Las Vegas, NV
May 20, 2020
Garrison Keillor hits Las Vegas with a new solo show!
April 18, 2020
Garrison Keillor comes to the Rochester Civic Theatre for a night of stories, songs, poetry, and humor. Tickets $50 and up
February 19, 2020
Garrison Keillor with Heather Masse at the Dakota. Night 2 of 2. Tickets $30+
February 18, 2020
Garrison Keillor with Heather Masse at the Dakota. Night 1 of 2. Tickets $30+
Someday we shall look back at these golden October days with wonder and amazement, how good life was even in a pandemic during a lunatic time. Here in New York City, everyone wears a mask, there is a high level of civility, and though riding down Columbus Avenue feels like we’re driving across a freshly plowed field, life is good. I sat in a sidewalk café with a friend on Sunday, unmasked, telling old stories, enjoying freedom of speech. She complained about the winner of the Nobel Prize in Literature: “I wrote poems like hers when I was in the ninth grade. ‘The leaves are turning brown, the leaves are falling, death is near.’ Who put the Swedes in charge of literature?”
Back in Minneapolis, where I’m from, you couldn’t say that. Too many Swedes around and too much PC and self- righteousness. Back there, among young lefties, I am a Privileged White Male, not a person but a type, but in my New York neighborhood, which tends Jewish, an old WASP is sort of a novelty. I walk around amid all colors and ethnicities and interesting accents and hairstyles, and I’m just a guy in jeans and a black T-shirt. This is a big relief. One big pleasure of urban life is looking at other people and it’s hard to do that if they are glaring at you as a symbol of all that is wrong. New Yorkers don’t.
Of course, life is easier for me now that I’ve quit reading the news. There’s nothing new in it, nothing to be learned, and hasn’t been since March. Once you cut out the news, the lives of friends and family become preeminent, their voices on the telephone, their emails. The brother-in-law, bedridden in Boston, who is on his third pass through Shakespeare’s plays, keeping his mind active while living in an inert body. The psychologist cousin in Detroit, a shrewd judge of my character, every visit is illuminating. The friend who, at 85, claims to be dying but still enjoys his evening martini and laughs hard at old jokes. The musician friends, unemployed since the pandemic began, making interesting domestic lives for themselves. The writer friends, writing away.
I am working on a letter to an old editor of mine, now 100 years old, hale and hearty, who bought a story of mine back in 1969 for a prestigious magazine. That publication earned me a slot in status-conscious public radio; it was my ticket. Looking back, I see that had he sent a rejection letter, I’d be retired from a career as a parking lot attendant, living in a small green trailer at the end of a dirt road, a big hand-painted Trespassers Will Be Attacked By Large Dogs sign beside it. Instead, I’m publishing a memoir soon and grateful for having had a life worth memoirizing.
The book won’t sell well because it is short on trauma. I didn’t struggle with drink, or suffer from syndromes that I was aware of. My only trauma this week was shopping in a drugstore where half the goods are in locked compartments so, shopping for deodorant, shampoo, razor blades, and artificial tears, I had to ask a staff person to unlock four separate compartments, and she was overworked and rather irked and tried to avoid me. This is a manageable trauma, along with the restaurant deliverymen on bicycles who go whizzing through red lights. It is nothing, really, compared to the pleasure of telephone friendship.
I talked to a couple friends about getting together to sing duets. I miss the old maudlin songs like the one in which Benny dies in Mother’s arms while Papa is drunk in the barroom and “let your teardrops kiss the flowers on my grave,” songs that have always cheered me up. I don’t sing them ironically, I sing them with sincere feeling. To stand next to a friend and sing in two-part harmony about death is to hold powerful opposing ideas simultaneously and life is enlarged by it.
The news is noise. I’ll remember October for the pleasure of long phone conversations and for the sweetness of marital confinement. She is one of the two people in the world I’m permitted to embrace and I enjoy doing it, over and over. I could arise and walk across the room and do it right now and I shall, as soon as I come to the end of this sentence.