The Writer’s Almanac for Saturday, March 21, 2020


The Tide Rises, the Tide Falls
by Henry Wadsworth Longfellow

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
And the tide rises, the tide falls.

 

“The Tide Rises, the Tide Falls” by Henry Wadsworth Longfellow. Public Domain.  (buy now)


It’s the birthday of the man who said: “Deprivation often makes a writer.” That’s Ved Mehta (books by this author), born in Lahore, India (now Pakistan) in 1934. When he was four years old, he contracted a form of meningitis that caused him to go blind. He said: “In India, one of the poorest countries the world has ever known, the lot of the blind was to beg with a walking stick in one hand and an alms bowl in the other. Hindus consider blindness a punishment for sins committed in a previous incarnation.” But his father was a doctor who thought that his son should have the same opportunities as everyone else, so he sent him to schools that served blind people. One of these was a school for soldiers who had been recently blinded during World War II, and there, Mehta learned to type. With this new skill, he sent letters to every school he could find in England and the United States, and the Arkansas School for the Blind accepted him.

So he left India at the age of 15, and he ended up getting scholarships and attending Pomona, Oxford, and Harvard. While he was at Harvard, someone offered to introduce him to William Shawn, the editor of The New Yorker. Mehta wasn’t really sure what The New Yorker was but he decided to have tea with Shawn, who ended up inviting the 25-year-old to write an article for the magazine. Mehta gave up his fellowship at Harvard to become a staff writer for The New Yorker, where he stayed for almost 35 years.

From the beginning, he was enamored of Shawn, and years later, after his mentor’s death, he published Remembering Mr. Shawn’s New Yorker (1998), a memoir of his years there. In it, he wrote about Shawn: “I fell completely under the spell of his manner — kind, courtly, respectful, and patient. The editing process was arduous and time-consuming, since there was hardly a paragraph that was not touched. Yet he made our work, which could so easily have degenerated into a power play, intensely pleasurable. All the while, I felt that he was sensitizing me to the force and the importance of each word — to its weight, tone, and texture — and was teaching me new ways not only of writing but also of thinking, feeling, and speaking.”

Ved Mehta is the author of many books, including Face to Face (1957), Mahatma Gandhi and His Apostles (1977), and most recently, All For Love (2002), a memoir of sorts about his love affairs with four different women.

He said, “I didn’t want to be a blind writer. I wanted to be a writer who is blind.”


It’s the birthday of a writer who loved the suburbs, Phyllis McGinley (books by this author), born in Ontario, Oregon (1905). In “Suburbia, To Thee I Sing,” she wrote: “Deluded people that we are, we do not realize how mediocre it all seems. We will eat our undistinguished meal, probably without even a cocktail to enliven it. We will drink our coffee at the table, not carry it into the living room. If a husband changes for dinner here it is into old trousers and more comfortable shoes. The children will then go through the childhood routine — complain about their homework, grumble about going to bed, and finally accomplish both ordeals. Perhaps later the Gerard Joneses will drop in. We will talk a great deal of unimportant chatter and compare notes on food prices; will discuss the headlines and disagree. We will all have one highball and the Joneses will leave early. Tomorrow and tomorrow and tomorrow the pattern will be repeated. This is Suburbia. But I think that someday people will look back on our Spruce Manor way of life with nostalgia and respect. In a world of terrible extremes it will stand out as the important medium. Suburbia, of thee I sing!”


It’s the birthday of poet Nizar Qabbani (books by this author), born in Damascus, Syria (1923). His mother, who was illiterate, sold her jewelry to raise money to publish his first anthology, Childhood of a Bosom (1948). Nizar went on to become the most popular Arab poet, publishing more than 20 books of poetry. Much of his poetry was influenced by the tragic deaths of two women he loved. When he was 15, his older sister committed suicide rather than be forced into marriage with a man she did not love, and he turned his attention to the situation of Arab women. He wrote romantic, sensual poems and poetry demonstrating the need for sexual equality and women’s rights. Many years later, in 1981, his second wife, an Iraqi woman, died during the Lebanese Civil War when the Iraqi Embassy was bombed. Qabbani was grief-stricken and frustrated with the political and cultural climate of the Arab world, and he lived in Europe for the rest of his life.

Qabbani said, “Don’t love deeply, till you make sure that the other part loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.”


The Alabama Freedom March began on this date in 1965. The Reverend Dr. Martin Luther King (books by this author) and 3,200 demonstrators set off on a 54-mile march from Selma to Montgomery, Alabama, to protest the disenfranchisement of black voters. They had tried to set off on this march twice before; the first time, state troopers and deputies attacked them with clubs, whips, and tear gas. The second time, they were turned back by a human barricade of state troopers at the foot of the Edmund Pettus Bridge in Selma. On March 10, the Justice Department filed suit in Montgomery to block the troopers from punishing the protestors. President Lyndon Johnson, in a special address, said: “Their cause must be our cause too. Because it is not just Negroes, but really it is all of us, who must overcome the crippling legacy of bigotry and injustice. And we shall overcome” (his ‘We Shall Overcome’ speech on March 15).

The judge ruled in favor of the marchers, but Alabama governor George Wallace complained that deploying the Alabama National Guard to protect the marchers would be too expensive. He appealed to Johnson for help. Johnson signed an executive order to federalize the Alabama National Guard, and deployed them to protect Dr. King and the other civil rights protestors on their march.

The marchers traveled about 12 miles a day, and slept in the fields at night. By the time they reached Montgomery on March 25, their numbers had swelled to 25,000. King gave an address from the steps of the state capitol. He said: “The end we seek is a society at peace with itself, a society that can live with its conscience. And that will be a day not of the white man, not of the black man. That will be the day of man as man.”

President Lyndon B. Johnson signed the Voting Rights Act of 1965 — which prohibits racial discrimination in voting — in August, less than five months after the Selma march.


It’s the birthday of German composer Johann Sebastian Bach born in Eisenach, Germany (1685). His many compositions, including the Brandenburg Concertos (1721) and Goldberg Variations (1741), are considered some of the finest music ever written. He once said, “I play the notes as they are written, but it is God who makes the music.”

Bach came from a musical family. His father was a string player, town piper, and court trumpeter, and all of Bach’s siblings played music. Bach learned Latin and sang in the school choir. When he was nine, he lost both of his parents and went to live with his older brother. His brother taught him how to play the clavichord and to write music, even though ledger paper of that time was costly. When a new organ was under construction at the Ohrdruf Church, Bach was given special permission to watch.

He had a beautiful singing voice, which meant he could go to school for free as long as he sang in the boys’ choir. But his voice changed, so he quickly became an organ virtuoso. He was also something of a rogue, often leaving on foot for faraway towns to see new church organs. He earned a stipend teaching the boys’ choir, but he didn’t really like it, and once got into a fight with a bassoon player in the street. He was even chided for “making music with a stranger maid” in a town church.

Bach wrote both of his famous Passions while serving as the “Thomaskantor,” or music director, of the boys choir in Leipzig. Passion music was typically written for Good Friday services. He was the Thomaskantor in Leipzig until his death in 1750.

His compositions were complicated, and sometimes unwieldy, requiring many more instruments than people were used to. During his lifetime, even though he received commissions and was able to make a living, he wasn’t fully appreciated. At the time of his death, his sole estate was listed as “5 harpsichords, 2 tule-harpsichords, 3 violins, 3 violas, 2 cellos, a viola da gamba, a lute, a spinet, and 52 ‘sacred books.’”

 

 

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A former outlaw appreciating the Republican life

In the spring, there was a shortage of vegetable seeds and now, I’m told, there is a shortage of canning jar lids. This doesn’t affect me, locked down in Manhattan, but it brings back memories of my childhood home, the half-acre garden, the big tomato, corn and cucumber crops, the steamy kitchen with the pressure cooker going full tilt.

As a child, I worried that we might be poor and maybe canning was a sign that we were. Our neighbors were not canners. The dread of the stigma of poverty stuck with me until I was 18 and went to college and actually was poor and took it as a point of pride. I was a poet specializing in unintelligible poetry, and poverty was a mark of authenticity. Geniuses were, of necessity, poor. My girlfriend, however, came from a suburban Republican family and over time, against my principles, I came to love them, especially her mother, Marjorie. She had grown up in North Dakota in the Depression, when dust blew through the windows, her father and brother drunk in the barn, and she set out to make a graceful life of her own and maintain a cheerful atmosphere, avoiding the sort of dark brooding that filled my poetry, and I stepped into the role of boyfriend and enjoyed their company, and gradually they corrupted me and instilled strong bourgeois leanings that an outlaw poet should shun.

It was Marjorie’s fault: I honest to God loved to be around her as she cooked dinner, her Rob Roy in hand, smoking a Winston, chatting about friends and family, prospective travels, nothing about happy childhood memories of which she seemed to have none. She had risen from hardscrabble origins to make a nice life, peaceful, no outbursts of shouting, no ugliness, wall-to-wall carpeting, art on the walls, no trashy behavior, good manners.

I think of her these days as the pandemic has imposed a small life on us. I’m old, I stay home to avoid crowds, we cook at home, our apartment is about the size of their bungalow — LR, DR, 2 BR, Kit — except they also had a den, which we don’t. I don’t know anyone who has a den these days. But it’s a pleasant small life that Marjorie would recognize, a life I avoided for about forty years of gallivanting around, and now I find, to my surprise, that I’ve become fond of it. I turn on the ball game, I pour a ginger ale and pretend its Scotch, I smell the chicken cooking, and I remember that gentle Republican family at home on a Saturday afternoon. Easily satirized but comforting nonetheless.

I was a busy man for about forty years, doing shows, writing books, and in the course of it I gradually lost touch with the world around me, social media, cable TV, apps, electronics, all the current acronyms, GDP, LED, YOLO, POC, ROFL, AFAIK, GPS, LGBTIQQIAA+, and I am an old man enjoying baseball, a crossword puzzle, writing letters with a black pen on white stationery, a dish of ice cream, a cup of licorice tea, all of which were around fifty years ago. The one advantage of modern electronics is that I can Google Jelly Roll Morton or Bill Monroe or Little Richard and there it is on YouTube, no need to pull the vinyl out of the sleeve and set down the needle. The more things change, the more they are the same. I’m in Manhattan but really I’m in a village of the Upper West Side along Columbus Avenue, the drugstore, the grocery, a bookstore, the church on 99th. Like most people who value rationalism and low blood pressure, I ignore politics completely and wait for November 3rd and hope for clarity.

Back in my youth, I wanted to be an artist and imagined this required a reckless life, big mood swings, unfiltered smokes, straight gin, black clothing, and now I feel that inspiration can arise out of quiet and order and a peaceful disposition. I hope so. In my youth, I wrote a great deal about death and now, with death in the air, I write about gratitude for love and music and work and good-hearted Republicans. God grant us more of them.

A late dispatch from the New York correspondent

A chilly night in New York, fall in the air, geese winging along a flyway over West 91st, a lively crowd watching a playground basketball game. Unusual in these pandemic days, to hear a cheering crowd. We’ve been isolating here since March, avoiding the dread virus, leading a life more like that of a lighthouse keeper than a New Yorker, no plays, no Fauré or Bizet or cabaret, though Sunday we sat in a sidewalk café and had a cassoulet, a small soirée, just three of us, me and the Missus and our friend Suzanne whom I like to hang out with because she’s older than I and very lively. She is proof that aging, though likely to be fatal, need not be dull. Gusts of talk, none of it touching on the Unmentionable.

I’m fond of fall, the beauty and brevity of it. Soon the iron gates will clank shut and we descend into the dark trenches of winter. A person always imagines there will be more warm evenings and suppers outdoors, but fall teaches otherwise. And that is what makes life beautiful, the knowledge of approaching November. Last week the world was drenched with the beauty Van Gogh was crazy for and that is why we send our kids off to school, so they don’t become obsessed with beauty and goldenness and can pay attention to algorithms and multiplicity and divisiveness. I was a mediocre student, but every fall I appeared in the classroom door, struggled through college and humanities courses of which I remember nothing at all — I should’ve studied auto mechanics — and then when I was 27, I was hired by a radio station to work the 6 a.m. shift and the same fall, a magazine bought a story of mine for $500. My monthly rent was $80. I was off to the races.

We want what we cannot have. The heart wants life to go on and on. So the old writer goes on writing stories, still hopeful, though there’s plenty of evidence that you hit your peak at forty. You sit doing something you’ve done steadily since childhood and it’s still of keen interest. And Sunday night I dreamed about writing. I’d written a book about the Soviet Union and was invited to talk about it up in the Berkshires and drove on winding roads through little hill towns to a house where I walked up a strange steep staircase with tiny steps to the attic where a dozen people sat around a table to hear my talk. I joked about who should leave first if there were a fire and nobody laughed. They were all communists and took sharp issue with my book and shouted at me in Russian, which I understood but could not speak. The quiet domestic pandemic life has been bringing me a wild dream life.

We bought a new TV in August to liven up our days and somehow cannot figure out how to tune in news programs — which platforms are they on — so we don’t watch them, which is a relief. I’m tired of hearing the name in the news, don’t care to hear words that rhyme with it such as “dump,” “hump,” “lump,” “chump,” “rump,” “slump,” look at the news online and avert my eyes from the smug New York playboy face with the fruitcake hair. It’s time for the election now though it’s September. The election should’ve been held a year ago. The man is a bad dream. I’m an American, I love hamburgers, country music, baseball, small towns on the prairie, the American September, Levi jeans, the poetry of Jim Harrison and Maxine Kumin, and this guy is a Russian who learned his English at the movies. He isn’t one of us, not even slightly.

Nonetheless, life is good. Our happiness never depended on foreign con men. I’m here because my parents loved each other and even though Hitler had overrun much of Europe and was bombing England and people could see what was coming, nonetheless those two nestled in each other’s arms and took their pleasure and I appeared in 1942, on the day of the American assault on Guadalcanal. We got through the Forties and we’ll get through the Twenties. Water is coming out of the tap, the mail is left at the doorstep, the buses are running, and the grocery store is open, we’re in business. The election approaches. Let’s get it done.

Some great music is played on old fiddles

It’s great to see an old, old magazine in headline news for something other than its obit and bravo to The Atlantic and Jeffrey Goldberg for the “losers” and “suckers” story on Trump and his contempt for military service or anything else nonprofitable. It’s been hot news for several days, it got Joe Biden highly impassioned and powerfully articulate, and if any of Trump’s entourage who heard him say what he said would step up and tell the truth, we could get this election over with in a hurry and get on with our lives.

As an old man, I’m pleased by the success of old institutions. The New York Times and the Washington Post have never been so day-to-day excellent as they’ve been in covering the Twitter presidency. The big story isn’t about actions he’s taken or not, it’s about his flagrant contempt for the office, the law, science, knowledge of all sorts, American history and tradition, his laziness and short attention span, his small world of wealthy advisors, his weird sycophants, his whole reality show, a phenomenon never before seen in our time, government by social media based on something he heard on Fox. Journalists at the big papers were trained to take government seriously, and how do they cover a president who doesn’t give a rip?

One old institution that’s been flummoxed by Trump is public radio, the industry where I spent forty happy years creating fiction. At news, which is its primary business, public radio has been lost in the wilderness. Its big marquee shows, Morning Edition and All Things Considered, have never laid a hand on Trump so he’s never bothered to insult them. Part of their problem is gentility: a deep fear of vulgarity, which rules public radio from the top down. Back where I’m from, Minnesota, public radio assiduously avoids the darkness in favor of covering the arts, education, civic uplift, small children, pets, colorful hobbies. It doesn’t try to cover business — much too complicated — or sports, though it loves meteorology: every snowfall is thoroughly examined. The real journalism is practiced by citizens with cellphones who upload video of the forest fires dancing around the houses in the California hills, who caught the cop with his knee on George Floyd’s neck in south Minneapolis back in May. Public radio is capable of inviting a sociologist and a social psychologist to discuss the history of racism for forty-five minutes, but it’s the video by passersby that unleashed a powerful popular agitation for social change.

Radio was Rush’s medium, it lent itself to incantatory hallucinations about the Apocalypse, and he opened the doors to a parade of wild wackos, one of whom is about to be elected to the U.S. Senate from Minnesota. I did a different style of radio, a goulash of old jazz and antique oddities, wishing people a happy birthday, offering joke contests, taking phone calls from the irate. Rush’s style thrives, my sort of show is deader than downtown Detroit. We’ve moved into Podcastville and the production of small clever idiosyncratic audio that gives the listener the sensation of belonging to an exclusive club. Live radio shows are dead because they’re available to everyone. You want to subscribe to “What’s In, What’s Up,” where you can feel united with your tribe of superior intellects.

This is Trump’s bond with his believers. They adhere to him no matter what because all the people they loathe also loathe him. Foreigners, city people, English majors, Times readers, the latte crowd. Loathing is not a prime Christian value but it binds his evangelical base to him even though the man is a stranger to the Word and has never knelt in church except at his three weddings. I feel bad for my evangelical friends; they know what they’re doing, they’ve made a deal with the dark side and so far haven’t seen any benefits, except for the pleasure of making Anglicans and Methodists writhe in misery.

This is why I’m proud of The Atlantic, which now, having recently subscribed to, I can report is a great read. I’m an old man, I don’t have time to waste reading or listening to crap. The Atlantic has been around since Ralph Waldo Emerson’s day and he would be proud of its renaissance. Emerson said, “There is a tendency for things to right themselves.” This November, I hope he’s right.

Destroying (not) the American way of life

As a Democrat accused by Republicans of trying to take away people’s hamburgers, I have to speak in my own defense. I am second to none in my fondness for the beef patty in a bun, a thin slice of onion, and mustard. I do not eat hamburger in a croissant; I am not that type of person. Ketchup is for French fries, mustard for burgers. No mayo, please. The Democrat who’s trying to take away hamburgers is my wife but it’s only my hamburger she’s after, not yours. She thinks they’re unhealthy. I enjoy them even more for her opposition.

As for our wanting to destroy the American Way of Life, I wouldn’t know how to go about that since there are so many Ways of Life involved. Love of human variety is part of it: we’re not a race or breed, we’re an amalgam of strangers and the fact that we can make space for each other is remarkable. Walk down the street and you pass people with headphones tuned to Beyoncé, Brahms, a preacher proclaiming the gospel, a Scientologist, Sean Hannity, poetry plain, poetry strange, Gershwin, George Strait, a podcast about strategic planning. Yes, the country is at war on social media, but in everyday life, Americans show each other enormous tolerance. We look, we smile, we move on.

For me, America means the love of spaciousness, driving west from Minnesota over the open prairie, preferably on two-lane roads, looking at farms, farming being the hardest work there is and unpredictable and dangerous. And also walking through Lower Manhattan and sensing the human history around you in the five-story brick buildings, the people who escaped an emperor or kaiser or czar to come here, no English to speak of, in behalf of their children. They believed that in a free society they would be judged by their character and their competence, not by their social connections. They worked terribly hard at whatever work came their way, in order to secure the right to be American. Certainly, the country produced its share of con men and card sharps, windbags, hustlers, but hard work and competence was honored here, more than family dynasties. We don’t bow to the grand pooh-bahs, we put a whoopee cushion on the throne.

When it comes to patriotism, it’s the American way to play it cool and not walk around jingling your medals. My high school biology teacher was a combat pilot in the Korean War, my phy-ed teacher was a Navy lieutenant on a forward observation boat at Normandy on D-Day, and neither of them went around talking about it, for the simple reason that they had survived and friends of theirs had died and self-aggrandizement dishonors the sacrifice of others. I asked the movie director Bob Altman about his wartime experience and he told me he lied about his age to enlist in the Army Air Forces in 1942 and become a B-17 pilot at the age of nineteen and the plane was loud and hard to handle and it was freezing cold at high altitudes. That was all he cared to say. It wasn’t for him to play the hero.

I know people who will likely vote for the man with his arms wrapped around the flag and I don’t try to talk them out of it but the business about hamburgers and destroying the American Way of Life is garbage of a low order and if you buy into it, you’re heading down a lonely road. Unreality is not a good strategy. It’s a beautiful country and we’re meant to enjoy it and to care about one another. I’ve been watching baseball on TV, a great sport for immigrants, and there seem to be more Latino names than ever, more players of color, but it’s the same beautiful game. This past week, I saw two perfect bunts, a rarity, the batter places his bat to tap the 90 mph pitch into the sweet spot in the infield, left or right, to advance the runners and also arrive safely at first. It doesn’t matter who does it, it’s astonishing. If the umpire were to call a bunt foul that clearly was fair, and if the opposing team were willing to accept this blatant lie, that would violate the American Way, and that is exactly what we’re seeing today. And that is a shame.

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The Writer’s Almanac for Saturday, September 26, 2020

The Writer’s Almanac for Saturday, September 26, 2020

It’s the birthday of composer George Gershwin (1898-1937), whose piece “An American in Paris” featured accompaniment written for taxi horns.

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Writing

A former outlaw appreciating the Republican life

In the spring, there was a shortage of vegetable seeds and now, I’m told, there is a shortage of canning jar lids. This doesn’t affect me, locked down in Manhattan, but it brings back memories of my childhood home, the half-acre garden, the big tomato, corn and cucumber crops, the steamy kitchen with the pressure cooker going full tilt.

As a child, I worried that we might be poor and maybe canning was a sign that we were. Our neighbors were not canners. The dread of the stigma of poverty stuck with me until I was 18 and went to college and actually was poor and took it as a point of pride. I was a poet specializing in unintelligible poetry, and poverty was a mark of authenticity. Geniuses were, of necessity, poor. My girlfriend, however, came from a suburban Republican family and over time, against my principles, I came to love them, especially her mother, Marjorie. She had grown up in North Dakota in the Depression, when dust blew through the windows, her father and brother drunk in the barn, and she set out to make a graceful life of her own and maintain a cheerful atmosphere, avoiding the sort of dark brooding that filled my poetry, and I stepped into the role of boyfriend and enjoyed their company, and gradually they corrupted me and instilled strong bourgeois leanings that an outlaw poet should shun.

Read More

The News from Manhattan: Friday, September 18, 2020

New York seems to be returning to life, more lights, more traffic, more taxis. Meanwhile the pandemic has given us a greater appreciation of what we have.

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The News from Manhattan: Thursday, September 17, 2020

The audiobook business is booming, thanks to people with long commutes, people on Stairmasters, people who like to fall asleep while listening to a book.

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A late dispatch from the New York correspondent

A chilly night in New York, fall in the air, geese winging along a flyway over West 91st, a lively crowd watching a playground basketball game. Unusual in these pandemic days, to hear a cheering crowd. We’ve been isolating here since March, avoiding the dread virus, leading a life more like that of a lighthouse keeper than a New Yorker, no plays, no Fauré or Bizet or cabaret, though Sunday we sat in a sidewalk café and had a cassoulet, a small soirée, just three of us, me and the Missus and our friend Suzanne whom I like to hang out with because she’s older than I and very lively. She is proof that aging, though likely to be fatal, need not be dull. Gusts of talk, none of it touching on the Unmentionable.

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The News from Manhattan: Saturday, September 12, 2020

Our girl left for school this morning. I miss her. I woke her up at 7 this morning, singing “What A Wonderful World,” with the line “I hear babies cry, I watch them grow, they’ll learn much more than I’ll ever know.”

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The News from Manhattan: Friday, September 11, 2020

Thinking about San Francisco today and that beautiful drive up Highway One across the Golden Gate Bridge and through the tunnel with the rainbow painted over it.

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The News from Manhattan: Thursday, September 10, 2020

I spoke with the humorist Calvin Trillin tonight who was enjoying his nightly whiskey. He said the Village is like Paris with all the outdoor dining, but no tourists.

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The News from Manhattan: Tuesday, September 8, 2020

I was in radio for years and now my voice is thin and creaky, all the baritone notes are gone from disuse.

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Some great music is played on old fiddles

It’s great to see an old, old magazine in headline news for something other than its obit and bravo to The Atlantic and Jeffrey Goldberg for the “losers” and “suckers” story on Trump and his contempt for military service or anything else nonprofitable. It’s been hot news for several days, it got Joe Biden highly impassioned and powerfully articulate, and if any of Trump’s entourage who heard him say what he said would step up and tell the truth, we could get this election over with in a hurry and get on with our lives.

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The News from Manhattan: Wednesday, September 2, 2020

The doctor looked way down my throat / And told me to sing a high note

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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