At The New Yorker: My Own Memoir
More memoirs have been written on the theme Me and the New Yorker than about the Spanish-American War or homesteading in Nebraska or train trips down South America way, which is a tribute to its legendary editors Harold Ross and William Shawn and also to the rich self-consciousness of some of their writers. Mr. Shawn was followed by Bob Gottlieb who could easily have become legendary but didn’t stick around long enough, who was followed by Tina Brown who was legendary in her own mind and didn’t need to be remembered, and then David Remnick, a good guy who will surely inspire a memoir or two someday though the magazine now is so straight compared to the mysterious bundle of eccentricities I loved so much in my youth in Anoka, Minnesota — the absence of a masthead or Table of Contents, the unsigned Talk of the Town pieces with their brisk whimsical tone, the Letter from Paris signed simply “Genet,” the horse-racing column by “Audax Minor,” squibs about Ivy League football, the Long-Winded Lady, “The Wayward Press,” the great two-initial authors (E.B., J.D., A.J., S.J., J.F.), and “Annals of Medicine,” and enormous long pieces about exotic places winding their way through columns of ads for Baccarat and Jaguar and Chanel. It was another world from mine. I only knew Mr. Shawn from his neatly penciled comments signed WS in the margins of galley proofs and a couple of awkward lunches at the Algonquin, not enough material for a book-length memoir so I made up some stuff about him and stuck it in the novel Love Me. And while I was at it, I murdered a publisher, which I’d always wanted to do.

William Shawn took a shine to me right off the bat when I arrived at the magazine back in the fall of 1969. “Glad you’re not creepy and obsessive like some of these introspective sons of bitches around here,” he said. “I’ve had a bellyful of neurotics. White and Thurber drove me nuts and all those Harvard snots. You look like a midwesterner. Me, too. Chicago. Call me Bill.”

We liked to shoot pocket billiards at a little smoke-filled joint called Patsy’s and we discovered we shared a fondness for old Chicago bands like the Jazz Equestrians and the Skippers of Rhythm and we both knew the rules for a poker variant called footsie. He was an excellent bowler and arm wrestler and could toss playing cards into a top hat with accuracy at up to thirty-five feet, farther if he was drunk. He could size a man up by studying the soles of his shoes and the back of his shirt collar. He could tell if you’d recently been to church or taken an unmarried woman to the movies. He knew every species of bird and he could open any lock with a paper clip and could disassemble a typewriter and put it back together in two minutes flat. One night over a pitcher of martinis he told me his life story: it just flowed out. All about his mama and how she prayed every night that his schoolwork would be free of typographical errors. His childhood in Chi-town. His Irish dad, Sean Hanratty, a button man for the Bugs Moran gang, killed in the Arbor Day Massacre. Young William changed his name and hitchhiked to Vegas to deal blackjack for Bugsy Siegel and then a man named Crossandotti sent him to New York as Harold Ross’s stickman, back when the magazine was a hotbed of steady tipplers and wisecracking women with hinges on their heels. “The Mafia owned it, you know,” he told me.

“They owned The New Yorker?”

“What we talking about? Silk undies? Yes. The New Yorker. Still do.”

“The Mafia owns the magazine?”

He was lining up a very tricky bank shot, a Lucky Strike in the corner of his mouth, smoke curling up under his fedora — “What does it matter? Owners are owners. Thank God it’s not the Newhouses, I say. At least the Crossandottis know they don’t know anything. All the Newhouses want is to stick their noses up the butts of the rich and famous.” And then he banked the eight-ball into the side pocket off the fourteen and picked up the money off the bar and stuffed it in his breast pocket. “Want to go again? For double?” he muttered.

“You’re so different from the William Shawn I always imagined,” I said. “James Thurber portrayed you as a flustered guy who spoke in a whisper and obsessed over commas and ate dry cornflakes for lunch and dreaded elevators and other motor vehicles.”

He chuckled. “Thurber was blind, you know. The phone rang and he’d pick up the steam iron. He needed a lot of supervision. Him and White both. White struggled to operate an ordinary stapler. A coffeemaker was beyond him. His ambition was to raise chickens. And The Years with Ross was about as true to life as Rebecca of Sunnybrook Farm.

“Sometimes I feign fluster—it’s a useful stratagem with women,” he said.

“I liked hanging out with Dorothy Parker because she could talk louder than anybody else. Glamorous woman, if you like the smell of gin. She had a voice that could crack ice. Most guys were scared shitless and of course her pal Benchley was completely in the bag, so Dotty needed a man to stand up to her. We were having lunch at the Algonquin and Kaufman was there and Marc Connelly and Harpo Marx and Joe Kennedy and Dietrich and that whole crowd, and I said to Dietrich in kraut, ‘I got a sausage for your bun, mein Schatz,’ and that got Dotty all jealous and she was running her toe up and down my calf. So I took off her shoe and pissed in it without anybody noticing and handed it to her and said, ‘Hey, you’re in luck,’ and she jumped up and yelled, ‘He pissed in my shoe!’ and they all said, ‘Aw, shuddup, you’re drunk.’ All except Dietrich. She saw the whole thing. She saw that the great thing about being a quiet little bald guy is that you can piss in a lady’s shoe at lunch and nobody will ever believe you did it. She leaned over and said, ‘I have a sentence I’d like you to invert for me.’ And we went upstairs to her suite and steamed up the windows for a while. The woman had fabulous legs and her other features were pretty good too. Hemingway was passed out on the couch. I slipped a ladyfinger in his shirt pocket. She was crazy about me, and so were some others in that Hollywood crowd, but why look back? Now I’ve got Shochine and I’ve never been happier.”

This was before he broke up with Shochine and took up with Louise Twelve Trees.

He gave me the nickname Prairie Dog and he’d ring me up around 5:30 on a Friday afternoon and holler into the phone, “Come on, Skip, let’s go get our pant-legs wet,” and off we’d go to the 79th Street Boat Basin with a sack of grub and a bottle of bourbon and boarded the Shawnee and cast off the lines and motored down the Hudson. “Ain’t this the life!” he said. “To hell with Harvard and fuck the fact-checkers, let’s have a party!” He got out of his suit and into shorts and a black muscle shirt as midtown Manhattan slid past on the port side, the cross streets like corn rows, and when 43rd passed, we yelled, “Boogers!” and hooked little fingers. Around Canal Street I hoisted the mainsail and we caught fresh wind at the Battery and flew around Governors Island and out under the Verrazano Bridge to sea and he sang out, “The sun’s over the yardarm, Prairie Dog!” and I broke out the bourbon and poured two china cups full and he drew a chestful of salt air and started talking.

“I’m a hunted man. Crazy magazine’s got me jumping like a poisoned rat in a coffee can. Some fool stuck his head in my office today and asked what’s the difference between a solecism and a solipsism. Go spend a week with a dictionary I told him. A writer is supposed to know the English language, dang it.”

I asked him about the perils of success and how fame and fortune seem to dig a deeper hole for a guy. I was thinking of J.D. Salinger and J.F. Powers, two heavy hitters who hadn’t been heard from for a long long time.

“They’re swinging too hard. Trying to aim the ball.” He hawked and spat. “Listen, kid. Every writer I know is on a winding mountain road in the fog, headlights on high beam, worried about plunging over the cliff. That’s what it means to be in the business. Some of these bozos get confused about their capabilities, like a sumo wrestler trying to run the 440 low hurdles. Or they wind up as preachers pandering to high-minded dipshits. The Betterment of Man is the worst motive for writing.Better to write out of sheer cussedness and fling a cherry bomb into the ladies’ latrine and make them all jump out of their camisoles than climb into the pulpit and pontificate about the sun and moon and the Milky Way and the meaning of it all.

“John O’Hara had it about right. The purest motivation for a writer is to earn a pile of money. Which of course makes you the target of envy and you wind up with gobs of spit on your shoes and you don’t win the Pulitzer and critics spitball you for the rest of your life. But what the hell. You can cry on your way to the bank.”

Mr. Shawn walked to the rail and looked at the houses of Brooklyn as it slipped past in the twilight. “That’s Bay Ridge,” he said, pointing to a low rise. “I was in love with a lady who lived there. Bright red nail polish and curlicue hair and some of the nicest epidermis you ever saw. Met her at a party at Norman Mailer’s. What an arrogant blowhole he was before I slapped him around a little. He was coming on to the Brooklyn girl at that party and I had to take him outside and give him a nosebleed. Now the guy can almost write sometimes. My gosh, she was an angel. I’d be sailing along and she’d come swimming out from Coney Island with her clothes tied on top of her head. Not that the woman needed clothes. My gosh.

“Andy White used to come sailing with me sometimes and then I caught him below decks writing a Talk of the Town piece about the sea and the skyline and what not and I threw him over the side. The guy was what you might call over-sensitive. Wrote that crazy Elements of Style that screwed up millions of college kids. Cleanliness, accuracy, brevity — my aunt Sally. Somebody told him he was a great prose stylist and it went to his head and he devoted his life to painting Easter eggs. Him and Strunk have screwed up more writers than gin and Scotch combined. You take that Elements of Style too seriously and you’ll get so you spend three days trying to write a simple thank-you note.

If I were teaching college composition, my first assignment would be: write something that would horrify E. B. White. Write a scene in which a man backs his pickup to the edge of Yosemite and dumps a load of empties into a stand of Ansel Adams birch trees. Make it gutsy and wild and to hell with brevity. A sentence should contain no unnecessary words — what a prissy idea of literature! Tell it to Tolstoy! Damn it, am I drunk or what? Pour me another.” I refilled his cup.

“I have spent my entire adult life trying to make writers look good. Salinger! Capote! Hersey! Rachel Carson! The world hailed them as visionaries! All I can say is: YOU SHOULD’VE SEEN THE FIRST DRAFT, FOLKS! Man is conceived in ignorance and born into squalor and grief and it goes downhill from there. I was Mama and Daddy to those guys, I lent them lunch money and balanced their checkbooks and fended off old lovers and saved their bacon more than once, meanwhile I took their manuscripts, which had all the elegance of wet cardboard, and pressed them into shape and they were hailed as giants, and I was scorned as a balding obsessive-compulsive dwarf with an agoraphobia problem. Writers come in here, hat in hand, hairy-legged realists and agony queens and cloud gazers, and their egos are frail and feverish and they expect to be treated like undiscovered geniuses and if you tell them the straight truth and say ‘I ain’t printing this shit!’ they never forgive you. They lie in ambush, dreaming up demeaning anecdotes about you, hoping to review your autobiography in the Times so they can piss on your shoes.”

“You’re the greatest editor of the twentieth century,” I said with a degree of sincerity. “You’re my main man, Mr. Shawn. If nobody else does it, I will write your autobiography myself.”

“I never wanted to edit,” he said. “All I ever wanted was to go out on a boat with a bottle of bourbon and fish.”

We got through the Verrazano Narrows and tossed out a line and he pulled in a fine sea bass (“Chilean,” he said, removing the hook from its lip) and he told me how he’d fished with Hemingway in the Keys and had to show him how to jig for grouper and meanwhile I cleaned the fish and grilled it on a hibachi in the cockpit as Mr. Shawn played Gershwin and Kern and Porter on his concertina and then I hollered, “Eats is ready, Mr. Shawn baby!” and he and I sat on the deck and ate the fish with raw onions doused in gin between slices of pumpernickel and got good and tight.

Mr. Shawn took me golfing at the Westchester Country Club. He had a beautiful swing. To correct for some bursitis in his left shoulder, he adjusted his stance about 18 degrees clockwise and turned his right foot in and pinned a lead sinker to the bill of his cap, which hung down like a plumb bob, helping him to keep his shoulders level.

“Some people only know me from people’s memoirs of life at The New Yorker, and in the office I try to impersonate a spooky little recluse who obsesses over commas and semicolons,” he said, “but my big loves are fishing and women and golf and what I obsess over is my swing.”

It took him a minute to set himself up for the shot. He picked up some grass and tossed it to test the wind, got his feet dug in, adjusted the plumb bob, and waggled the club a few times. “I whipped Updike’s ass but good. Many times. He’s a yakker, you know. Likes to stand behind you on the tee and just as you get your feet planted, he’ll say something like ‘That sand trap sure reminds me of the crotch of a woman I knew once’ and try to throw you mentally off your game, but here’s what you do to shut a guy up—” And Mr. Shawn hit a beautiful drive that flew straight and long and dropped and rolled and rolled, a dream shot, and he marched down the fairway and hit a five-iron to the green, and then a long putt that curved and caught the corner of the cup and fell in for a birdie, meanwhile I had topped my tee shot and sent it dribbling twenty yards and then laced it into the neighboring fairway and wound up with an 8.

He turned to me as he shoved the putter in his bag. “Writers like to think that writing is like Arctic exploration or flying the Atlantic solo but actually it’s more like golf. You’ve got to go out and do it every day and live by the results. You can brood over it but in the end you’ve got to take the club out of the bag and take your swing. You hit the ball to where it wants to go, a series of eighteen small steel cups recessed in turf, on a course that others have traversed before you. You are not the first. You accomplish this by making big mistakes and turning them into advantages and overcoming your damn self-consciousness.”

He teed up and tied the lead weight to his cap and turned 18 degrees and set the back foot and waggled the club and hit a 200-yard beauty straight down the fairway.

“I can tell that you’re of the self-consciousness school,” he said.

“Oh?” I replied.

“Guys who spend a lifetime lining up a four-foot putt, reading the bent of the grass, the wind, the planets, checking out the geologic formations below, and then they tap the ball and it rolls eighteen feet into a mud puddle.”

I wasn’t sure what he meant, I said.

“Talking about your writing, Mr. Wyler. You’ve got the problem so many English majors have. You’re all fluttery inside. You suffer from a girlish sensibility. Your writing is all mannered and fussy and .”

“Girlish?” I was shocked.

I didn’t write much for a long time after that. Words wouldn’t come. I sat in my office and thought about writing but nothing happened. Every morning, walking along West 43rd Street, I saw men sitting in doorways on scraps of cardboard, begging, jiggling change in paper cups, and one old-timer with a sign against his chest, FORMER NEW YORKER WRITER DOWN ON LUCK. WILLING TO REMINISCE FOR FOOD. I gave him a five-dollar bill. “Once I was just like you,” he said, “and then I was on the street. Take it from one who knows, a person can fall a great distance in a short time. It happens all the time. Former stars of stage and screen hustling their next cup of java. Nothing fades faster than reputation, boy. Tempus goes fugiting along and your chins drop, your rave reviews turn dry and yellow and your name becomes a trivia question. So be kind to your inferiors because someday you’ll have to ask them for a dollar for coffee.”

Three weeks after Mr. Shawn said my writing was girlish, he told me to go to Alaska and write about it. “Get out there in the Alaska wilderness and climb those mountains and cross those vast frozen wastes and camp with the migrating caribou and meet the aboriginal peoples and go north until you can go no farther and pitch your tent and look at death and spit in its eye. Don’t you come back here and write some fitful 1,500-word showpiece of puissant sensibility and irony and ambiguity, some half-assed feuilleton about Canada. Sit your butt down in the tent with a paper and pencil and a bottle of rock ‘n’rye and write your damn heart out and come back here with 100,000 words and none of them modifiers and I’ll print the whole damn thing, and if the boys at the Century Club don’t like it, let them shake their wattles all they like. You understand me, boy?”

So I flew to Seattle and sat in the airport and a girl sat down next to me. Her name was Alana, her high cheekbones were flush with vitality and her lips were broad and full. I didn’t want her to be attracted to me but she was. She sat next to me on the plane to Juneau. “I can’t talk to you,” I said. “I’m writing for The New Yorker, I have to focus on my experiences so I can write.”

“I’d love to be an experience someone writes about in The New Yorker,” she remarked. I said that I was already in a relationship, one that begins with the letter M, and had no interest in fooling around. “Life doesn’t always turn out according to plan,” she said.

It was a rough ride. Juneau was socked in by clouds and the plane hurtled down through 10,000 feet of murk into a narrow mountain pass, jagged ridges visible at three o’clock and nine—the wheels lowered, the ground still not visible, and then the plane began to shake violently—I caught a glimpse of a pale flight attendant weeping and holding a rosary to her lips—the cockpit door flew open and the copilot stuck his head into the lavatory and cast up his lunch—a serving cart tore loose from its moorings and careened down the aisle, scattering ice and hot coffee—the plane rolled over to one side, then the other—there was wailing and gnashing—and Alana took my hand and told me she loved me, and she felt we must affirm life in the face of death—and she unbuttoned her blouse as the plane groaned and rolled and we groped and kissed passionately as it pitched and bucked and her blouse was off and my face was crimson with lipstick when finally the plane bounced twice on the tarmac and rolled to the terminal and I zipped up my fly and staggered into the terminal full of profound feelings and she and I took a courtesy van to a place called Dave’s Wilderness Lodge and tumbled into bed for more turbulence and slept for twelve hours and did it all over again.

“It was a good experience for you, wasn’t it,” she said. “I certainly felt it had literary qualities.”

“Well, I don’t know. It strikes me as unreal.”

“I want to be as meaningful for you as any other wilderness experience,” she said. “And it’s okay if you use my real name and everything.”

Two weeks, day after day, night after night, Alana and I shacked up at the Wilderness Lodge. I walked up and down the trail a little but I have never been good at the identification of birds or trees, and after two weeks, the Alaska piece seemed to be mostly about me and Alana. It began:

“What the heck are you doing in Alaska?” the old-timer said to us at the urinal in the Malamute Saloon one Sunday night not long ago after we had come down from two weeks on the Chilkoot Trail and found the bar made famous by the late Robert W. Service in his poem “The Shooting of Dan McGrew,” once a staple of amateur recitations, at least in this midwesterner’s boyhood, and ordered a pint of beer.

There was quite a bit about the Lodge and saunas and sleeping naked and and “taking Mr. Scroggins to town in the pink convertible.”

Mr. Shawn called me the next morning. “What does ‘getting the pole in the tent flap’ mean?” he asked. “And how about ‘parallel parking’?”

“I can tell that you don’t like it,” I said.

He said, “Don’t give it a thought. It was a warm-up piece. Alaska got your juices going. You’ll come back to New York and find something you really care about and everything will be jim-dandy.”

That was Mr. Shawn for you. The guy was a font of hope. He had unlimited faith in writers and their ability to work things out eventually, or if not unlimited, then darned near unlimited, certainly more than 65 percent.

I tiptoed out of the Pinecone Room while Alana was asleep and flew back to New York and took a taxi to The New Yorker to find the staff in ferment, people huddled in the hallway on the 17th floor whispering, office doors closed, secretaries weeping, urgent memos circulating and a petition to the publisher, Mr. Tony Crossandotti, pleading with him not to fire Mr. Shawn. And a note from Mr. Updike: “Keillor — Call me. John.” It thrilled me. A note from my hero, signed, by his first name.

I found Mr. Shawn in his office, his head out the window, elbows on the sill, watching a fire blazing out of control a few blocks away. Two hook and ladders were in the street, apparatus raised, pouring water on the blaze. Billows of smoke drifted westward.

Vanity Fair,” he said. “One of those dang celebrity rags. Somebody must’ve left a curling iron on and set fire to the glossies. Used to date a woman who worked there. A nice person but naïve. You worried about her having to cross busy streets. And of course the magazine is a piece of shit. Celebrity profiles, edited by the subject’s publicist.”

“Why were you fired, Mr. Shawn?”

“I wasn’t,” he said.

He reached down behind the galley proofs, the Webster’s 2nd Unabridged, and a photo of Dietrich, and took out a bottle of Jim Beam and a couple Dixie cups and poured us drinks.

“I fell in love,” he said. “I’m going to LA. to marry her. Ever hear of a songwriter named Joni Mitchell?” And he sang to me—

Pickle jars and foreign cars
The sun is setting here on Mars.
The saffron in the consommé
God, I love a rainy day
It’s raining on the jungle gyms
The tile roofs and spreading limbs
What can I say?
Just one more lonely lady in LA.

“How can you leave us in the hands of Tony Crossandotti?” I said. “The man is a beast. He doesn’t understand writers.”

“Neither do I,” said Mr. Shawn. “You, for example. You don’t learn from experience, Wyler. You’re a guy who’s capable of singing his song and doing his dance but you go crashing around trying to be all things to all people—and then suddenly you can’t write anymore. Big surprise.

“Anyway, I’m done with it. Meeting Joni changed everything. Life is too short to spend it trying to protect the inept from the insensitive. She and I are going to make a beautiful life in Topanga Canyon and enjoy the dappled foliage and the flickering shadows and water running over rocks, and you knuckleheads can edit yourselves.” He drained his cup of whiskey and grinned and shook my hand. “Go home, Wyler. New York is too rough for you. Go back to Minnesota. And learn how to fish.”

Updike’s office was packed with staff members when I got there and I had to squeeze in between Trillin and Salinger, who were perched on the windowsill.

“Here’s the situation,” said a lady with long braids who I think was Penelope Gilliatt or else it was Veronica Geng. “Crossandotti told Shawn that there were too many short stories in the magazine in which people take trains. Or they come back from Ireland and sit and recall a conversation they had with somebody in County Sligo. Somebody on a train. ‘Train travel is dead in this country,’ he tells Shawn. ‘And what’s the big deal about Ireland? You need more stories in which people fish and hunt and get laid.’ So Crossandotti is replacing Shawn with a guy from Field and Stream.”

“How can he do this?” said Trillin. “Even for a publisher, this is insane.”

The lady laughed. “Publishers care about writing the way bears care about butterflies.”

“What in God’s name can we do?” said Powers. “We’re screwed. Might as well move to Ireland.”

Pauline Kael looked slowly around the room. “Imagine this as a movie,” she said. “You’ve got yourself a peaceful little town and this gangster moves in and pushes people around to see how far he can go. And then somebody comes in and sizes up the situation and walks across 44th Street and faces the bully down. And somebody in this room is that person.” She looked at me. So did Updike.

“Well, shoot,” I said. “It sure seems to me that we can’t sit by and let this fella wreck a great American magazine like The New Yorker.”

Updike said, “We’ve taken a vote, Mr. Keillor, and decided you’re the shooter. The rest of us have books coming out, lecture tours, awards to receive — you seem to be going through a dry spell. Maybe homicide can help. There’s a pistol in your desk. Head over to the Algonquin and when he’s not looking, perforate him two or three times. Being a tall person, you can get a good angle. Aim for vital organs. If you’re caught, the rest of us will testify that you were under horrible stress and that you simply snapped. You’ll spend a year or two in a mental hospital and be released and you’ll have material for a best-seller.”

How could I say no?

When I got to my office to pick up the gun, there was a note on my door:

Keillor: Understand you drew the assignment to shoot yrs truly. Well, I’m waiting, Mr Numb Nuts. So write out your Last Will and Testament and leave it on your chair where the mourners can find it and don’t worry about putting on clean underwear. It ain’t going to be clean for long. Tony

Updike stuck his head in my door to see how I was and I said I was fine. I was filling my mind with murderous thoughts and preparing to do the deed.

“Don’t screw this up. It’s extremely important. Everybody at The New Yorker is counting on you. American literature is counting on you. J.D. McClatchy at the Academy of Arts and Letters called to wish you well. Philip Roth wants you to whack this bastard and so does Edward Hoagland. And Michiko Kakutani from the Times.

“Miss Kakutani called? About me?”

“Yes.”

“Consider the trigger pulled,” I said.

“We don’t want to open up The New Yorker someday and find a photograph of two guys in a boat on Lake Mille Lacs holding up a stringer of walleyes, do we?”

“No, sir.”

“The magazine that was home to Edmund Wilson and Richard Rovere, telling people what kind of bait to use for rock bass?”

I promised to do what I said I’d do. I said, “After I kill him, could I possibly call you John? If the answer is no, I would certainly understand, but I’d love to be able to do that.”

“Yes,” he said. “Certainly.”

And so I stood up, cheeks burning, and crossed 44th Street and walked into the Algonquin, where the lobby was empty except for Tony Crossandotti sitting in a wingback chair near the door to the Oak Room surrounded by six empty beer bottles and a pile of pistachio shells on the floor. He had just sprayed himself with cologne and slicked back his hair. He stood up. “Mr. Keillor,” he said. It was right then, facing him ten feet away, I realized I’d forgotten my pistol in my desk drawer.

“I was afraid you had gotten engrossed in a long book,” he said. He looked me over. “You have broccoli on your lapel,” he said. He brushed it away with a pinkie. “How long you been going around with broccoli on your lapel? I would think someone would point this out.”

“You just did,” I said, “and I’m grateful. I wouldn’t expect an asshole like you to take an interest in my personal grooming.”

“I don’t think I heard you clearly.” His breath was very rank. It reeked of beer and pistachios and something else — actually, it smelled of blood.

“Assholes like you, Mr. Crossandotti. People who take a good magazine and beat the shit out of it.”

“Let me give you a word of advice,” he said. “You maybe shouldn’t have come here, seeing as you’re so upset. You maybe should’ve headed over to France on a Guggenheim for a couple years. You could easily get yourself shot in the ear hole for saying things like that. Not by me. I’m a pussycat. But maybe some person loyal to me might hear about what you just said and come after you and blow a hole in your skull.” There was an odd vibrato in his voice, a sort of throbbing in the pineal gland.

“What I’m going to do for you,” he said, tapping me on the chest, “is teach you about gun safety.”

I said, “Mr. Crossandotti, what you’re going to do is leave The New Yorker alone. It’s a great American institution. So tell your Field & Stream guy to go sit on his thumb and find somebody smart to edit the magazine.”

“Hey. Thanks for the opinion. But I’m concerned about you. Let me demonstrate the workings of a pistol and give you a tip or two about firearm safety. Let us step into the Oak Room so as not to alarm the tourists.”

The lobby was deserted except for a man and a woman, English majors by the looks of them, stealing a few coasters for souvenirs.

“Fuck off!” Tony yelled. “Or I’ll rip the lungs out of your chests. Hers first.” They flapped away like startled pigeons.

I said, “Right after you teach me about gun safety, I’ll call up the Times and inform them that you are taking a well-deserved sabbatical in Weehawken and that you’ve agreed to let the staff of The New Yorker elect a new editor.”

“Hey. I appreciate your interest, Keillor. All what you know about publishing would about fit in a cockroach’s left nostril, but never mind. Come this way and let me show you how to wrest a .45 revolver away from a crazed attacker.”

He grabbed my sleeve and started to pull me toward the Oak Room. He was pretty riled and that was my plan, insofar as I had one — to infuriate him until he was frothing at the mouth and pissing his pants and then—do something sudden and violent and unexpected like shoving my forefinger in his eye socket. Or tripping him. Or maybe a sharp blow to the nose with the heel of the hand, driving the nasal bone into the frontal lobe and causing extreme disorientation and then death. I had a number of possibilities in mind.

He towed me into the Oak Room and pulled out his pistol and aimed it at the ceiling and said, “The first lesson in how to deal with a guy who is stronger than you and smarter than you and who is just about to blow a big hole in your ear is not to let yourself be drawn into the type of situation where it’s you and him alone in a room with no other people, okay? That’s the thing you want to avoid.”

“Got it,” I said.

“Number two: don’t attempt to distract him with a sudden move or coughing fit or that old trick of looking over his shoulder and saying, ‘Hi, Jim!’—that works in cartoons, it doesn’t work in real life. Number three: don’t have illusions about your own strength. Some guys, from having watched Alan Ladd movies, get the idea that they could hurl themselves at somebody and knock him to the floor. In your case, this just fucking ain’t gonna happen. It would be like a parakeet hurling itself at a late-model Chevrolet. Strictly unproductive in the larger scheme of things.”

He was about to get to No. 4 when a man walks in with a big Leica around his neck and says, “Is this the room where Dorothy Parker and Benchley and Woollcott and George Kaufman and Marc Connelly and Harpo Marx and Edna Ferber and their friends used to gather for the famous Algonquin Round Table? Which table was that, exactly? I’ve read so much about them and their witty bon mots and how much Harold Ross admired them but it was he, the roughneck from Colorado, who started The New Yorker and those great wits are largely forgotten today.” And Tony yells, “Who gives a fuck! Get your ass out of here or I’ll blow it off you one cheek at a time.”

The guy says, “I’m sorry, but are you talking to me?”

“Get your ass out of here, I said.”

“We came all the way from Minnesota to see the Round Table. Is that a problem? Is now not a good time?”

Tony yells, “Get the hell out!”

“I’m sorry” the guy says. “I didn’t mean to upset you. I just came in to take a picture. We’re New Yorker readers, going back years and years. My gosh, I grew up with the magazine. A big fan of A.J. Liebling and Wolcott Gibbs and Frank Sullivan. And I loved Benchley. And all of them.” And then he recognized me. “Aren’t you an author yourself?” he said.

“Yes, I’m Garrison Keillor,” I said. “I’m from Minnesota as well.”

“Right,” he said. “You used to do that radio show. What was it called? We used to listen to it sometimes.” He turned to ask his wife, but she was gone.

Tony held up the gun so the guy could see it. “This ain’t some book club or discussion group you walked into, this is a gangland-style execution. This is something you definitely don’t want to be a witness to because if you are, I would need to blow you away too. You hear me?”

“I loved when you used to tell stories about that little town, Lake Wabasso or whatever it was,” the guy said. “I grew up on a farm near Morris. You ever get out that way?”

“Not as often as I’d like. I wish I were there right now”

Tony is miffed. He stamps his foot.

“Hey,” he says. “You ever hear of the fucking Mafia?”

The guy said he had seen The Godfather, the first one, but thought the book was better.

“Brando was good and Duvall, but the rest of it was a piece of crap,” says Tony. “Only guy who can write about that stuff is Elmore Leonard.”

“Is he an actor?”

“Elmore Leonard?” Tony looks at me. “I cannot believe this yahoo never heard of Elmore Leonard.”

“Does he write for The New Yorker?” the guy said.

“You never heard of Elmore Leonard? You’re bullshitting me.”

Tony was saying something in Italian that sounded like a curse for when somebody spits in your mother’s tomato sauce. Either that, or a recipe for ground glass. And he was poking the gun in the guy’s ribs.

“Hey,” the guy said. “I can take a hint. Don’t get all hot and bothered. I can come back another time. We’re here for the whole week. I apologize for the trouble. Have a nice day, okay?”

And that was when I killed Tony, when the man said, “Have a nice day, okay?” Tony sort of lost control of himself at that point. He threw his head back and snarled and his arm twitched, and I grabbed the wrist of his gun hand and he yanked with all his strength and in the process pulled the gun down and shot himself in the forehead. The room goes boom and Tony falls down like a load of fresh sod and the guy says, “What happened to him?”

I said, “He tripped on a wrinkle in the carpet. It happens all the time.”

“Is he all right?”

“He’s better than he’s been in a long time. He’s resting now let’s tiptoe out and leave him to his thoughts.”

And Tony opens one red eye and says, “You’ll never write for my magazine again, Mr. Keillor.”

I tried to think of a witty retort—Oh? Really? Who died and made you editor?—and his head rolled to one side and he was out of here, he’d left the building. A powerful publishing tycoon murdered by a second-rate writer. Accidental, in a way, but in another way, quite deliberate. I certainly had homicide in mind when I entered the Algonquin, but the manner in which it happened was unintended so probably it’d be second- or third-degree manslaughter. My defense lawyer would argue that Tony, in resisting my attempt to disarm him, had caused his own demise, and the jury would deliberate for ten minutes and I’d go scot-free and soon thereafter would be waylaid by a van full of shooters and my bullet-riddled body lie on 90th Street, with punctured containers of chicken salad and tabouli strewn from hell to breakfast.

“Should we call an ambulance?” the guy says.

“The hotel will take care of it.”

I leaned down and opened Tony’s jacket and got a roll of bills out of his breast pocket. No sense leaving it for the cops. “Just making sure he’s got cab money,” I say to the guy. I’d never seen ten-thousand-dollar bills before. I didn’t know Reagan’s picture was on them. “I sure never expected something like this,” the guy says to his wife, and then remembered she wasn’t there, so he went to look for her.

The money came to $128,656. I stuck it in my pocket and thought to myself, This whole thing would make a good story, except I’d change it and make the murder more deliberate. I’d have the writer struggle with the tycoon and trip him and the tycoon’s noggin would bonk the leg of the sideboard and the tycoon eyes glaze and the writer snatch up the pistol and kill him. Or hold him until the cops arrive. Or maybe kill him, but with a fork. And I wouldn’t have me be a writer. Maybe a choreographer or composer. A more lethal line of work.

I walked out through the lobby. A bellman had locked the front door and pulled the drapes, and waiters had put up partitions to shield the brunch crowd in the Rose Room. A man in a black suit got off the elevator pushing a wheelbarrow He went in and got Tony and covered him with a tablecloth and wheeled him out to the curb and laid him in the backseat of a taxi and gave the cabbie some bills and away he went. The janitor tore up the carpet Tony died on and laid a black rug there and set a table on the rug. The place was back in business in ten minutes. That’s New York for you. When we die, we leave a hole behind that it takes them less than half an hour to fill. I turned left on 44th Street past the man with the sign FORMER NEW YORKER WRITER DOWN ON LUCK and I dropped $40 in his lap. I felt good. While I as a Christian am opposed to homicide, nonetheless the death of Tony Crossandotti was for the good of journalism. The New Yorker would live on, thanks to me. But I would have to leave New York. Publishing tycoons would be gunning for me after I offed one of their own and I’d be safer in St. Paul because New Yorkers are not sure exactly where it is. They keep getting it mixed up with Omaha.

So R.I.P. Tony Crossandotti. Good-bye to Manhattan and 25 West 43rd. Goodbye, Rainbow Room and Tower Records and H&H Bagels and Scribner’s beautiful bookstore on Fifth Avenue with the wrought-iron railing around the balcony. Goodbye to all that. I return to Minnesota, home of humorous, charitable, modest, soft-spoken people. A state on the same longitude as Italy, with the same slant of light that moved Raphael and Michelangelo illuminating our trees in the afternoon. A state of passionate hockey teams and world-class choirs where, God willing, I shall gain some clarity and lead a happy productive life.

Young Peter

PETER OSTROUSHKO: Living in Wonderful Memories and Forever in his Music

Peter picked up his dad’s mandolin when he was a child and that was the start. Soon he could play fiddle or guitar, too. He was a teenager in high school when he knocked on Rudy Darling’s door and said he lived a few houses away and heard Rudy playing as he was walking by and could they get together sometime and play. So they did. He played some with Rudy’s band, the Middle Spunk Creek Boys, and then with Dakota Dave Hull, the Powdermilk Biscuit Band, the New Prairie Ramblers, the Mando Boys, Robin and Linda Williams. He had the chops and he had the heart. He could sight-read at tempo. He was always focused on the tune and his instrument, never seemed to be out to impress anyone. He was a composer and an improviser. Once, in Ashland, he walked onstage with the Spunks and stumbled and fell, carrying a borrowed Gibson mandolin, tucked it into his body, curled up, did a somersault, got to his feet, mandolin unharmed. He grew up on Ukrainian cooking and came to love barbecue, and looked for BBQ joints near the venues he played — “No pig, no gig,” said Peter. He liked fried egg and pickle sandwiches. He met Marge and they lived in a house on Nicollet Island, upstairs from guitarist Tim Hennessy, who called him “Mr. Buddy,” and they played swing, Irish fiddle tunes, bluegrass, and Peter’s compositions. ...

Continued here, with videos and audio >>>

Available now: Garrison Keillor's memoir, via Arcade Publishing.

In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty years, 750 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renee Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation.

Order a copy from our store >>>

Read more about the book >>>

Blame it on the internet, why not?

Every time I mention Joe in my column, I get ferocious mail from a few readers describing him as a criminal and a moron who is out to destroy America, which I forgive them for, but Scripture says that’s not enough: “Bless them that curse you, pray for them which despitefully use you,” which is easy with email, you just say, “God bless you, sir” and press Delete, but Scripture is not geared for digital, it’s about the up close and personal, and what if someone in a red cap walked up to me and started yelling this stuff? People, I just plain don’t have time for that. I’m busy writing sonnets, I want to talk with my wife, baseball season starts soon, I don’t have time to hear about the landslide reelection that was stolen by Venezuelans.

The Christian faith sets some very high standards: “Ye cannot be my disciples unless you give up all you possess,” Jesus said, which is disturbing to me as a homeowner with an IRA and a closet full of clothes. The guys sleeping on cardboard in the bus depot — are they former Episcopalians who gave up their apartments for discipleship? Did they used to go out to French restaurants and then to a musical with a big dance number, actors with hands over their heads, singing about a beautiful tomorrow, and one Sunday morning the verse from the Gospel of St. Luke hit them on the head and they gave up materialism? And what did their wives say? Renouncing materialism is not an individual decision: others are involved. Was St. Luke married?

My wife and I enjoy materialism all the more in this pandemic. The coffeepot is basic to our life, and the laptop computer. We sit drinking coffee and talking and questions arise — did Nichols & May once do a sketch in which he kisses her passionately and while locked in the kiss she opens the corner of her mouth and exhales cigarette smoke Yes, and it’s on YouTube. The laptop holds the answers to all questions. Was Luke one of the twelve apostles? Nope. He came later, a disciple of Paul, a physician and a Gentile. How popular is the name “Gary”? Not so much. In 2020, only a few dozen American infant boys became Garyed, making it 774th on the list. (Liam is at the top. When I was born, in 1942, there were no Liams around. You could’ve aimed a fire hose down a crowded street and never dampened a Liam.)

Where would we be without Google? We’d be at the library, wasting our lives searching through reference books in the basement, looking up odd facts. I googled, “Where would we be without Google?” the other day and in 39/100ths of a second Google located 4,530,000,000 results. If I spent one minute examining each result, it would take me thousands of years. So there’s your answer. Thanks to Google, we get enough information to kill us many times over. In the old days, we experienced the world directly through sight, sound, touch, and personal memory, and now we look for it in a computer.

I worry about memory loss now after my cousin told me about a family reunion I had forgotten I put on years ago where there were bagpipers and her little daughter Maggie sat on my lap and said my eyebrows looked like caterpillars. I don’t think I’m demented, but how would I know? Thank goodness, my sister found pictures of the party on her computer.

I was a writer back then, and now the young writers I know are working as Uber drivers because the publishing business is going the way of carriage-making and nobody I know is making a living from it. The Internet killed it, Facebook and Instagram and Twitter. And so I write sonnets for lefties to amuse people who consider me to be one.

When I think of you, Christina, my eyes get misty,
If any sensible man wished to be kissed he
Would want it to be your sweet lips.
You were a beautiful radical left-winger,
Marcher, protester, and folksinger,
With forty pins on your bosom for all your memberships.
I see you holding a sign on campus long ago,
The big letters: CAPITALISM HAS TO GO
Oh my darling Chris, if you kissed
Me I would gladly be a communist.
Your kisses would set off bright sparks
That turn this man toward Karl Marx.
We’d find a cabin to get warm and spoony in
And there would be a Soviet union.

Excuse me while I have a few words with Joe

Now that Joe and Jill are moved in and their stuff unpacked and shoes lined up in the closet, the country is getting used to the idea of a slender president who owns dogs and has a working wife who is openly affectionate, and what remains to discover is what recreational activity will the man take up? People need to see their president having fun: a sense of humor is at the heart of democracy, so let’s regain it.

So far he’s been hunkered down at his desk, doing his job, which is good to see. Leader of the Free World is a full-time job and other than Sundays at church, he’s stuck close to home. But the man needs to enjoy himself, too.

Remember when Kamala Harris introduced him to come out and speak and the man jogged out to the lectern? Big stage, long jog — he was trying to counter Republican talk of him being doddery and frail, and now I pray to God he doesn’t take up running. Please. Remember when Jimmy Carter ran in a marathon and collapsed and the Secret Service had to scoop him up? He looked like death on toast. It was the end of the Carter presidency right then and there. A president should avoid all sports that might lead to physical collapse. It’s terrible for the stock market.

Golf, it goes without saying, is off the list. Too many optical memories. And the sight of the presidential posterior as he bends for a putt is off-putting. And what it costs the Secret Service to secure a golf course for two hours is absurd and obscene.

Ronald Reagan looked terrific on horseback, thanks to his years at Warner Brothers. Same with John Kennedy at the helm of a sailboat, rudder in hand. But those aren’t Joe’s scenes. Seeing his fondness for his big dogs won over a lot of people who feared he might harbor communistic tendencies. Dog-lovers are not pinkos; commies have always preferred cats. Those dogs are working dogs, not show dogs, rescue dogs, and they can be retrained as retrievers and go pheasant hunting. Of course it would irritate the vegan caucus of the Democratic Party but the pluses outweigh the minuses — Joe tramping through tall grass in South Dakota, his faithful dogs by his side, and suddenly there’s a frantic flutter of wings in the tall grass and he raises the shotgun to his shoulder and shoots and the dogs retrieve the deadsters and in the act of shooting, he becomes iconic, Man the Bringer of Provisions. He could do this by raising carrots and onions, of course, but hoeing lacks the impact of shooting. Just ask the pheasant.

The last Democratic president to win South Dakota was LBJ in 1964. Biden hunting pheasants could change that and maybe win Wyoming and Montana. It needs to be changed. The country is in crisis when one of the major parties turns its back on rural America and forces them to vote psychotic. We Democrats do well among fencers and archery enthusiasts but we’ve crossed gun owners off our list. Guns have been around since the 14th century. In rural America, guns are normal; it’s not like L.A. that way. Get over it.

Be a hunter, sir. Head for South Dakota with the dogs and spend the night in a cabin by a roaring fire and feast on pheasant, have a whiskey or two, enjoy immature jokes. Face it, we’ve let the Left go gentle, trapping us in the caregiver role, making us susceptible to defeat by tough-talking autocrats. Half of America sees us Democrats as the Party of Croquet, Crochet, and Croissants. You can change this, Joe, by simply picking up a shotgun. You’ve come a long way in one year. The Republicans tried to label you as Biden, a stranger with weird friends and lots of odd baggage, but you’ve become Joe. Trump was a verb but you’re a noun, a real person, an uncle, a brother, and when you take the dogs to the cabin in the Black Hills, your country cousins will be enormously pleased. Do not go golfing. If you have clubs, throw them away. Air Force One lands in Rapid City and you and the dogs come down the ramp and you’re grinning as you get in the pickup and head for the hills and I’m seeing a 75% approval rating, maybe 80, 85 if you bag your limit.

The old scout stands in line at the clinic

I married a pro-vaxxer, which is good to know after all these years — we never discussed vaccines during courtship — and in addition to her respect for science, she has the patience to track down clinics online and spend time on Hold and so now I am vaccinated. I sat for fifteen minutes so the nurse could see that I didn’t faint or show distress and I wrote a poem.

The clinic that offers vaccine
Resembles a well-run machine,
I got my shot,
Sat down, was not
Dizzy or hot or pale green,
No aftereffects,
Loss of reflex,
Skin wasn’t waxy
So I hopped in a taxi,
Went home to my wife,
Resuming my life,
Which still is, thank God, quite routine.
Isolated, as monks, but serene,
Trying to keep my hands clean.

I was not asked for a credit card at any point, or a Medicare card, so evidently the country is slipping into socialism, as Republicans predicted, but I am too old to argue, I obey. Young people wearing badges told me which line to get in and I did. A young woman who said she was a nurse gave the shot and I didn’t ask to see her license. Nor did I ask for assurance that the vaccine did not contain a hallucinogen that would make me accept the Fake News: I already accept that Joe Biden was elected president and that Trump supporters invaded the Capitol on January 6. It’s too laborious to believe otherwise. This is Occam’s Razor, the principle they taught in high school science: the simpler theory tends to be true. You’d have to devote weeks to working up a new theory of massive electoral fraud by Venezuelans and Antifans buying thousands of MAGA hats to storm the Capitol, and at 78 I don’t have the time for that. The vaccine may extend my lifetime but there are no guarantees.

This is the problem with getting old: you’re forced to face up to mortality and so you cut back on your commitments. I probably could be a decent tennis player again but I’d have to devote twenty hours a week to the effort. Ditto soap carving, stamp collecting, and the study of coelacanths. It’d take too much time so these must be left to younger people, along with dread and dismay. Too time-consuming.

More and more people around me are dying and it’s never the ones I wish would expire. I have four people on my wish list whom, as a Christian, I should forgive but I don’t because (1) they haven’t asked and (2) forgiveness will not change their loathsomeness, so instead I wish for them to go live in Alabama or Mississippi and perhaps secede, and meanwhile I dread the phone ringing, for fear that one of the righteous has fallen instead.

I keep in close touch with several octogenarians whom I think of as an advance party, just as Custer had a band of Crow scouts at the Little Big Horn who knew the territory, and when I ring up my scouts and ask, “How are you?” I want to know what 83 and 85 and 87 feel like from day to day. My cousin Stan is my oldest scout at 89 and still walks and exercises and has all his marbles — when I spoke to him last week, he twice corrected his own grammar — so I hope for eleven more years, fully marbled, which makes me cheerful and cheerfulness is the key to the kingdom. I avoid dark topics such as global warming and the demise of democracy — and leave those to the young who will have to deal with them.

I watched some of the Senate trial and I worry for my country, that we’re deciding finally who we are but I’m a back issue. I was 21 when President Kennedy was shot and a great deal died in Dealey Plaza, and then the Lorraine Motel in Memphis, and the Ambassador Hotel in L.A. My grandson, who just graduated with honors from college, came long after all that and is fascinated by politics and is ambitious to dig in and more power to him. I’m living in the liberal tribal reservation of Manhattan’s Upper West Side and so I know nothing. My mission is to live gracefully and be amused at mortality and keep in touch with the people in their 50s and 60s looking to me for guidance. No complaining. Be useful. Every day you make your partner laugh is a good day.

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A Prairie Home Companion: March 7, 2015

A Prairie Home Companion: March 7, 2015

This featured show comes from the west side of the Mississippi River, from the State Theatre in Minneapolis, Minnesota, with special guests, bluegrass sensation Becky Schlegel, country singer Kim Parent, and girls’ quartet GQ, and men’s septet The Limestones.

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The Writer’s Almanac for Sunday, March 7, 2021

The Writer’s Almanac for Sunday, March 7, 2021

“The woods are lovely, dark, and deep./But I have promises to keep,/And miles to go before I sleep,/And miles to go before I sleep.” By Robert Frost. Published on this day 1923.

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The Writer’s Almanac for Saturday, March 6, 2021

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“How do I love thee? Let me count the ways.” How do we love poet Elizabeth Barrett Browning? Born in Durham, England, 215 years ago today.

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The Writer’s Almanac for Friday, March 5, 2021

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“The law has nothing to do with justice, and injustice can’t be left unchallenged. So I decided to be a writer” – Leslie Marmon Silko, born this day in 1948

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The Writer’s Almanac for Thursday, March 4, 2021

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Today is the birthday of author Khaled Hosseini, born in Kabul, Afghanistan, in 1965. His breakout novel “The Kite Runner” sold over 1 million copies in 2 years.

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The Writer’s Almanac for Wednesday, March 3, 2021

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On this day in 1931 Francis Scott Key’s poem “The Star-Spangled Banner” became the official national anthem of the United States.

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The Writer’s Almanac for Tuesday, March 2, 2021

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“I like nonsense; it wakes up the brain cells. Fantasy is a necessary ingredient in living; it’s a way of looking at life through the wrong end of a telescope.” – Theodor Seuss Geisel (1904)

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The Writer’s Almanac for Monday, March 1, 2021

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On this date in 1872 Yellowstone became the first national park in the world. American author Wallace Stegner wrote: “National parks are the best idea we ever had. Absolutely American, absolutely democratic.”

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A Prairie Home Companion: March 4, 2000

A Prairie Home Companion: March 4, 2000

Live from RTE studios in Dublin, Ireland, A Prairie Home Companion welcomes traditional Irish singer Niamh Parsons with Graham Dunne; Cathal McConnell along with Big John and Valerie McManus; and the tenor Frank Harte.

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The Writer’s Almanac for Sunday, February 28, 2021

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On this date in 1953, Francis Crick and James Watson discovered the structure of DNA after stealing the work of biophysicist Rosalind Franklin who had xray photographed the DNA molecule.

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Writing

Blame it on the internet, why not?

Every time I mention Joe in my column, I get ferocious mail from a few readers describing him as a criminal and a moron who is out to destroy America, which I forgive them for, but Scripture says that’s not enough: “Bless them that curse you, pray for them which despitefully use you,” which is easy with email, you just say, “God bless you, sir” and press Delete, but Scripture is not geared for digital, it’s about the up close and personal, and what if someone in a red cap walked up to me and started yelling this stuff? People, I just plain don’t have time for that. I’m busy writing sonnets, I want to talk with my wife, baseball season starts soon, I don’t have time to hear about the landslide reelection that was stolen by Venezuelans.

The Christian faith sets some very high standards: “Ye cannot be my disciples unless you give up all you possess,” Jesus said, which is disturbing to me as a homeowner with an IRA and a closet full of clothes. The guys sleeping on cardboard in the bus depot — are they former Episcopalians who gave up their apartments for discipleship? Did they used to go out to French restaurants and then to a musical with a big dance number, actors with hands over their heads, singing about a beautiful tomorrow, and one Sunday morning the verse from the Gospel of St. Luke hit them on the head and they gave up materialism? And what did their wives say? Renouncing materialism is not an individual decision: others are involved. Was St. Luke married?

My wife and I enjoy materialism all the more in this pandemic. The coffeepot is basic to our life, and the laptop computer. We sit drinking coffee and talking and questions arise — did Nichols & May once do a sketch in which he kisses her passionately and while locked in the kiss she opens the corner of her mouth and exhales cigarette smoke Yes, and it’s on YouTube. The laptop holds the answers to all questions. Was Luke one of the twelve apostles? Nope. He came later, a disciple of Paul, a physician and a Gentile. How popular is the name “Gary”? Not so much. In 2020, only a few dozen American infant boys became Garyed, making it 774th on the list. (Liam is at the top. When I was born, in 1942, there were no Liams around. You could’ve aimed a fire hose down a crowded street and never dampened a Liam.)

Read More

Peter Ostroushko: Living in Wonderful Memories and in his Music Forever

Peter picked up his dad’s mandolin when he was a child and that was the start. Soon he could play fiddle or guitar, too. He was a teenager in high school when he knocked on Rudy Darling’s door and said he lived a few houses away and heard Rudy playing as he was walking by […]

Read More

Excuse me while I have a few words with Joe

Now that Joe and Jill are moved in and their stuff unpacked and shoes lined up in the closet, the country is getting used to the idea of a slender president who owns dogs and has a working wife who is openly affectionate, and what remains to discover is what recreational activity will the man take up? People need to see their president having fun: a sense of humor is at the heart of democracy, so let’s regain it.

So far he’s been hunkered down at his desk, doing his job, which is good to see. Leader of the Free World is a full-time job and other than Sundays at church, he’s stuck close to home. But the man needs to enjoy himself, too.

Read More

The old scout stands in line at the clinic

I married a pro-vaxxer, which is good to know after all these years — we never discussed vaccines during courtship — and in addition to her respect for science, she has the patience to track down clinics online and spend time on Hold and so now I am vaccinated. I sat for fifteen minutes so the nurse could see that I didn’t faint or show distress and I wrote a poem.
The clinic that offers vaccine
Resembles a well-run machine,
I got my shot,
Sat down, was not
Dizzy or hot or pale green,
No aftereffects,
Loss of reflex,
Skin wasn’t waxy
So I hopped in a taxi,
Went home to my wife,
Resuming my life,
Which still is, thank God, quite routine.
Isolated, as monks, but serene,
Trying to keep my hands clean.

Read More

The pandemic: one man’s appreciation

I am sitting here watching over and over a video my wife took with her phone in Central Park after the 18-inch snowfall last week, looking through the trees at a snowy hill and listening to the shouts and shrieks of joy from New York children as they slide down the hill on saucers and sleds and cardboard. Shrieks of joy are a rare and beautiful thing and I keep replaying this 60-second drama, recalling my own sliding days back in Minnesota. the steep hill that we slid down and out onto the frozen Mississippi.

I remember feeling joyful on a toboggan with Corinne. We were 10 years old. She stood, her hands fluttering at her side, and I climbed on behind her and we slid at tremendous speed and I’m sure we shrieked. On the Central Park video, some parents are sliding with their kids, but this was unknown back in my day. Parents stayed indoors; the snow belonged to children. I do note that the New York parents do not shriek. Joy fades with age, though I did once see a gang of old men in Virginia dancing to jigs and hornpipes, and joy shone clear in their faces. I was brought up by evangelicals who forbade dancing on the grounds that it was licentious but here were old men grinning as their feet kept up with fast fiddlers. No shrieks but some whoops and yells.

Read More

An old Democrat in a chorus in the Orkneys

I missed out on the GameStop frenzy on Wall Street last week and didn’t earn a bundle of money, but for me, it was enough that the temperature got up to forty, a slight thaw that made me think of spring, I being the registered optimist that I am. After all, I am a Democrat, the party that seeks to legislate against ignorance and cruelty. I believe in the goodness of people I pass on the street and I think that by July, we’ll be crowding into comedy clubs and laughing at pandemic jokes.

Other people imagine that the thaw means snow melting on the roof and leaking down the walls and dripping asphalt onto our scrambled eggs, causing incurable cancer. I do not imagine toxic snowmelt. I imagine baseball.

Ice is our friend. The ice melt on Earth is now twice what it was in the Nineties, 1.3 trillion tons a year, due to global warming, and this melt leads to the rise of oceans and more warming. Our grandchildren will have to deal with the problem and they will look back at the early 21st century as the Era of Stupidification. I regret that. But one must be hopeful. When you’re tied to the railroad track and the headlight of the Midnight Special is getting brighter and brighter, hope is what you have.

Read More

The world turns, days get longer

The days are definitely longer. I got a COVID shot last week and a guy in Georgia invited me to come do a show in the fall and one morning I asked my wife, “What’s in the news?” and she said, “Not much.” Things change, we move on, “lizard brain” is now in the Oxford English Dictionary and so is “amenitize” and “back-sass,” “bohunkus,” “code speak” (deliberately ambiguous), “cooked-up,” “jinx” (when two people say the same thing simultaneously), “pitchy” (meaning off-key), and “running around like a chicken with its head cut off,” and this is not the Omaha English Dictionary, this is O-X-F-O-R-D, this is men in medieval gowns and hoods with letters after their names such as DCL, DM, and DLitt and where “color” is spelled with a U.

The decapitated chicken was a common phrase in my childhood, and one we saw firsthand in the backyard when we killed chickens. Nobody in my family ever got frantic, there was no shouting, no hysteria. Once in a blue moon my mom might say, “You kids are driving me to a nervous breakdown,” but no breakdown followed. We were a quiet family; I don’t claim that this is virtuous but it certainly saves time.

I came to imagine that an impassioned temperament was a sign of artistic talent so I accepted being an ordinary workman, which suits me just fine. And I accept being a white male though I don’t consider it definitive, any more than “size-12 shoe” or “Minnesotan” or “man on blood thinner” is. I am not simply white, I’m of Scots-Yorkshire ancestry, a mournful people who thrive on cold and cloudiness. Precipitation cheers us up. In bright sunlight we shrivel up, put us in a cold fog and we bloom. We are comfortable with silence. We wave away compliments. We are good at suppressing feeling, our own and other people’s. Nonetheless, when the woman I love sits on my lap and puts her head against mine and says, “I need you,” I am moved, deeply. I don’t hurl brushfuls of paint at a canvas or compose a crashing sonata or write a long poem, unpunctuated, all lowercase, in poetic code speak and revolutionary syntax, but I am very moved. I wouldn’t say so if it weren’t true.

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A night outside, eating with friends

I admit that when I hear the word “impeachment” I think of fruit, and “censure” makes me think of dentures, which is a sign that I’ve been watching too much news: time for a break. How often can you look at the man with the tattooed pectorals and the horned helmet and what understanding do you gain from it? So you make the screen go dark and do other things.

The lady and I went to dinner with friends the other night and the four of us spent more than an hour making no reference to the riot at the Capitol, an entirely trumpless hour, which felt like a triumph. We ate outdoors under heat lamps on Broadway, opposite Lincoln Center, which is very very dark, and we didn’t talk about the virus either.

We talked about a baby named Charlie born in Atlanta a few days before and showed pictures of him, tightly swaddled. His mother is a mathematician married to a landscape architect. The fact that young people still want to bring children into this world is an encouraging sign, a gesture of faith.

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Dolts are dolts: don’t give them too much credit

The pictures of Wednesday stick with you — the mob rushing up the steps when the line of cops broke, the bozo smashing the window with a pole, the gangs of Trumpers running wild in the marble halls and the cops in confusion, the lout lounging in Speaker Pelosi’s chair — it was an assault of a few thousand of the densest people in America, a congregation of barflies and dropouts and people you’d never hire to look after your children, who were so thrilled to triumph over authority they could hardly stand it. That was the whole point of it. To roam around where you weren’t supposed to go, to sit in the Speaker’s office, and to take selfies while they did it. It was the high point of their lives.

It thrilled them that Congress fled and hid in the basement and they got to parade around and wave their Trump banners and yell and own the place, which is pretty much how their man feels about the White House. He had little interest in policy but he loved the security entourage, the chopper on the lawn, Air Force One, being saluted. He was ill-informed and had the attention span of a housecat but he was Boss and smart people had to kowtow to him. It was glorious. What fool wouldn’t enjoy it.

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A true story about last Tuesday and love and death

I had cancer for about five hours last Tuesday, from about noon when I noticed a hard protuberance on the roof of my mouth to about five p.m. when I went to see my doctor. I asked my wife to look at it and she shone a light into my mouth and was alarmed at the size of the thing, and made me call the doctor. It looked like a giant dice and of course I remembered that the singular of dice is DIE. Tuesday was our daughter’s birthday and for the ZOOM party I was creating a Mad Libs fill-in-the-blanks story for her friends to do, knowing they’d be eager to include barfing and farting and poop and pee, meanwhile I was brooding about diseases such as congenital pertussis, systemic fatigue, traumatic trachomatis, and deep down figured it had to be a deadly fast-spreading malignancy.

There’s not been much cancer in my family. Coronary malfunction is what kills us, but my blood pressure has been of championship quality so the odds would seem to favor cancer, and when I called a cab to go see the doctor, I put a razor and toothbrush in my briefcase and also my laptop and phone. I was sort of planning to go straight from the doctor’s to the hospital where a surgeon would remove the protuberance and the report would come up from the lab, malignant, and a kindly carcinogeneticist named Jenny Carson would come in and explain that chemo isn’t recommended for this type of cancer, it only prolongs the suffering, and radiation might lead to dementia, so she would recommend that I go home and sell the apartment and take my wife on a world cruise. “Get a Queen suite with a balcony. I gather from your questionnaire that you quit drinking fifteen years ago. Start up again. Have a gin martini. And start smoking cigarettes again. Sit on the balcony and enjoy a nicotine rush and get good and sloshed. Why not? And instruct your wife that when you die, off in the Indian Ocean or maybe the Pacific off Australia, she should throw you over the rail to the sharks and skip the funeral stuff and use the money to spend a month at a spa.”

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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