February 24, 2019
“Old Friends” Garrison Keillor, Christine DiGiallonardo, Richard Dworsky reunite at Crooners. Shows at 5 p.m. and 8 p.m.
Fergus Falls, MN
February 23, 2019
“Old Friends” Garrison Keillor, Christine DiGiallonardo, Richard Dworsky reunite at A Center for the Arts. 7:30 p.m.
Detroit Lakes, MN
February 22, 2019
“Old Friends” Garrison Keillor, Christine DiGiallonardo, Richard Dworsky reunite at Historic Holmes Theatre. 7:30 p.m.
St. Cloud, MN
February 21, 2019
“Old Friends” Garrison Keillor, Christine DiGiallonardo, Richard Dworsky reunite at Pioneer Place on Fifth. 7:30 p.m.
February 20, 2019
“Old Friends” Garrison Keillor, Christine DiGiallonardo, Richard Dworsky reunite at Paradise Center for the Arts. 7:30 p.m.
I walk around New York City on these perfect summer nights, sirens passing, helicopters chunking above, subway rumbling below, diners in sidewalk cafes, dogs walking their owners, and after a little while, I look for an excuse to sit down. I’m walking because I’m a sedentary guy who is scheduled to fly to Prague with my ambulatory wife who will want to see castles and parks and museums and who will be gratified if I can keep up with her. I don’t care about castles; I am a democrat. My favorite museum is in Cooperstown. But I shall be her consort, walking three steps behind, my head up, fulfilling my role.
Walking around the big city, whenever I see a lighted ballfield, I turn in that direction and find a spot by the backstop and sit. Manhattan is an island, short on space, and so the Parks Department likes to lay out four ballfields in one rectangle, the four home plates in the corners, the diamonds aiming in toward the middle, so that the outfielders are intermingled with each other. A center fielder may backpedal for a long fly ball and make the catch next to someone else’s second base. It’s a whole new ballgame. Interdependence is the key, which is an amazing thing in a country as divided as ours is. I know New Yorkers who’ve never been to Kansas. Hard for me to accept that as normal.
It’s sort of like the great Rose Reading Room at the Public Library on 42nd Street, that hushed chapel where a couple hundred people sit silently at long tables, reading or tapping on laptops, each in his or her separate bubble, bubbles that may be fragile and so a severe decorum is observed. The little skritch of an iPhone camera would violate it. So people don’t. It’s basic cooperation, same as a shortstop saying, “You’re good, you’re good, you’re good” to reassure a backpedaling right fielder from next door to keep his eye on the fly ball, that his path is clear.
New York is a big sports town because a goodly percentage of the population is close enough to the poverty line to be aware of it and pro sports stardom is the fairy tale of poor kids growing up to be rich. I know Midwestern kids who have zero interest in athletics, whose passion is playing video games. There are not many multimillionaire video gamers and they don’t care.
Writing a best-selling novel was my fairy tale, and I’m completely over it now, but in the reading room, I like to imagine that the young African-American woman and the young Vietnamese guy at my table are entertaining that dream. American literature is leaning toward minority authors because that dream is powerfully attractive. A coming-of-age novel about an immigrant family with an abusive father and overwhelmed mother and a nerdy kid with a terrible stutter who, by Chapter 3, you realize is the author of the book. I know Midwestern writers who have zero interest in the novel, whose passion is poetry. There is one millionaire poet in America, Billy Collins, and all the others are earning less than $50K/year teaching creative writing.
My game these days is the memoir and, at 75, I am one of the oldest memoirists around. Most of them are in their 40s. I waited for some sort heartbreak that would make my memoir interesting, but nothing happened, and then I realized that I had married so well that life was likely to go on pleasantly into dementia and beyond, so I’m now almost finished with the first draft. It’s all about luck. People are going to resent it.
I think of the poets vs. the novelists on one diamond, and we memoirists, Shirts vs. Skins, on the adjacent one. I’m a Shirt, a writer who does not tell all. If I start to talk about my impoverished youth when I was sent to walk along the railroad track to pick up coal to heat our house and then I remember that there was no track near our house and anyway the trains were diesel, I realize I have wandered into the novelists field, and I yell, “Sorry!” and I come back. Same if I get too engrossed in describing the woods. The truth is, I was lucky. It could’ve been worse. I married blindly and well. None of us will make it to Cooperstown but it’s okay. A summer night in New York. Be grateful.