November 17, 2018
A solo performance with Garrison Keillor at the Palace Theatre.
November 15, 2018
A solo performance with Garrison Keillor at the Admiral Theatre.
Doors at 5:30 p.m.
November 3, 2018
Garrison Keillor performs with duet partner Lynne Peterson and longtime collaborator & pianist Richard Dworsky.
5:00 p.m. and 8:00 p.m.
October 14, 2018
Garrison makes a special appearance at the Burlington Book Festival, giving advice to writers.
A live performance at the Brady Theater
L’Envoi by Willa Cather. Public domain. (buy now)
Where are the loves that we have loved before
When once we are alone, and shut the door ?
No matter whose the arms that held me fast,
The arms of Darkness hold me at the last.
No matter down what primrose path I tend,
I kiss the lips of Silence in the end.
No matter on what heart I found delight,
I come again unto the breast of Night.
No matter when or how love did befall,
‘Tis Loneliness that loves me best of all,
And in the end she claims me, and I know
That she will stay, though all the rest may go.
No matter whose the eyes that I would keep
Near in the dark, ’tis in the eyes of Sleep
That I must look and look forever more,
When once I am alone, and shut the door.
It was on this day that the poet Guillaume Apollinaire was thrown into jail in Paris for stealing the Mona Lisa, which had gone missing from the Louvre two and a half weeks earlier.
Only Apollinaire was not the thief. Parisian authorities were at a loss for leads, and Apollinaire was an easy scapegoat: He was a foreigner, born in Rome to a Polish mother, and he was a radical who ran with a bunch of Bohemians. Besides, he was a brazen art critic, and he professed contempt for traditional art. He even once said that the entire Louvre should be burned to the ground.
So on this day in 1911, Parisian police arrested the poet for theft of the Mona Lisa and they threw him in jail. They held him there under interrogation for a week. He said that maybe his friend Pablo Picasso was the thief. The authorities arrested Picasso and brought him in for interrogation. Both men were soon released, with no evidence against them.
The Mona Lisa remained missing for more than two years, and then the an Italian man named Vincenzo Peruggia called an art dealer in Italy and offered to sell him da Vinci’s lost painting. When arranging the meeting, Peruggia told the art dealer that he only wanted to bring the Mona Lisa back to Italy, where it rightfully belonged. That, and he wanted $100,000.
The art dealer notified authorities, Peruggia was arrested, and the Mona Lisa made its way back to the Louvre in Paris.
It’s the birthday of Modernist poet Edith Sitwell (books by this author), born in Scarborough, England (1887). Her parents, Sir George and Lady Ida Sitwell, were baffled by their daughter. While Lady Ida was a beauty, Edith was not. She was extremely tall and thin, with a curved spine and a hooked nose. Her parents forced her to wear an iron brace on her back and a contraption on her nose in an attempt to make her more conventionally attractive. Edith was a bright and curious child, but her father decided that formal education made women less womanly, so he refused to let her go to school. When she was a teenager and it came time for her to make her debut in society, she engaged a man in a debate over his classical music preferences, and her parents were horrified and pulled her back out of social gatherings. She left her family on such bad terms that she didn’t even attend her mother’s funeral.
Instead, she made her own life as a Modernist poet and a notable public personality. She published many books of poems, including Rustic Elegies (1927), The Song of the Cold (1948), Gardeners and Astronomers (1953), and The Outcasts (1962). Her poetry has generally been overshadowed by her colorful personality. To accentuate her dramatic features, she wore enormous rings, turbans, and old-fashioned gowns. She said, “I can’t wear fashionable clothes. If I walked round in coats and skirts, people would doubt the existence of the Almighty.” She befriended T.S. Eliot and Graham Greene, and later in her life, championed Dylan Thomas. She considered Marilyn Monroe a soulmate, and the two women read poetry aloud together.
Sitwell’s best-known work is Façade, a series of poems that she set to music — each poem was meant to be read in a specific rhythm. The composer William Walton wrote the music and conducted a live orchestra during the performance. All the audience could see was a curtain painted like a huge face, with a hole in the center for a mouth. Sitwell sat behind the hole, reciting her words through a megaphone. Apparently the first London performance of Façade went so badly that an old woman in the audience waited outside the curtain afterward to hit Sitwell with an umbrella; Noel Coward walked out; and even Virginia Woolf didn’t understand the poetry. Woolf wrote: “So I judged yesterday in the Aeolian Hall, listening, in a dazed way, to Edith Sitwell vociferating through the megaphone. […] I should be describing Edith Sitwell’s poems, but I kept saying to myself ‘I don’t really understand … I don’t really admire.’ The only view, presentable view that I framed, was to the effect that she was monotonous. She has one tune only on her merry go round.” When Sitwell performed Façade in New York more than 20 years later, it was extremely popular.
Sitwell said: “I am not an eccentric. It’s just that I am more alive than most people. I am an unpopular electric eel in a pool of catfish.”
And, “It is as unseeing to ask what is the use of poetry as it would be to ask what is the use of religion.”
It’s the birthday of journalist and novelist Joe Klein (books by this author), born in Queens in 1946. He was a respected political reporter when he decided to write a novel based on Bill Clinton’s 1992 presidential campaign. Although it was fiction, the characters were very thinly disguised. Clinton became Jack Stanton, and Hillary became Susan. Klein called the novel Primary Colors (1996), but he published it under the name “Anonymous,” generating fevered speculation over the identity of the author. Washington insiders and experts pointed to Klein as the author, but he denied it over and over. Finally, when The Washington Post published a forensic handwriting analysis that linked Klein to the manuscript, Klein — wearing Groucho Marx glasses — held a press conference and admitted that he had written the novel and then lied about it. His fellow journalists were furious, but Primary Colors was a best-seller and made Klein a multimillionaire.
It’s the birthday of writer Margaret Landon (books by this author), born in Somers, Wisconsin (1903). When she was 23, she and her husband signed up to be missionaries in Thailand, which was known as the Kingdom of Siam. For 10 years, Landon lived in Thailand, ran a school, and raised her three children. While she was living there, she came across a book by a woman named Anna Leonowens, a Welsh governess who had tutored the King of Siam’s many wives and children during the 1860s. Landon was intrigued by her story, and she fictionalized it in a novel she titled Anna and the King of Siam (1944). Landon’s book became a best-seller in 20 languages, selling more than a million copies. The story became even more famous when it was even more fictionalized into the Rodgers and Hammerstein musical The King and I (1956). Margaret Landon wrote one other novel, called Never Dies the Dream (1949), a fictionalized account of her own experiences in Thailand — but her own story was never as popular as Anna’s.
It was on this day in 1927 that the first successful television image was demonstrated, by the inventor Philo T. Farnsworth. Farnsworth was a Mormon farm boy from Utah, and he grew up in a log cabin. When the family moved to a house in Idaho, Farnsworth was amazed that the house had electricity — he had never seen it before.
Farnsworth was a star science student. At the age of 13, he won a national competition for inventing a thief-proof lock. He was particularly fascinated by something called television. The basic premise of television existed, but the only technology used rotating discs, and it was basically a failure. Farnsworth was convinced that there was a better way. One day, when he was 14, he was plowing the family potato field with a team of horses. He looked back at his parallel lines of soil and was struck with an inspiration: What if he could scan an image in a similar way, with parallel lines of electrons, and reproduce it electronically? He approached his high school chemistry teacher with a set of complex drawings, his blueprint for electronic television. The teacher encouraged Farnsworth to pursue his idea, and filed away his student’s drawings.
Farnsworth finished high school in a couple of years, then started college at Brigham Young University. But after his father died, he dropped out to support his family. He couldn’t shake his television idea, so a few years later, the 19-year-old inventor approached two California businessmen and convinced them to lend him money to build a model. He moved to California, submitted a patent in January of 1927, and began building that summer.
On this day in 1927, he transmitted the first electronic television image: a straight line. When the line appeared on a separate receiver, his assistants just stared at it, speechless. Finally, Farnsworth announced: “There you are — electronic television!”
He continued to refine his technology. But he was not the only inventor who had been working on electronic television, and the powerful RCA (Radio Corp of America) tried to claim that its own chief engineer, a Russian-born scientist with a Ph.D., had invented it. The patent battle lasted many years, and the key piece of evidence to determine who had invented the television first turned out to be the teenaged Farnsworth’s old sketches, which had been kept all that time by his high school chemistry teacher. The court sided with Farnsworth, but even though he had legally won, RCA’s publicity totally overshadowed his, and he never made much money on his patents. He was actually ambivalent about television in general, which he thought was generally a waste of time.
Farnsworth died of pneumonia in 1971. His final years had been marred by alcohol abuse and debt, and he died virtually unknown. The average television set sold that same year included about 100 items that had been first patented by Farnsworth.