The Keillor Reader — Introduction

When I was twenty and something of a romantic, I considered dying young and becoming immortal like Buddy Holly (twenty-two), James Dean (twenty-four), and Janis Joplin (twenty-seven) so that people could place bouquets on my grave and think what a shame it was that I never fully realized my enormous talent. But I didn’t have enormous talent. Some people believed I did because I wrote poems and was shy, didn’t make eye contact, kept to myself. (Nowadays you’d say “high-functioning end of the autism spectrum,” but back in the day oddity was interpreted differently.). Anyway, death didn’t occur. I never needed to charter a plane in a snowstorm as Buddy did, and a car like James Dean’s Porsche 550 Spyder was way beyond my means, and heroin was not readily available in Anoka, Minnesota, so onward I went. I had a lot to think about other than immortality—sex, of course, and how to avoid going to Vietnam and dying young in a stupid war, and then I started a radio show called A Prairie Home Companion, which ate up all my time—a man has to work awfully hard to make up for lack of talent—and suddenly I was forty, which is too old to die young, so I forgot about it and headed down the long dirt road of longevity, and thus arrived at seventy, when I took time to sit down and read my own work and see what is what.

I started out with No. 2 pencil and pads of paper, then acquired an Underwood manual typewriter with a faint f and a misshapen O. You had to poke the keys hard to make an impression. I set it on a maple desk in my bedroom, which looked out onto a cornfield across the road, and I wrote stories about tortured loners who stood at a distance from the crowd and observed their comings and goings with envy tinged with contempt. Or contempt tinged with envy. My parents did not encourage literary aspirations: I was the third of six children of John and Grace, a young Sanctified Brethren couple in Anoka, Minnesota, on the Mississippi, a farm boy and a city girl who eloped and married secretly against opposition from both their families. We have a premarital picture of them on a summer day in a backyard in Minneapolis, looking very dreamy. The Brethren did not read novels or poetry and were wary of history, except what was in Scripture, but they offered a rich supply of contempt. They were the Faithful Remnant, maintaining the pure flame of God’s Word abandoned by the rest of Christianity. I grew up along the river in Brooklyn Park township, where we moved in 1947 into a house Dad built on an acre lot with room for a big garden. All around us were vegetable farms, fields of corn, peas, onions, potatoes. My brother and sister and I attended Benson School, a handsome three-room country school, where I had Estelle Shaver and Fern Moehlenbrock for teachers. In first grade, I was slow to read, and Miss Shaver kept me after school to read aloud to her, which she made me believe was not for my sake, but for hers, to keep her company as she graded papers. She said to Bill the janitor, “Listen to him, doesn’t he have a lovely voice.” In time, I turned into a bookworm and a good speller. At age eleven, after I dropped an easy fly ball during recess, I asked Miss Moehlenbrock’s permission to spend recess in the library, reading history books, a turning point in my life. Instead of vying for the respect of other boys, I sought out the company of old uncles and asked them about the war and the thirties and why did Grandpa Denham come over from Scotland in 1905 and why did Grandpa Keillor come down from New Brunswick in 1880? The old uncles were very grateful for a boy’s interest. All I had to do was ask a few questions and sit and listen. They thought I was definitely gifted. It was so much easier to ingratiate myself with them than to impress my peers. My peers thought I was strange. I didn’t mind. I won the class spelling bee that spring, beating out Billy Pedersen on the word veracity.

The summer before eighth grade, I walked into the office of the Anoka Herald, a down-at-the-heels weekly around the corner from the junior high, and asked the editor, Warren Feist, if I could write sports for him, assuming he’d laugh and say no. It was an act of reckless bravery by a fearful young man, and Mr. Feist was very kind. He smiled and said, “Sure.” So I got to sit in the press box at football games, high above the crowd, and look reporterly as I took extensive notes on each play. Back at the office—thirteen years old, I had an office—Whitey and Russ sat at the keyboards of their monster Linotype machines, with a little flame in back keeping the melted lead hot. Line by line, they clattered away at the stories, pulling the lever that poured the hot lead into the mold to make a slug. I banged out my stories and handed the yellow copy paper to Russ, who typeset them. He and Whitey were both heavy drinkers, pasty-faced with purple noses, and the paper languished in the shadow of the competing County Union. But I was thrilled to be there. Mr. Feist edited my stories gently, removing paragraphs of crowd description, drawing out the action on the field. The Herald was printed on Wednesday afternoon and I made a point to be there to watch. Whitey stood on a platform over the flatbed press and, though he was drunk, he could take a sheet of paper the size of a cafeteria table, shake it loose from the stack, and then flip it up and onto the flatbed, where the roller rolled over it with a whump and a shwoosh and the folder cut and trimmed and folded it, and a copy of the Herald slid down the chute with the sports page and my name, my story about the Anoka Tornadoes ready to be read by dozens, if not hundreds, of subscribers, men and women in kitchens all over Anoka absorbed in my account of the game. It was thrilling then and still is, years later, seeing your own words in print.

My parents were dismayed by newspapering. My mother said that writers were a bunch of drunks, meaning F. Scott Fitzgerald. As a young woman, she had lived near his old neighborhood in St. Paul and heard stories. She also knew that Hemingway, Faulkner, O’Neill, Tennessee Williams, and Dylan Thomas all drank a lot. People went to Thomas’s readings to see if he could remain standing and not drop a cigarette down his pants and set himself on fire. She had read about that somewhere.

As Sanctified Brethren born and bred, they were not sympathetic to the writing life. They cleaved to the literal truth of Holy Scripture and pored over the Word, trying to discern the Lord’s Will. That was the writing that mattered and everything else was vanity and horsefeathers. The Lord wanted us to be watchful, waiting for His Glorious Return, not making up stories. We sat in the Gospel Hall on Fourteenth Avenue South in Minneapolis, perusing Deuteronomy, led by my Uncle Don, who felt that God’s instructions to the Jews wandering in the wilderness had relevance for us. The Bible was awfully exciting to read if you believed it was entirely true—as great literature, it was not bad, but as revelation, it was a wild ride. I was a devout young man, at least in my own heart, and asked to be baptized when I was fourteen, and waded out into the waters with Brother John Rogers as the Brethren sang a hymn. When I was twenty, I abandoned them. I thought that probably they were right, that it was sinful to want to be a writer, but I wanted to do it anyway. It was all I really wanted. A good Christian was supposed to sacrifice his desires to the Lord. I chose not to.

In 1960 I went off to be an English major at the University of Minnesota, where John Berryman, James Wright, and Allen Tate taught. My parents were not pleased, but I didn’t ask for their help and so they had no say about it. I owned three cardboard boxes of stuff including a Webster’s Third Unabridged and an Underwood typewriter. Hiking around campus in blue jeans, white shirt, corduroy jacket with elbow patches, Red Wing work boots, and a broad-brimmed hat, with a pack of Camels or Marlboros in my pocket, I felt obliged to smoke at least one pack of cigarettes every day, two if I could afford them, and drink coffee by the gallon, because that’s what writers do. Back then, a cup of coffee was two bits, a pack of smokes cost 35 cents, and a drink was a dollar. I supported myself by washing dishes and parking cars, both of them formative experiences. You work the morning shift in the heat and steam of the scullery and you feel clean and contented the rest of the day. You stand on a gravel parking lot on the high bluff of the Mississippi, the wintry blast sweeping down the valley, and you direct a stream of cars to their correct spots in straight lines, tolerating no dissent or diversion, stomping out individual preference wherever it occurs, and you discover the fascist storm trooper within yourself. Good to know one’s own capacity.

Mr. Tate was sixty-eight when I took his poetry seminar. A slim, elegant man with a Southern patrician accent—a pal of Robert Penn Warren and Hart Crane—he chain-smoked in class, so we did, too. The whole English Department reeked of tobacco smoke and was proudly alcoholic— anyone who wasn’t was considered an interloper, possibly a Mormon. James Wright chain-smoked through his lectures on Dickens and Whitman, which he delivered through a haze of hangover. He always looked pale and haggard. His line “Suddenly I realize that if I stepped out of my body, I would break into blossom” was written by a man with smoke coming out of his mouth.

My hero, Saul Bellow (The Adventures of Augie March), had recently taught at the U and I liked hearing about him from his pal, my advisor, Joe Kwiat, a big, hearty guy with a great bark of a voice. Snowy-haired Robert Frost came and filled Northrup Auditorium, 4,700 seats, and recited his greatest hits by heart. I was in a crowd of students who stood by the back door and watched him emerge and shuffle down the walk and climb into his limousine. Our great drunken genius was John Berryman, the poet and wildly brilliant lecturer, a man of such towering intellect that I was afraid to be in the same room with him—one caustic word, even a disapproving glance, and I would’ve gone up in flames. He wore a big beard that made him look like he was eating his sweater. He gave readings of his Dream Songs at which his speech was slurred, he slumped against the lectern, lurching into flights of reminiscence, muttering asides to friends in the audience, a man on the verge of collapse. His greatness and his affliction seemed intertwined, a true artist engaging with dark forces in his own body in full public view. Fate had driven him to this condition, just as it had driven him to create poetry, and he could no more give up one than he could stifle the other. And I, fearful of embarrassing myself in public, was clearly incapable of this greatness.

If the true sign of brilliance is to be seriously screwed up, stalked by livid demons, fatally wounded, then I was, compared to Berryman, a dullard and a dolt. My dad had not committed suicide with a shotgun outside my bedroom window when I was twelve. Berryman’s had. Mine simply worked hard. My boyhood may have appeared strict and narrow—no dancing, drinking, smoking, moviegoing, card playing, no rough talk or profanity—but my Brethren were people of great kindness, most of them related to me. I was quite at home among them.

So I accepted that I would never be a true artist and that my future lay in being amusing. For the campus literary magazine, The Ivory Tower, I wrote stuff that owed much to Benchley and Thurber, A. J. Liebling and E. B. White. My journalism teacher, Bob Lindsay, encouraged this. He was a Marine Corps captain—a veteran of two wars, his bald head had a noticeable dent in it, as if a mortar shell had bounced off it—and he was a no-nonsense teacher. In his class, one spelling mistake on a writing assignment, no matter how elegant, earned you an F. We were horrified to hear this. But we learned to copyread, a skill that sticks with you for life. Mr. Lindsay’s office was on the first floor of Murphy Hall, and whenever I walked down the hall, I slowed down, and if his door was open and he didn’t have a visitor, I stuck my head in. He was brusque, not given to b.s., and when he said I should try to catch on at The New Yorker, that was pure gold. And then, unbeknownst to me, he sent the magazine a few pieces of mine from the Tower and a letter attesting to my good character.

I had not told him that I had written to my draft board and said I would not report for induction into the U.S. Army, as I’d been ordered to do. Vietnam was on every young man’s mind and I waited for the FBI to knock on my door and they didn’t. Evidently someone at the draft board office stuck my file in a dark place and thereby put herself in danger—it is a felony to conceal or otherwise impair the availability of a governmental record—and whoever did that deed was braver than I. I owe her a large debt and wish I knew who she is.

In 1966, I spent July and August in New York, holed up in a boarding-house on West Nineteethth Street in a poor Hispanic neighborhood near the Episcopal seminary, and thought about staying permanently. The boardinghouse was cheap: breakfast and dinner along with a room for $75 a week. The clientele was about half recent patients from mental hospitals, doped up on Thorazine, a quiet bunch, who sat in the garden under ailanthus trees listening to the nuns in a nearby convent chanting in Spanish. I was supposed to marry a girl in September, a big wedding in a Methodist church with four bridesmaids in bronze taffeta and country-club reception—it was all planned—and I wanted to escape. I felt like a jerk, abandoning her and her family, who had been so good to me, but I was hearing warning bells—there was a large vacancy between her and me. New York seemed like a good move, what with marriage and the FBI way on my trail. I knew an artist named Irving who drove a cab by night and shot photographs by day, and I hung out with him. He was screwed up, as a true artist should be, he dropped acid, smoked dope, and lived in a one-bedroom fourth-floor walk-up on the Lower East Side with his wife and two baby girls in such poverty as I knew I hadn’t the strength of character to endure. Tiny dim rooms, summer heat, city clangor, sink full of dirty dishes, weeping infants, a bitter wife. New York was a dark swamp where a man could walk deeper and deeper into the muck and disappear and nobody would notice. But what was waiting for me back in Minnesota? I tried to write a piece for The New Yorker that romanticized life on Nineteenth Street as operatic, flamboyant, exotic, people yelling at each other in Spanish, and took it to their offices on West Forty-third, where a very nice woman named Patricia Mosher read it and told me to keep in touch. I took a bus to Boston to interview at The Atlantic. An overnight bus, to save on hotel. Got to the Atlantic office on Arlington Street an hour early and went to the men’s toilet, stood at the sink, took off my shirt, and sort of bathed and dried myself with paper towels, and a man in a suit came in, stood at the urinal, and made a point of not looking at me. He, as it turned out, was the man who would be interviewing me. It was a brief interview and I was not told to keep in touch. I rode the Greyhound back to Minnesota and got married. The next year, Irving jumped out the window and killed himself.

In 1969, I sent some stories to The New Yorker and one was bought off the slush pile by Roger Angell, who became my editor, and I moved my family to a rented farmhouse south of Freeport, Minnesota, in German Catholic country. The magazine paid around $1,000 a story, and our rent was $80 a month, not including heat and light. I sent off two or three stories a month and if they bought one, we were on Easy Street. It was a luxurious life for a writer, not so good for the writer’s wife and infant child, isolated among clannish country people suspicious of strangers. Sweden might have been better, or Bulgaria. I wrote in an upstairs bedroom on my Underwood typewriter on a slab of ¾-inch plywood set on two filing cabinets, my back to a window looking out on the farmyard, the barn, the cattle milling in the feedlot, the silo, the granary, the pig barn, the woods beyond. I found that I could sit and look at a piece of writing for hours at a time and not get twitchy, a skill I had picked up in Brethren Bible study, and I was a good rewriter. Day after peaceful day, visitors on weekends, the occasional big check and encouraging letter from West Forty-third Street. My wife slipped into depression; she spent whole days hardly able to speak. We moved back to the city for her sake and I took a job at Minnesota Public Radio, the six to nine a.m. shift, played records and created a cheery on-air persona, the Old Scout, who rallied listeners to rise and shine and face the day with a smile. It was a good persona. I even started to believe in it myself. I was in an awkward marriage, I was absurdly self-conscious and timid and eager to please and arrogant, all at the same time, but I was lucky. On that early morning shift, I invented a town where the women are strong, the men are good-looking, and the children are all above average. Businesses in that town advertised on my show—Jack’s Auto Repair, Bob’s Bank, Bunsen Motors, Bertha’s Kitty Boutique, the Chatterbox Café, the Sidetrack Tap, Skoglund’s Five & Dime, the Mercantile—and I talked about the women, men, and children, and that town, Lake Wobegon, became my magnum opus, unintentionally. I just sort of slid into it, like you’d go for a walk in the woods and fall into a crevasse and wind up in a cave full of rubies and emeralds. I labored in obscurity for the first few years, and then Will Jones, the entertainment columnist of The Minneapolis Tribune, wrote a big warm embrace of a story and that was the beginning of many good things. Will was an Ohioan and admired James Thurber, thought Lake Wobegon was Thurberesque, and his kind words in print were intoxicating.

In 1974, after writing a fact piece for the magazine about the Grand Ole Opry, I started up A Prairie Home Companion on Saturday evenings, a live variety show with room for a long monologue by me (“It has been a quiet week in Lake Wobegon…”), and found steady colleagues who did most of the work, starting with my boss, Bill Kling, and the producer, Margaret Moos, the engineer, Lynne Cruise, Tom Keith, Bill Hinkley, and Judy Larson, and down to the present day, Sam Hudson, Kate Gustafson, Richard Dworsky, Tim Russell, Sue Scott, and Fred Newman, not to mention fabulous guests, tech guys, good stagehands, and so we sail the ocean blue in pursuit of truth and beauty, sober men and true, attentive to our duty.

Life can be good when you finally grow up. You find steady work you enjoy, buy a car that starts on cold mornings, look for love, sing along with the radio, beget children who nestle on your lap and put their little arms around your neck and kiss you. You mow your lawn, read history, learn to fry fish in beer batter, seek out comfortable shoes, converse with strangers on the bus. You find a hairstyle that suits you. Your taste changes, contemporary art strikes you as ditzy and you are moved by Hopper and Rockwell and Nordic painters of snowscapes. Young Sarah Songwriter only makes you wonder if she is getting enough exercise, whereas a Chopin étude carries visions of women in lamplight, the forbidden kiss, the whisper of silk, the nobility of the arts. You cross the line into your forties, the mortgage years, and the fifties, when you stand weeping at graduations and weddings, and then in the blink of an eye come your sixties and now you’re on Easy Street. You become eminent and benevolent and learn to harrumph. And then seventy. Ah, seventy. A golden age. You are full of wisdom, you have embraced moderation and humility, your work is triumphant, you pee like a Palomino pony, and your imagination is more vivid than ever before. One can’t wait to turn eighty and ninety.

Having once anticipated dying young, I now look back on those times when I might have and did not. The time I dashed out onto a busy freeway to retrieve a heavy mattress I’d foolishly tied with twine to the roof of the car and at 65 m.p.h. physics kicked in and it blew off. While I was dragging it off the road a truck bore down on me as if I were a raccoon and blew its air horn. I heard the Doppler effect up close and the whoosh of the draft made my pant legs go whupwhupwhupwhup and blew my hair back.

One summer my brother Philip and I canoed into a deep cavern in Devil’s Island on Lake Superior, attracted by the dancing reflections on the low cavern ceiling. We steered into a narrow passage, ducking under rocks, and he took pictures of the formations, and after awhile we paddled out, a few minutes before the wake of an ore boat a mile away came crashing into the cavern, three-foot waves that would have smashed us into the rocky ceiling like eggs in a blender. Our mangled remains would’ve floated out and been found by fishermen days or weeks later—two Twin Cities men perish in boating mishap—but instead we sat in the canoe and watched the waves whopping into the cavern and said nothing, there being nothing to say. He raised his Leica and snapped a picture of the crashing waves and dropped it into the lake and it got smaller and smaller as it plummeted to the bottom.

Philip died a few years ago in Madison, Wisconsin, skating on a pond near his house. He who had survived the close call in the cave on Lake Superior fell and struck the back of his head on the ice and suffered serious brain injury and died. He was an engineer, a methodical man, a problem-solver, and I imagine that even as he fell, he was analyzing his mistake—he should’ve sat down on the ice and landed on his butt rather than his head. He tried too hard to remain upright; he should’ve collapsed. His family tried to keep his funeral as light as possible. There were three funny speeches and a rollicking gospel finish, and then we stood around the hole singing hymns as the gravedigger bent down, exposing a big slice of butt crack, and lowered Philip’s body into the ground, and then went to supper.

After we buried my brother, he became a steady, flickering presence in my life, even more so than before. He was a man who strove to get along with people and try to accept them and not scorch them with ridicule, and now I try to be more like him and less like myself.

When you’re in your seventies, people die all around you, at a steady rate. A high school classmate collapsed at our Fiftieth Reunion while I was at the microphone nattering and died two days later. A man died in the audience at A Prairie Home Companion in Seattle; he was old and very ill but wanted to come to the show, and during intermission he simply leaned against his wife and expired. Tom Keith, who was on the radio with me for four decades, came to a post-show party at my house, felt fine, and three days later fell down dead—the man who played Mr. Big, the jowly incomprehensible man, and did the sounds of a golf swing, a man falling off a bridge into piranha-infested waters, a 350 h.p. snowmobile driven by an orangutang over a cliff and onto the ice of Lake Superior. He was a champ.

The living wander away, move to Arizona or Colombia—we don’t hear from them for months, years—but the dead move in with us to stay. They keep busy exhorting us to greater faithfulness, forgiving us, comforting us. My mother-in-law, Marjorie O’Bleness, is smiling from the doorway, holding a Winston and a Rob Roy, listening to a good joke that I cannot hear. My grandmother Dora is kneading bread on the counter, whistling a tune I can’t make out.

I think often of John Updike, who lovingly re-created the backyards and clotheslines of the 1940s small town and described a snowstorm as “an immense whispering” and wrote beautifully of his father bidding him goodbye on a train platform and astonishing him by planting a kiss on the son’s cheek. I last saw John on the New York subway, riding from Broadway and 155th Street to 72nd, a white-haired gent of seventy-five grinning like a schoolkid. At 110th a gang of seminarians boarded and crowded around him, chattering, not recognizing him, and he sat soaking it up, delighted, surrounded by material.

The film director Robert Altman is a hero of mine—shooting a movie in St. Paul though he was eighty-one and in the throes of cancer and barely mobile. He loved his work and so put his mortality aside. If you have flown a B-24 bomber, that screaming unheated boxcar of a plane, on fifty missions in the South Pacific at the age of twenty as Bob had, there is not much left to be afraid of. I remember him sitting in a canvas chair at four a.m. on the corner of Seventh and St. Peter in St. Paul, on a Sunday in July, directing a scene in which Kevin Kline gets up from a stool in Mickey’s Diner and walks out the door and scratches a match on the doorframe and lights a smoke and walks across a rain-soaked street. Bob was pushing to beat the sunrise but he loved studying that walk and lighting it, angling it, instructing the man with the hose, the man in the cherry picker with the spotlight, all the while offering running commentary to his audience of grips and extras. He was a happy man who refused to be seduced into being somebody else, even in Hollywood.

My movie-star handsome teacher Reed Whittemore, author of a fine poem about the enormous silence that follows after a high school marching band finishes practicing on the football field in a small town, author of a fine rant against New York (“Where the best and the worst and the middle / Of our land and all others go in their days of hope to be made over / Into granite careerists”), proposed that literature is a defender of the individual against society and it is also a job of work, like planting a field or building a fence. I am grateful for my own work—more now than ever, the pleasure of scratching away on paper. I sit in my office and look up at a photograph over the fireplace of the old schoolhouse. He had been a carpenter in the shipyards of New Brunswick and came to Minnesota in 1880 to help out his sister Mary, whose husband was terribly sick, and soon after James arrived, the husband died of tuberculosis, leaving Mary with three small children and a 160-acre homestead. So James stayed on. One spring day in 1902, about the time her children were raised, he walked across the road to speak to the schoolteacher, Dora Powell. He was forty-two, a farmer, and she was twenty-two, a lovely slip of a girl from Iowa. He had a strong tenor voice and knew many songs by heart and he always had a book with him and people often saw him reading while driving a team into town or sitting on a mower, cutting hay, reins in one hand and book in the other. We don’t know what happened in the schoolhouse that afternoon, but when they emerged, she had agreed to marry him, and thus they became my grandfather and grandmother. They drove to St. Francis to be married by a judge and when they arrived home, James was so enthused, he forgot to unhitch the horses and they stood all night in the farmyard, their reins hanging down to the ground. He took Dora in his arms and carried her upstairs, a ritual he continued until he got old and feeble. In later years, the Brethren met in the schoolhouse and I sat with them and listened to their long silences, the ticking of the old Regulator wall clock, their prayers, the soulful drone of their hymns, and imagined my grandma, who was then almost seventy, as a young schoolteacher, very proper, hair tied up in a coil of braid, being urgently courted by the farmer from across the road. And now I am her age and the schoolhouse looks down from the wall. It is 1902, and she sees him cross the road, a handsome man with a full moustache, and he walks into her schoolroom and she sees that he has combed his hair and put on a cologne. He stands by her desk and talks about the weather and she sees his discomfort and guesses what he has come to do and she says, “I’m glad you came over because I’ve been meaning to say goodbye. When the school term ends, I plan to go back to Iowa. And I want to bake you a pie to thank you for those times you came over here and lit a fire in the stove and warmed up the place before I got here, and I need to know what kind of pie you like, apple or blueberry.” That is as far as she can go, and now it is his turn to say that he wishes she would not leave, that he would miss her, that he has taken a shine to her, that he has wanted to kiss her for several months now and didn’t know how to manage it. She does not blink. They gaze on each other, not smiling, not frowning, and then he takes a step toward her and bends and kisses her. And kisses her again. He is forty-two and still innocent, locked up in loyalty to his sister’s family, now free. His life is about to begin. He has thirty years left on this earth. He died before I was born. My father believed that he would meet his parents in heaven and recognize them, but Scripture doesn’t say that. I can only meet my grandfather in imagination and there he is, wrapped up in a heavy jacket, frost on his moustache, enjoying his work.

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Waiting for snow, hoping, praying

It has snowed a smidge in Minneapolis and I went to church Sunday to give thanks for it and ask for more. The TV weatherman talks about who might be “hit by” a snowstorm and who might “escape,” as if the flakes carry an infectious disease, but snow is light, it does not hit anybody so that you’d feel it, and true Minnesotans love a snowstorm, the hush of it, the sense of blessedness, as Degas loved the female form and Cezanne cared about apples. I thank God for all three, apples, women, and snow, and also for my good health.

 I am an old man chained to a computer and I get less exercise than your average statue in the park, meanwhile I avoid vegetables in favor of peanut butter and bacon sandwiches, I seldom wash my hands and often rub my eyes, my daily water intake is less than that of a small lizard, and yet I feel pretty darned good, knock on wood, whereas certain people I know who lead exemplary lives of daily workouts and hydration and veganism complain of insomnia, sharp stabbing pains, exhaustion, gassiness, and memory loss, so where is the justice, I ask you. How is it that the wicked prosper and the righteous suffer?

The answer is: I have an excellent doctor. I searched high and low for one, eliminating those with WASPy names like Postlethwaite or Dimbleby-Pritchett and those with old names (Amos, Portia, Naomi, Elijah) who maybe don’t know about antibiotics. I scratched very young doctors (Sean, Amber, Jared, Emerald) who maybe don’t understand geriatrics. I eliminated doctors who, when I called to inquire about an appointment, I was put on hold and heard flute music. I nixed doctors who had tassels on their shoes or whose M.D. degrees came from schools in Tahiti or Tijuana. And by the time I found a doctor, medical science had taken great leaps forward in the treatment of sedentary dehydrated germ-ridden men like me, so here I am.

My advice to the young is: Don’t sweat exercise. Eat what you want to eat. Live your life. Follow your heart. And be sure to marry well. I did that a quarter-century ago and it took me a while to realize it but now I feel buoyant around her and without her I’m just going through the motions. With her, I’m Mr. Successful, and without her I’m an old guy with soup stains on his shirt.

Thoreau said to advance confidently in the direction of your dreams and you’ll be successful, but he could’ve been more specific. He himself was a failure, as an author and as a lecturer and at finding a date for Saturday night. When he said, “The mass of men lead lives of quiet desperation,” he was talking about himself. His classic, “Walden,” would’ve been a better book if there’d been a woman living in the cabin with him, but he only had a hard narrow bed and was more interested in mushrooms than in being a fun guy. And he was a Red Sox fan.

Scientists have pointed out that fans of losing teams experience a 20 percent drop in testosterone. A cruel thing. Your warriors go down to defeat and you get up from the TV and your wife comes and puts her arms around you and you think, “Oh no, not this again.”

I’ve been a fan of the Twins (78-84), the Golden Gophers (3-6), the Democratic Party (1 out of 4, counting the Supreme Court), and country music (he gets fired, his wife leaves him, he gets drunk, she runs off with a successful orthopedic surgeon) so I’m running low on testosterone, but there is hope. The lessons last Sunday in church said so. The prophet Isaiah said, “You shall be a crown of beauty. … You shall be called My Delight,” which nobody ever said to me before. The psalm was about feasting, and in the Gospel of John, Jesus did his magic trick turning water into wine at the wedding. I was absolved of my transgressions and I prayed for my daughter and for the infant Ida Rose, one week old, and afterward people around me reached over and shook my hand. I pulled out a five to put in the collection plate and saw too late that it was a twenty and the usher had seen it, so I let it go. Fifteen bucks for a sense of hope? Cheap at the price. And now I look out and see snow falling.

News bulletin: offensive joke ahead

I have a small mind and I don’t mind admitting it. Friends of mine are concerned about the future of democracy in America and thank goodness for them, meanwhile I get a thrill out of sticking a fork into the toaster to retrieve the toasted bread, which I was warned against as a child. Mother saw me do it and imagined sparks flying and the sizzle of her middle child, like a murderer in the electric chair. And now I do it (very carefully) and I’m still here. This is me writing these words, not a ghostwriter.

I take pleasure in the fact that the plastic bags from the grocery store exactly fit our garbage pail and so the garbage goes out the door in the same bag in which the food arrived. I derive pleasure from this. It isn’t about economy or conserving our plastic resources, no, it’s about symmetry. In, out; same bag. I don’t shop at the big fancy megamarkets: bags are wrong size.

I have just discovered that the best way to retrieve the last of the blueberry jam from the bottom of the jar is to use a teaspoon, not a knife. With the time I’ve spent over the years fishing up specks of jam with the tip of a knife, I could’ve written a very bad novella: a teaspoon gets the job done.

I sat through a four-hour performance of “Aida” with the ridiculous Act II procession of triumphant Egyptians hauling wagonloads of defeated Ethiopians through a set the size of the grain silos of Omaha, trumpet fanfares, four horses (count them, 1 2 3 4) on the stage of the Metropolitan Opera, ballet dancers, spear-carriers, priests, the Met chorus in their robes and sandals singing the march, which sounds noble in Italian but the English is so dumb:
We won the war so we wear
The lotus and the laurel:
They smell good and we don’t care
If you think the war was immoral.
(My translation.)

It only made me think of high school commencements I have seen, but with singing instead of speaking.

The great transcendent moment of the opera is at the end. Aida and Radamès locked in the tomb, facing death, sing their farewell to this earth, a delicate ethereal duet that stays with you all the way home on the subway. The Met could’ve shown a movie for Act II, a scene from “Ben Hur,” and saved a half-million bucks.

I am a man with a small mind. (Am I repeating myself?) The major event of this week, plus the opera, was a joke told to me over the phone by a millennial feminist in San Francisco, a friend (I think) but who knows? She told me a joke I’d never dare tell to any woman under sixty. It is so incorrect, alarms go off, red lights flash, a semaphore drops. Do not read the following paragraph, please. Skip it and go to the end.

A woman decides to kill herself and goes out on the Brooklyn Bridge to jump and a sailor grabs her and cries, “No! You have much to live for! Listen. I’m sailing to Italy tonight. I’ll stow you aboard and take care of you and in ten days you’ll be in Naples.” The woman has always wanted to see Italy, so she says yes. The sailor takes her to the boat that night and stows her in a tiny cabin below decks and for a week, as the ship sails, he brings her food every night and they make love. Then one night the captain finds her: “What are you doing here?” She explains. “A wonderful sailor saved my life and he’s taking me to Italy and — he’s screwing me.” The captain says: “He sure is. This is the Staten Island Ferry.”

I explained to the m.f. that this is about date rape, it’s about sexual treachery, about male oppression. And she said, “I thought it was funny. It made me laugh.”

This is bigger news than the government shutdown. An m.f. told a joke because she thought it was funny. The world turns. Aida may yet be rescued. Do not stick a fork into a toaster. Call me a romantic but I believe that someday the Staten Island Ferry may sail to Italy and I hope to be aboard with my wife when it does and we’ll be very happy in a small cabin below decks.

Life is good, unless you get on the wrong train

In response to the government shutdown, I have stayed in bed, gone without bathing, turned off the phone. I am going to continue until Walmart sends me six fresh walleye and a set of white sidewalls autographed by Barbara Walters. I know what is needed and I can hold out for years if I have to.

Meanwhile life is good. Of course tragedy is at the heart of great literature but life is not a novel and we’re here because our parents got excited and happy and if we put our minds to it, we can be happy too. Politics is a mess because liberals want a just world and it just isn’t going to happen, meanwhile conservatives want it to be 1958, but goodness never depended on politicians. Goodness is all around us.

Senator Romney said last week, “To a great degree, a presidency shapes the public character of the nation,” and that is a bunch of hooey and horse manure. America has not suddenly become a nation of sleazy con men and compulsive liars. If anything, the presidency in its current state offers a valuable moral object lesson on an hourly basis. Senator Romney is way off base, like saying “To a great degree, a U.S. senator wields great influence on hair style.” I don’t see it. Children are growing up during this administration who are learning a good lesson: if you don’t know history and you can’t do math, you’re in deep water and there’s no way to hide it.

Goodness is lavished on the world from all sides. Small generosities engender tremendous force against the darker powers. Great kindness pervades our lives. The man at the newsstand says “Good morning” and “How is your day so far?” and he is from somewhere in the Middle East and I am warmed by his blessing. The woman at the café pours a cup of coffee, light, and toasts my sesame bagel and slathers it with cream cheese with scallions. I ask her how her day is so far and she smiles enormously and says, “Excellent, sweetheart.”  I’m in Penn Station, with my daughter, waiting for the train to Schenectady, and a Schenectadian tells me to be sure to visit the Nott Memorial at Union College, which I take as a joke — what is a memorial that is not? “N-o-t-t,” he says. “The guy who built the thing.” Schenectady is a depressed old factory town but here is a man who loves it and I have a perfect bagel and coffee and we two are about to embark on the 8:15 train. It is a very good morning and it is shaped by good people and God Almighty, not by the president. He is as irrelevant as Delaware, El Dorado, the Elks Club or L.S.M.F.T.

I have no business in Schenectady: the trip is my gift to my daughter who just turned 21 and who loves train rides. We’ll go up on the Adirondack and back to New York on the Lake Shore Limited, which used to be the 20th Century Limited, which Cary Grant rode in North By Northwest. I will sit by the window, point out the Tappan Zee Bridge, Poughkeepsie, Albany, and she will study the people around us. I’m a loner, she’s the sociable one, scoping out the neighbors. Up around Yonkers, she leans against me, scootches down, lays her head on my shoulder. She says, “I love you.” She falls asleep.

When I say “life is good,” I’m not talking about serenity. I’m not a guy who feels complete within himself and at home in the universe. I am talking about the basic animal goodness of having a mate — my wife, who doesn’t care for trains, enjoying her day alone in the city — and having a daughter who loves me and nestles against me. I was a neglectful father, obsessed with work, on the road, and yet I got this beautiful daughter, jokey, loyal, good company, affectionate. I want to warn her against men, their cruelty and treachery. When they’re not vulgar, they’re clueless. They are brutes and savages, all of them, and you should avoid them whenever possible, especially the shy and sensitive ones, they’re the worst, and if you decide to have one of your own, find one who seems trainable. This may take years. If he doesn’t show progress, kick him down the stairs and start over. This is what needs to happen in Washington. What are we waiting for? Hurl the bozo out on the street and his robotic vice president with him. Nancy Pelosi for president. Next week would not be too soon. Next stop, Schenectady.

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The Writer’s Almanac for January 24, 2019

The Writer’s Almanac for January 24, 2019

It’s the birthday of Edith Wharton (1862), who was the first woman to ever win a Pulitzer Prize, for her novel “The Age of Innocence.”

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The Writer’s Almanac for January 23, 2019

The Writer’s Almanac for January 23, 2019

It was on this day in 1977 that the miniseries “Roots” premiered on ABC. Restaurants and shops cleared out while it was showing, and bars showed it on their TVs in order to keep customers there.

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A Prairie Home Companion: January 26, 2008

A Prairie Home Companion: January 26, 2008

This week, huddle close together for another stream of a classic winter episode! With special guests Chuck Mead, Becky Schlegel, Nellie McKay, and humorist Roy Blount Jr. (pictured).

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The Writer’s Almanac for January 22, 2019

The Writer’s Almanac for January 22, 2019

Today is the birthday of British Romantic poet Lord Byron (1788), who was called “mad, bad, and dangerous to know” by one of his many lovers.

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The Writer’s Almanac for January 21, 2019

The Writer’s Almanac for January 21, 2019

Today is Martin Luther King, Jr., Day, a national holiday that Ronald Reagan signed into law in 1983, following years of activists’ petitions, conferences, and advocacy.

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The Writer’s Almanac for January 20, 2019

The Writer’s Almanac for January 20, 2019

It’s the birthday of the late Susan Vreeland (1946), whose novels, such as “Girl in Hyacinth Blue,” intersected with alternate histories of art.

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The Writer’s Almanac for January 19, 2019

The Writer’s Almanac for January 19, 2019

Today is the birthday of Edwidge Danticat (Port-au-Prince, Haiti, 1969), author of “Krik? Krack!” and the upcoming short story collection “Everything Inside.”

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The Writer’s Almanac for January 18, 2019

The Writer’s Almanac for January 18, 2019

It’s the birthday of Rubén Darío (1867), a great poet in the Spanish-speaking world who is barely known to English speakers.

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The Writer’s Almanac for January 17, 2019

The Writer’s Almanac for January 17, 2019

Anton Chekhov’s “The Cherry Orchard” premiered on this day in 1904. He had meant for it to be a comedy, and was annoyed that the director had presented it as a tragedy.

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The Writer’s Almanac for January 16, 2019

The Writer’s Almanac for January 16, 2019

On this day in 1605, Book One of Cervantes’ “Don Quixote” was published. The novel remains the most-translated book in the world after the Bible.

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Writing

Waiting for snow, hoping, praying

It has snowed a smidge in Minneapolis and I went to church Sunday to give thanks for it and ask for more. The TV weatherman talks about who might be “hit by” a snowstorm and who might “escape,” as if the flakes carry an infectious disease, but snow is light, it does not hit anybody so that you’d feel it, and true Minnesotans love a snowstorm, the hush of it, the sense of blessedness, as Degas loved the female form and Cezanne cared about apples. I thank God for all three, apples, women, and snow, and also for my good health.

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News bulletin: offensive joke ahead

I have a small mind and I don’t mind admitting it. Friends of mine are concerned about the future of democracy in America and thank goodness for them, meanwhile I get a thrill out of sticking a fork into the toaster to retrieve the toasted bread, which I was warned against as a child. Mother saw me do it and imagined sparks flying and the sizzle of her middle child, like a murderer in the electric chair. And now I do it (very carefully) and I’m still here. This is me writing these words, not a ghostwriter.

Read More

Life is good, unless you get on the wrong train

In response to the government shutdown, I have stayed in bed, gone without bathing, turned off the phone. I am going to continue until Walmart sends me six fresh walleye and a set of white sidewalls autographed by Barbara Walters. I know what is needed and I can hold out for years if I have to.

Meanwhile life is good. Of course tragedy is at the heart of great literature but life is not a novel and we’re here because our parents got excited and happy and if we put our minds to it, we can be happy too. Politics is a mess because liberals want a just world and it just isn’t going to happen, meanwhile conservatives want it to be 1958, but goodness never depended on politicians. Goodness is all around us.

Read More

Onward, my friends! Courage! Comedy!

My first resolution for 2019 is “Lighten up. When someone asks you how you are, say ‘Never better’ and say it with conviction, make it be true.” And my second resolution is: “Don’t bother fighting with ignorance. It doesn’t bother him, and you wind up with stupidity all over you.”

So I ignore the government shutdown and write about the one-ring circus I saw in New York last week, under a tent by the opera house. It was astounding. The beauty of backflips and the balancing act in which a spangly woman does a handstand one-handed on a man’s forehead. The perfect timing of clowns and the dancing of horses, a bare-chested man suspended on ropes high above the arena as a woman falls from his shoulders to catch his bare feet with her bare feet and hang suspended with no net below. A slight woman on the flying trapeze hurling herself into a triple forward flying somersault and into the hands of the catcher. I have loved circuses all my life. This was one of the best. A person can pass through the turnstile in a sour mood and the impossible perfection of feats of style brightens your whole week.

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A Christmas letter from New York

It was, in my opinion, the best Christmas ever. Men are running the country whom you wouldn’t trust to heat up frozen dinners, a government shutdown meant that TSA people worked as volunteers (and also the DOJ employees investigating Individual-1’s dealings with the Russians), and on Wall Street the blue chips were selling like buffalo chips, and yet, in my aged memory, granted that the MRI map of my brain shows numerous multipolar contextually based synopses and a narrowing of the left strabismal isthmus, my little family had a beautiful and blessed week.

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Why I left home and crossed over the river

It was an enormous heroic undertaking that if I told you the whole story, you’d be breathless with admiration, so I will just say this: my wife and I — mostly my wife but I was there, too — have moved from a three-story house in St. Paul to a two-bedroom apartment in Minneapolis. We did it, shed ourselves of truckloads of material goods, and now enjoy the gift to be simple and the gift to be free. Period. End of story.

We did it because it dawned on us that we were two people living in a few corners of a house for ten and that if we didn’t move, the county would send social workers who specialize in dementia issues.

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Time passes except when it suddenly leaps backward

Snow on the ground in Minnesota and a frosty grayness in the air and a delicious chill that makes a person feel alive and vibrant. Cold is a stimulant, but of course some people don’t tolerate it well and they decamp for the Sun Belt and — don’t tell anyone I said this — everything works better when those old people leave town. Traffic flows, the line at checkout moves faster without querulous oldsters demanding a discount on bruised bananas, you don’t have fifteen cars waiting at the drive-up ATM while some old coot tries to remember his PIN number. I can say this because I’m 76. If you said it, you’d be accused of ageism, which it is, but past the age of 70, one is entitled.

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Having reached the end, he continues

The real news these days is about science, and last week the Centers for Disease Control and Prevention reported that life expectancy is dropping in the U.S., and the American male’s average life expectancy is 76.1 years, a figure I reached in October. My expiration date has passed. This comes as a shock, to think that I’m expected to die now, in a state of ignorance, still trying to figure out the basics (What am I here for? Why do rainy days make me happy? Where are my glasses?).

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One more week, its little successes, etc.

It’s a father’s duty to take at least one long trip with each of his children, the two of you, nobody else along, and now that my daughter and I have traveled by rail, the old 20th Century Limited route from Chicago to New York, the trip Cary Grant took with Eva Marie Saint in North By Northwest, we are ready to take another. Nineteen hours from Chicago’s magnificent Union Station to Manhattan’s wretched Penn Station, including a fast run along the Mohawk and Hudson rivers, and the bond between young woman and her old man is sealed solid.

Highly recommended, especially for us newspaper readers constantly fussed-up over national crises — from a train, you see the solidity of the country, its infrastructure, factories, warehouses, everything working remarkably well.

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A great task lies before us, but first we sleep

Small sorrows speak; great sorrows are silent. My current small sorrow is a daily flood of junk e-mail — cheap insurance, health nostrums, hernia repair, free loans, travel discounts, an app to find out if your spouse is unfaithful — a stream of crap generated in Orlando. In tiny print at the bottom is “If you wish to unsubscribe, click here,” and I click there and the stuff keeps coming, an infestation of electronic cockroaches.

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