The Writer’s Almanac for Wednesday, May 20, 2020


Juneau
by Dorianne Laux

In Alaska I slept in a bed on stilts, one arm
pressed against the ice-feathered window,
the heat on high, sweat darkening the collar
of my cotton thermals. I worked hard to buy that bed,
hiked toward it when the men in the booths
were finished crushing hundred-dollar bills
into my hand, pitchers of beer balanced on my shoulder
set down like pots of gold. My shift ended at 5 AM:
station tables wiped clean, salt and peppers
replenished, ketchups married. I walked the dirt road
in my stained apron and snow boots, wool scarf,
second-hand gloves, steam rising
off the backs of horses wading chest deep in fog.
I walked home slow under Orion, his starry belt
heavy beneath the cold carved moon.
My room was still, quiet, squares of starlight
set down like blank pages on the yellow quilt.
I left the heat on because I could afford it, the house
hot as a sauna, and shed my sweater and skirt,
toed off my boots, slung my damp socks
over the oil heater’s coils. I don’t know now
why I ever left. I slept like the dead
while outside my window the sun rose
low over the glacier, and the glacier did its best
to hold on, though one morning I woke to hear it
giving up, sloughing off a chunk of antediluvian ice,
a sound like an iron door opening on a bent hinge.
Those undefined days I stared into the blue scar
where the ice face had been, so clear and crystalline
it hurt. I slept in my small room and all night—
or what passed for night that far north—
the geography of the world outside my window
was breaking and falling and changing shape.
And I woke to it and looked at it and didn’t speak.

 

“Juneau” from The Book of Men: Poems by Dorianne Laux. Copyright © 2011, 2012 by Dorianne Laux. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. (buy now)


Shakespeare’s (books by this author) sonnets were first published on this day in 1609, most likely without Shakespeare’s permission. The book contained 154 sonnets, all but two of which had never been published before. Shakespeare (or perhaps the publisher Thomas Thorpe) dedicated the collection to “Mr. W.H.” whose identity has never been known. The poems are about love, sex, politics, youth, and the mysterious “Dark Lady,” and they have given young lovers and the hopelessly romantic words for the ages:

Shall I compare thee to a Summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And Summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines, a
And often is his gold complexion dimm’d;
And every fair from fair sometimes declines,
By chance, or nature’s changing course
untrimm’d:
But thy eternal Summer shall not fade,
Nor loose possession of that fair thou ow’st;
Nor shall Death brag thou wand’rest in his
shade,
When in eternal lines to time though grow’st:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.


On this day in 1946, English-born poet W.H. Auden (books by this author) became a U.S. citizen. An Englishman, Auden moved to the United States in 1939. It was also in the U.S. that he met his lover Chester Kallman. And between 1940 and 1941, he shared a house in New York with other artists, including the writer Carson McCullers and the composer Benjamin Britten.

He volunteered to go back to England and serve in the army when war broke out, but was told that, at 32, he was too old.

In later years, Auden lived on a farm in Austria, teaching interstitially at Oxford and writing for The New Yorker and other magazines. He died in Vienna in 1973.

He said, “It’s a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.”

 

Be well, do good work, and keep in touch.®

A modest proposal: Make today a new day

The beauty of quarantine is that you don’t have to see people you don’t want to see, which simplifies life, just as memory loss does. Life comes down to basics. Sleeping, eating, talking, reading, writing, cooking, doing your business. Days are so quiet that a cup of ginger tea might be a highlight or my wife’s beautiful shoulders where she stands in the kitchen and I put my hands on her, and feel like singing a few lines of Verdi’s “Celeste Aida”. But she’s slicing onions for supper so I don’t. Never sing a big aria to a woman holding a knife, she may forget which opera this is.

In the opera, Aida is locked in a tomb with her lover, Radamès, which is like quarantine but without grocery deliveries and no Zoom. Saturday I did a Zoom chat with fellow workers from back in our touring days, doing shows, and we reminisced about shows in outdoor venues in the rain and the show from Yellowstone where a bison lay down to sleep in front of the satellite dish and the show where squirrels ate the mike cables, the show in Dublin where the audience was completely schnockered.

We won’t be sitting around telling pandemic stories five years from now, stories about sitting on the terrace and looking at the moon, and that’s okay by me. I’m not as interested in stories as I was back in the day. Since January 2017, the nation has seen a thousand fascinating stories out of Washington, each one with the same name in the headline, all of them unbelievable and fascinating, and after three years, a person is exhausted. What remains to happen? Will there be a big statue of him holding a Bible? Will he sign an executive order making the coronavirus go away? Will Jared be put in charge of the Pentagon?

My wife, who I almost sang Verdi to, said a sweet thing the other day. She said, “I wish people would just focus on the future, rather than the past.” I had been saying something about renaming our national capital because George and Martha had 300 slaves, renaming it Emerson after Ralph Waldo who had no slaves and had all his teeth and said smart things, such as “If a man can make a better mousetrap, the world will make a beaten path to his door.” He recommended good books, good friends, and a sleepy conscience. He was in favor of curiosity and science and ambition. All Washington said was “I cannot tell a lie” and that was not true. He was a general who got lucky and caught the British in a trap. Emerson was a philosopher and a poet. If you renamed Washington Emerson, people would start reading him and this would be a far better country.

But she’s right. This country is guilty of mistreating its children. Seventeen million of them struggle to get enough food; malnutrition in the first three years of life can cause enduring problems. Lousy schools limit a child’s prospects for a happy life. Feeding and teaching children are things we know how to do. A sensible society looks after its children, its future. Nothing you do for children is wasted. We can condemn each other for old mistakes, but if we decide that 2021 is a new start and we start looking forward with a clear eye, then we can get somewhere. If Mississippi can finally surrender the Confederacy and take down its flag, there’s hope for the rest of us.

The city of Washington is an object of general scorn and abuse across the land. Let’s wipe the slate clean, rename it Emerson, and restart the idea of good government and common sense. We desperately need his optimism. “Trust thyself,” he said. “Accept the place the divine providence has found for you, the society of your contemporaries. Let us not be invalids in a protected corner, not cowards fleeing before a revolution, but guides, redeemers, and benefactors, advancing on Chaos and the Dark.” This year, we’ve seen the worst. Good. Now we know what it is. Now we can rise above it and join forces and work for what should be, equality, justice, prosperity, and good sense.

“Bad times have a scientific value,” he said. “These are occasions a good learner would not miss.” Washington state and all the Washington counties are enough for George. “This time, like all times, is a very good one if we but know what to do with it.” No need to make a statue of Ralph on a horse, just quoting him is good enough.

Some good advice from an old memoirist. Take it.

My advice to you, young people, is to start asking questions of your elders about family history and who did what when and why and don’t stop until you get answers because, though you’re much too cool to be interested in family history now, someday you’ll want to know these things and by that time they will all be dead.

Okay? Read that paragraph over a couple of times to yourself and then go do it.

I’m trying to finish a memoir and I realize now how much I don’t know and I was too busy careering around as my elders began taking the long walk and I didn’t sit down and ask for the story. My elders were self-effacing Midwesterners brought up not to talk about personal things and they kept many secrets from me such as how did the men fall in love with the women and vice versa, they being such righteous folk and sensible and circumspect. Mother came from a family of thirteen, Dad from eight, and when I knew them, they were all settled in comfortable marriages, and what I want to know is what transpired when they were infatuated and savoring sensual moments and looking forward to throwing caution to the wind.

It happened, even in cautious Christian families like mine. I see the pictures of my youthful aunts in their white summer dresses sashaying around the lakes of Minneapolis and I sense adventure and light-heartedness, not wary mothers I knew them as.

I know that my parents met on July 4, 1931, as teenagers at a picnic at the Keillor farm and were crazy about each other but I wish I’d asked them for more details. He was a farmboy, she was a city girl, slender and shy, and they didn’t marry until six years later, it being the Depression and all, but what happened in those six years? I grew up with two parents who held hands and flirted with each other all their long lives and I’m grateful and I want to know how come and there’s nobody left to ask.

I write about my life, the lost world of hitchhiking, which I knew as a kid and got picked up by angry half-drunk men who raged against the government, their bosses, their Army commanders, their wives, and I got a view of life you couldn’t get in school or from the newspaper. It’s gone and so are the downtown department stores of Minneapolis, the smells and bells, the ladies with white gloves who ran the elevators. I went to a state university back when tuition was so cheap you could pay for your education with a part-time low-wage job, no debt, no need to ask your dad for money, and so you were free to make impractical plans such as become a writer of fiction. I came from a fundamentalist family that was wary of higher education and I plunged into campus life and before I knew it I had four close friends, Larry and Barry and Maury and Arnie, all of them Jewish. I did an early-morning radio show back when people listened to radio religiously, before YouTube and Google and InnerTube and Bugle and iPod and pPod and all the other platforms.

It’s all interesting, but it’s the love stories that a person craves. You want to know that you’re descended from passionate irresponsibility, not a business arrangement or a science experiment, but two people mysteriously drawn to each other. My mother’s parents, William and Marian, courted in Glasgow and she was four months pregnant when they married. Their brood of thirteen children testifies to their feelings for each other. Dad’s parents, James and Dora, were twenty years apart in age. He was an old bachelor on the school board and she was a teacher; she boarded with him and his sister. He came to school and helped her clean blackboards and clap erasers and he kissed her and they ran off and got married. They came home in the buggy and he left the horses standing in harness all night, the reins on the ground, as he carried Dora into the house, his sister having disembarked for a house up the road. It’s good to know these things.

Sit your people down and ask questions. The secret of investigative journalism is: ask questions and keep asking — people want to spill the beans, they just need some warming up. Apply the heat. You will thank me for this someday. I won’t be around but you’re welcome.

In mid-June, we look ahead and think big

I’ve now spent three months in a Manhattan apartment with my wife and daughter, a life that is not so different from, say, living in a lighthouse in the Orkneys. We can see tall buildings, some bright lights, helicopters overhead, but it’s not the New York high life I dreamed of growing up in Minnesota. The problem is that I like it just fine. Solitude suits me pretty well. So why am I here?

I look back at dining out and I don’t miss it, two hours in a loud room where waiters with big personalities serve you tiny portions of a dish that includes much too much lentils to be worth $48. I look back at dinner parties and most of them were two hours too long and the conversation felt like a rehash of the Op-Ed page.

In quarantine, you learn that there’s a lot to be said for a fifteen-minute phone conversation with one other person who’s been in lockdown too and is excited by verbal communication with another human being.

I’m not complaining. People have died from the virus, many of them my age (77). I’m a writer, a trade that can be practiced in a lighthouse as well as in New York. I loved working in the reading room of the New York Public Library but sitting in my kitchen in the month of May, I wrote a novel about a small town in Minnesota. It can be done.

I’m a hermit in a cave. My daughter is fully engaged with her social circle via electronics that I, having grown up with a paper tablet and a No. 2 pencil, know zilch about. My wife knows about it and Zooms with people and puts on a mask and walks through Central Park and I, the fragile old guy with underlying conditions and other conditions lying under those, sit in my room and am okay with that. What once was a punishment is now a privilege.

Thanks to a sensible governor, New York has come through the plague reasonably well, but now comes the hard part: do we want to stay?

I came here because in the eighth grade, a teacher handed me a copy of the New Yorker magazine with a story by John Cheever and I loved his writing and loved the magazine, the urbanity, the humor, the curiosity. I once saw John Updike on the downtown Broadway local train, a thrilling experience. I once went to a party at a writer’s that was so wonderful I stayed until 5 a.m. and stood on the street and felt too happy to go home to bed. I bought a notebook at a newsstand and went to a café and sat and wrote and had breakfast. People passing, heading for the subway, the writer deep into invention.

For true New Yorkers, the city is the only place to be. But for a guy who wrote a novel in the back bedroom? I don’t think so. I don’t need to see Times Square and its flashing signs and canyons of glass where rivers of humanity move through, most of them simply for the experience of being in Times Square.

Locked up for three months, I’ve lost interest in the big city. The Orkneys have sandstone cliffs, seal colonies, and the electricity is wind-generated. Exports include beef, whiskey, cheese, and seafood. The climate is mild, thanks to the Gulf Stream. There are sheep and many lighthouses. Surely there would be one that would welcome a lightkeeper.

It sounds wonderful to me, sleeping in a room under the glass dome, the light sweeping over the North Sea, the sense of public service, warning fishermen from the rocks. Being the only novelist on the island. And I’d escape from the heavy burden of being an American, which has become onerous lately. In my Orknitude, I would only be an old man in a tower and a provider of light.

It’s a perfect plan and now all I need to do is convince my wife. I’m looking at her now as she reads the paper. Surely a man with my language skills can sway this woman’s heart. My darling, my love, take my hand, let us speak of things to come. We’ve done New York. Let me tell you of a wonderful place far away. Put your trust in your husband. If, after ten years, you don’t like the island of Graemsay, I promise we’ll move straight back.

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Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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