don’t have to force your voice out of your throat, just a little noise will work. You write because you don’t talk very well, and maybe one of the reasons that I was determined to write was that I wasn’t an orator, unlike my mother and my grandfather, who both spoke beautifully and spoke all the time.”

So he turned his gift with words to writing. He was a good student who worked hard, and after graduating from public high school he got a full scholarship to Harvard. There he had to work even harder. He knew he wanted to be a writer so he majored in English, but he never liked the classics — he knew so little about them that Harvard almost didn’t award him highest honors.

After graduation, he moved to New York and got a job at The New Yorker. But he didn’t like the city, and only lasted a couple of years before moving to the small town of Ipswich, Massachusetts, where he lived for more than 20 years. The townspeople of Ipswich thought of him as a regular guy. As his fellow citizen Bill Wasserman wrote in the local newspaper after Updike’s death, the great novelist liked to play golf, poker and volleyball; volunteered for the Congregational Church; wore corduroy pants and turtlenecks and sweaters with holes; and “at a party once he slid down the entire stairway on his backside.”

It was in Ipswich that Updike wrote Rabbit, Run (1960), the first of his novels about Rabbit Angstrom. When Rabbit, Run opens, Rabbit is 26. His job is demonstrating a kitchen gadget called the MagiPeel Peeler, and his life doesn’t live up to his glory days as a former high school basketball star. With the Rabbit books, Updike did manage to write an epic out of the Protestant ethic — by the end of the series, Rabbit had been through marriage, parenthood, retirement, and death. Rabbit Is Rich (1981) won the National Book Award and the Pulitzer Prize, and Rabbit at Rest (1990) also won a Pulitzer.

John Updike said, “I want to write books that unlock the traffic jam in everybody’s head.”


Today is the anniversary of the “Gardner Heist”: the largest art theft in United States history (1990). A pair of thieves disguised as Boston police officers, complete with fake mustaches, broke into the Isabella Stuart Gardner Museum shortly after one o’clock in the morning. They took advantage of Boston’s preoccupation with St. Patrick’s Day festivities, and told the young guards that they were responding to a disturbance. They spent 81 minutes inside the museum and they made off with 13 works of art: paintings and drawings by Vermeer, Manet, Degas, and Rembrandt — including the only known Rembrandt seascape in existence. The thieves manhandled the paintings, sometimes even carelessly ripping them out of their frames. The paintings have never been recovered, and the loss to the museum is estimated at more than $300 million USD. The statute of limitations for prosecution has now passed, though, and the museum hopes that the thieves will step forward and return the art.

Now and then some statues need replacing

When I heard that the statue of Stonewall Jackson had been pulled down in Richmond, I wondered why it was in Richmond when Stonewall was from North Carolina and made his career in Nashville, then I remembered that in addition to the country singer, there had been a Confederate general.

In fact, the singer had been named for the general, which was no problem in country music in the Fifties. I used to sing a song of his, “Don’t be angry with me, darling, if I fail to understand all your little whims and wishes all the time. Just remember that I’m dumb, I guess, like any foolish man, and my head stays sorta foggy cause you’re mine,” which, in the annals of love poetry, doesn’t rank with “My love is like a red, red rose that’s newly sprung in June” or “Give me my Romeo, and when I shall die, take him and cut him out in little stars, and he will make the face of heaven so fine that all the world will be in love with night” nor even “Be-bop-a-lula, she’s my baby,” but still I sang it, I admit, not considering its Confederate connections.

Not enough people are aggrieved over Thomas (“Stonewall”) Jackson’s statue falling to reelect the president, which he will find out in due course, and my only question is: whom can we replace Jackson with, and Beauregard, Davis, Nathan Bedford Forrest, and the other heroes of the Lost Cause? It’s good to have statues that give old people like me a chance to stop and rest, while out for a walk with a young person, and tell about who that bronze figure on the pedestal is. Nobody in Richmond knew enough about General Jackson to say much about him, and that’s why he and his horse were dismantled. He said, “Let us cross over the river, and rest under the shade of the trees,” which, as dying words go, is very elegant. Too bad Lincoln never had the chance to utter dying words, he was watching a fourth-rate comedy and Booth waited for the laugh line, “Well, I guess I know enough to turn you inside out, old gal — you sockdologizing old man-trap” and fired the gun on the laugh and that was Lincoln’s last line.

As replacements for generals that nobody much remembers, I’d propose Little Richard, a fascinating character who swung back and forth from “Good Golly, Miss Molly” to “How Great Thou Art,” from raunch to gospel, and Miss Flannery O’Connor who said, “Anybody who has survived his childhood has enough information about life to last him the rest of his days.” She said, “Conviction without experience makes for harshness.” She said, “Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it.” Any one of the three would make a terrific inscription on a statue and I say there are enough statues of men on horses, there need to be more statues of slight women in plain dresses wearing glasses and looking intently down at their visitors.

For New Orleans, instead of Beauregard, you’ve got King Oliver and Jelly Roll Morton and Fats Domino to choose from. In Richmond, you can put up the satirist Tom Wolfe (“The problem with fiction, it has to be plausible. That’s not true with nonfiction.” ). Memphis could have Memphis Slim and Willie Dixon and as you approach the statue, you’d step on a steel plate and they’d sing to you, “Nobody loves me, nobody seems to care. Speaking of bad luck, people, you know I’ve had my share.”

The smartest thing General Stonewall Jackson said was, “Always mystify, mislead, and surprise the enemy, if possible; and when you strike and overcome him, never let up in the pursuit, for an army routed, if hotly pursued, becomes panic-stricken, and can then be destroyed by half their number.” And that is what Joe Biden should do. The current Confederate president is starting to panic and it’s time to rout him and bring out the Bolton information, the Mary Trump revelations, the Mattis denunciation, the video of Ivanka praising her father from a script as he listens, the Trump tax returns, and let’s get this wide-ride on the run, his hair flying in the wind, chase him down the road with Mr. Pence hanging on to his coattails. Goodbye, Queens, and hello, Delaware.

A modest proposal: Make today a new day

The beauty of quarantine is that you don’t have to see people you don’t want to see, which simplifies life, just as memory loss does. Life comes down to basics. Sleeping, eating, talking, reading, writing, cooking, doing your business. Days are so quiet that a cup of ginger tea might be a highlight or my wife’s beautiful shoulders where she stands in the kitchen and I put my hands on her, and feel like singing a few lines of Verdi’s “Celeste Aida”. But she’s slicing onions for supper so I don’t. Never sing a big aria to a woman holding a knife, she may forget which opera this is.

In the opera, Aida is locked in a tomb with her lover, Radamès, which is like quarantine but without grocery deliveries and no Zoom. Saturday I did a Zoom chat with fellow workers from back in our touring days, doing shows, and we reminisced about shows in outdoor venues in the rain and the show from Yellowstone where a bison lay down to sleep in front of the satellite dish and the show where squirrels ate the mike cables, the show in Dublin where the audience was completely schnockered.

We won’t be sitting around telling pandemic stories five years from now, stories about sitting on the terrace and looking at the moon, and that’s okay by me. I’m not as interested in stories as I was back in the day. Since January 2017, the nation has seen a thousand fascinating stories out of Washington, each one with the same name in the headline, all of them unbelievable and fascinating, and after three years, a person is exhausted. What remains to happen? Will there be a big statue of him holding a Bible? Will he sign an executive order making the coronavirus go away? Will Jared be put in charge of the Pentagon?

My wife, who I almost sang Verdi to, said a sweet thing the other day. She said, “I wish people would just focus on the future, rather than the past.” I had been saying something about renaming our national capital because George and Martha had 300 slaves, renaming it Emerson after Ralph Waldo who had no slaves and had all his teeth and said smart things, such as “If a man can make a better mousetrap, the world will make a beaten path to his door.” He recommended good books, good friends, and a sleepy conscience. He was in favor of curiosity and science and ambition. All Washington said was “I cannot tell a lie” and that was not true. He was a general who got lucky and caught the British in a trap. Emerson was a philosopher and a poet. If you renamed Washington Emerson, people would start reading him and this would be a far better country.

But she’s right. This country is guilty of mistreating its children. Seventeen million of them struggle to get enough food; malnutrition in the first three years of life can cause enduring problems. Lousy schools limit a child’s prospects for a happy life. Feeding and teaching children are things we know how to do. A sensible society looks after its children, its future. Nothing you do for children is wasted. We can condemn each other for old mistakes, but if we decide that 2021 is a new start and we start looking forward with a clear eye, then we can get somewhere. If Mississippi can finally surrender the Confederacy and take down its flag, there’s hope for the rest of us.

The city of Washington is an object of general scorn and abuse across the land. Let’s wipe the slate clean, rename it Emerson, and restart the idea of good government and common sense. We desperately need his optimism. “Trust thyself,” he said. “Accept the place the divine providence has found for you, the society of your contemporaries. Let us not be invalids in a protected corner, not cowards fleeing before a revolution, but guides, redeemers, and benefactors, advancing on Chaos and the Dark.” This year, we’ve seen the worst. Good. Now we know what it is. Now we can rise above it and join forces and work for what should be, equality, justice, prosperity, and good sense.

“Bad times have a scientific value,” he said. “These are occasions a good learner would not miss.” Washington state and all the Washington counties are enough for George. “This time, like all times, is a very good one if we but know what to do with it.” No need to make a statue of Ralph on a horse, just quoting him is good enough.

Some good advice from an old memoirist. Take it.

My advice to you, young people, is to start asking questions of your elders about family history and who did what when and why and don’t stop until you get answers because, though you’re much too cool to be interested in family history now, someday you’ll want to know these things and by that time they will all be dead.

Okay? Read that paragraph over a couple of times to yourself and then go do it.

I’m trying to finish a memoir and I realize now how much I don’t know and I was too busy careering around as my elders began taking the long walk and I didn’t sit down and ask for the story. My elders were self-effacing Midwesterners brought up not to talk about personal things and they kept many secrets from me such as how did the men fall in love with the women and vice versa, they being such righteous folk and sensible and circumspect. Mother came from a family of thirteen, Dad from eight, and when I knew them, they were all settled in comfortable marriages, and what I want to know is what transpired when they were infatuated and savoring sensual moments and looking forward to throwing caution to the wind.

It happened, even in cautious Christian families like mine. I see the pictures of my youthful aunts in their white summer dresses sashaying around the lakes of Minneapolis and I sense adventure and light-heartedness, not wary mothers I knew them as.

I know that my parents met on July 4, 1931, as teenagers at a picnic at the Keillor farm and were crazy about each other but I wish I’d asked them for more details. He was a farmboy, she was a city girl, slender and shy, and they didn’t marry until six years later, it being the Depression and all, but what happened in those six years? I grew up with two parents who held hands and flirted with each other all their long lives and I’m grateful and I want to know how come and there’s nobody left to ask.

I write about my life, the lost world of hitchhiking, which I knew as a kid and got picked up by angry half-drunk men who raged against the government, their bosses, their Army commanders, their wives, and I got a view of life you couldn’t get in school or from the newspaper. It’s gone and so are the downtown department stores of Minneapolis, the smells and bells, the ladies with white gloves who ran the elevators. I went to a state university back when tuition was so cheap you could pay for your education with a part-time low-wage job, no debt, no need to ask your dad for money, and so you were free to make impractical plans such as become a writer of fiction. I came from a fundamentalist family that was wary of higher education and I plunged into campus life and before I knew it I had four close friends, Larry and Barry and Maury and Arnie, all of them Jewish. I did an early-morning radio show back when people listened to radio religiously, before YouTube and Google and InnerTube and Bugle and iPod and pPod and all the other platforms.

It’s all interesting, but it’s the love stories that a person craves. You want to know that you’re descended from passionate irresponsibility, not a business arrangement or a science experiment, but two people mysteriously drawn to each other. My mother’s parents, William and Marian, courted in Glasgow and she was four months pregnant when they married. Their brood of thirteen children testifies to their feelings for each other. Dad’s parents, James and Dora, were twenty years apart in age. He was an old bachelor on the school board and she was a teacher; she boarded with him and his sister. He came to school and helped her clean blackboards and clap erasers and he kissed her and they ran off and got married. They came home in the buggy and he left the horses standing in harness all night, the reins on the ground, as he carried Dora into the house, his sister having disembarked for a house up the road. It’s good to know these things.

Sit your people down and ask questions. The secret of investigative journalism is: ask questions and keep asking — people want to spill the beans, they just need some warming up. Apply the heat. You will thank me for this someday. I won’t be around but you’re welcome.

In mid-June, we look ahead and think big

I’ve now spent three months in a Manhattan apartment with my wife and daughter, a life that is not so different from, say, living in a lighthouse in the Orkneys. We can see tall buildings, some bright lights, helicopters overhead, but it’s not the New York high life I dreamed of growing up in Minnesota. The problem is that I like it just fine. Solitude suits me pretty well. So why am I here?

I look back at dining out and I don’t miss it, two hours in a loud room where waiters with big personalities serve you tiny portions of a dish that includes much too much lentils to be worth $48. I look back at dinner parties and most of them were two hours too long and the conversation felt like a rehash of the Op-Ed page.

In quarantine, you learn that there’s a lot to be said for a fifteen-minute phone conversation with one other person who’s been in lockdown too and is excited by verbal communication with another human being.

I’m not complaining. People have died from the virus, many of them my age (77). I’m a writer, a trade that can be practiced in a lighthouse as well as in New York. I loved working in the reading room of the New York Public Library but sitting in my kitchen in the month of May, I wrote a novel about a small town in Minnesota. It can be done.

I’m a hermit in a cave. My daughter is fully engaged with her social circle via electronics that I, having grown up with a paper tablet and a No. 2 pencil, know zilch about. My wife knows about it and Zooms with people and puts on a mask and walks through Central Park and I, the fragile old guy with underlying conditions and other conditions lying under those, sit in my room and am okay with that. What once was a punishment is now a privilege.

Thanks to a sensible governor, New York has come through the plague reasonably well, but now comes the hard part: do we want to stay?

I came here because in the eighth grade, a teacher handed me a copy of the New Yorker magazine with a story by John Cheever and I loved his writing and loved the magazine, the urbanity, the humor, the curiosity. I once saw John Updike on the downtown Broadway local train, a thrilling experience. I once went to a party at a writer’s that was so wonderful I stayed until 5 a.m. and stood on the street and felt too happy to go home to bed. I bought a notebook at a newsstand and went to a café and sat and wrote and had breakfast. People passing, heading for the subway, the writer deep into invention.

For true New Yorkers, the city is the only place to be. But for a guy who wrote a novel in the back bedroom? I don’t think so. I don’t need to see Times Square and its flashing signs and canyons of glass where rivers of humanity move through, most of them simply for the experience of being in Times Square.

Locked up for three months, I’ve lost interest in the big city. The Orkneys have sandstone cliffs, seal colonies, and the electricity is wind-generated. Exports include beef, whiskey, cheese, and seafood. The climate is mild, thanks to the Gulf Stream. There are sheep and many lighthouses. Surely there would be one that would welcome a lightkeeper.

It sounds wonderful to me, sleeping in a room under the glass dome, the light sweeping over the North Sea, the sense of public service, warning fishermen from the rocks. Being the only novelist on the island. And I’d escape from the heavy burden of being an American, which has become onerous lately. In my Orknitude, I would only be an old man in a tower and a provider of light.

It’s a perfect plan and now all I need to do is convince my wife. I’m looking at her now as she reads the paper. Surely a man with my language skills can sway this woman’s heart. My darling, my love, take my hand, let us speak of things to come. We’ve done New York. Let me tell you of a wonderful place far away. Put your trust in your husband. If, after ten years, you don’t like the island of Graemsay, I promise we’ll move straight back.

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Writing

Now and then some statues need replacing

When I heard that the statue of Stonewall Jackson had been pulled down in Richmond, I wondered why it was in Richmond when Stonewall was from North Carolina and made his career in Nashville, then I remembered that in addition to the country singer, there had been a Confederate general.

In fact, the singer had been named for the general, which was no problem in country music in the Fifties. I used to sing a song of his, “Don’t be angry with me, darling, if I fail to understand all your little whims and wishes all the time. Just remember that I’m dumb, I guess, like any foolish man, and my head stays sorta foggy cause you’re mine,” which, in the annals of love poetry, doesn’t rank with “My love is like a red, red rose that’s newly sprung in June” or “Give me my Romeo, and when I shall die, take him and cut him out in little stars, and he will make the face of heaven so fine that all the world will be in love with night” nor even “Be-bop-a-lula, she’s my baby,” but still I sang it, I admit, not considering its Confederate connections.

Read More

The News from Manhattan: Monday, July 6, 2020

I’ll spend my twilight years writing comic novels intended to usher people my age into the next world. It’s a high aspiration, ushering. I say, “Exit laughing.”

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The News from Manhattan: Saturday, July 4, 2020

I got the mean pandemic blues / Sit in my PJs, don’t wear shoes / Seldom shave, don’t use a comb / Got no job, just work from home.

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The News from Manhattan: Friday, July 3, 2020

Writing a memoir I discover what an antique I am and I try to make light of it, of course, but the world I knew is gone.

Read More

A modest proposal: Make today a new day

The beauty of quarantine is that you don’t have to see people you don’t want to see, which simplifies life, just as memory loss does. Life comes down to basics. Sleeping, eating, talking, reading, writing, cooking, doing your business. Days are so quiet that a cup of ginger tea might be a highlight or my wife’s beautiful shoulders where she stands in the kitchen and I put my hands on her, and feel like singing a few lines of Verdi’s “Celeste Aida”. But she’s slicing onions for supper so I don’t. Never sing a big aria to a woman holding a knife, she may forget which opera this is.

Read More

The News from Manhattan: Tuesday, June 30, 2020

I honestly wonder if I ever need to leave this apartment ever. Big events come to us.

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I loved sitting and admiring Erica Rhodes on Zoom last night from a comedy club in Minneapolis.

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The News from Manhattan: Saturday, June 27, 2020

The reason to write a novel is to say what you think in a form that allows enormous freedom — you can put the thoughts in different characters.

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The News from Manhattan: Friday, June 26, 2020

An exciting day, editing galleys and I’m down to the last twenty pages. The end is in sight. An author has to be a tough critic, especially an old one.

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The News from Manhattan: Wednesday, June 24, 2020

A lovely evening on our New York terrace made even lovelier by the host, 77, arising from his chair, tripping on it, losing his balance, then stumbling over.

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

Recent reviews:

“Fans laughed, applauded and sang along throughout Sunday night’s two-hour show” -Jeff Baenen, AP News

“His shows can, for a couple of hours, transform an audience of even so-called coastal elites into a small-town community with an intimacy only radio and its podcast descendants can achieve” -Chris Barton, LA Times

“[Keillor is] an expert at making you feel at home with his low-key, familiar style. Comfortable is his specialty.” -Betsie Freeman, Omaha-World Herald

To shop merchandise related to Garrison Keillor, A Prairie Home Companion, and The Writer’s Almanac, visit our new online store >>>