The Writer’s Almanac for Saturday, June 12, 2021


Mingling
by Kim Stafford

Remember how we used to do it—
weaving through the crowd, brushing
shoulders, fingers touching a sleeve,
adjusting a lapel—first an old friend here,
then turn to banter with a stranger, finding
odd connections—“You’re from where?…You
know her!”—going deeper into story there, leaning
back in wonder, bending close to whisper, secrets
hidden in the hubbub, as if in the middle of this
melee you have found a room and lit a lamp…
then the roar of the crowd comes back,
someone singing out a name, another
bowing with a shriek of laughter,
slap on the back, bear hug void
of fear? Imagine!
Just imagine.

 

Kim Stafford, “Mingling” from Singer Come From Afar. Copyright © 2021 by Kim Stafford.Used with the permission of The Permissions Company, LLC on behalf of Red Hen Press, www.redhen.org (buy now)


It’s the birthday of writer Djuna Barnes (books by this author), born near Cornwall-on-Hudson, New York (1892). For many years she lived in the Bohemian world of Greenwich Village and then as an expatriate in Paris, drinking and smoking and having love affairs with men and women alike. She interviewed celebrities, from Florenz Ziegfield to Coco Chanel, and she was friends with James Joyce, Emily Coleman, and Gertrude Stein.

She had a long affair with the sculptor Thelma Wood, who was constantly unfaithful. Barnes’ most famous novel, Nightwood (1936), was a modernist novel about the destructive relationship of lovers named Robin and Nora, and she based Robin heavily on Thelma. Nightwood didn’t sell well—her first royalty check was for £43. But it got rave reviews from other writers. T.S. Eliot convinced Faber and Faber to publish it, and he said, “It is so good a novel that only sensibilities trained on poetry can wholly appreciate it.” Dylan Thomas called it “one of the three great prose books ever written by a woman.” William S. Burroughs wrote:

“I read Nightwood back in the 1930s and was very taken with it. I consider it one of the great books of the twentieth century. At that time I even tried a few writing experiments, consciously imitating her style. It is an entirely unique style: one sentence, and you know it is Djuna.”

Whatever its critical reception, Nightwood didn’t make money, and Barnes lived off the support of Peggy Guggenheim, the patron of many writers and artists. She went through a bottle of whiskey a day. As early as 1930 she wrote: “I’ve gotten cranky and old-maid like — I don’t even like to have an animal looking at me, and when I lay a thing down I want to find it exactly where I put it — it’s as bad as that!”

So she moved back to New York City and into an apartment in Greenwich Village, 5 Patchin Place , where she lived as a recluse for the last 42 years of her life. In 1971 she agreed to be interviewed by The New York Times. She said

“Years ago I used to see people, I had to, I was a newspaperwoman, among other things. And I used to be rather the life of the party. I was rather gay and silly and bright and all that sort of stuff and wasted a lot of time. I used to be invited by people who said ‘Get Djuna for dinner, she’s amusing.’ So I stopped it.”

Writers came to pay homage to her, including Bertha Harris and Carson McCullers, but she sent them away. Her neighbor E.E. Cummings used to check on her by yelling out his window. She rarely left her house, and she spent her last 30 years working on a long poem that was found in her apartment when she died in 1982. In 1973 she told her editor Douglas Messerli, “It’s terrible to outlive your own generation.”


It’s the birthday of novelist and priest Charles Kingsley (books by this author), born in Holne, England (1819). He is best remembered for his children’s book The Water-Babies (1863). It was an allegorical story written to teach Christian values, and he wrote in a letter to a friend:

“I have tried, in all sorts of queer ways, to make children and grown folks understand that there is a quite miraculous and divine element underlying all physical nature, and nobody knows anything about anything, in the sense in which they may know God in Christ, and right and wrong. And if I have wrapped up my parable in seeming Tomfooleries, it is because so only could I get the pill swallowed by a generation who are not believing with anything like their whole heart, in the living God.”

The “tomfooleries” were elaborate—The Water-Babies might have been Christian propaganda, but it was also a strange and enjoyable fairy tale. It is the story of a 10-year-old chimney sweep named Tom. He falls through a chimney into the room of a wealthy young girl, and when he is discovered there he is chased out of town, until he gives in to thirst and weakness and falls into a river and drowns. Fairies turn him into a creature called a “water-baby,” which is 3.87902 inches long and has gills. He is guided by Mrs. Bedonebyasyoudid, Mrs. Doasyouwouldbedoneby, and various fairies in his journey to the Other-End-of-Nowhere where he has to rescue the cruel Mr. Grimes, his former master.

The Water-Babies was extremely popular when it was published, and it helped drum up public support for the Chimney Sweepers’ Regulation Act which made it illegal for adult chimney sweep masters to force child laborers to climb chimneys.

Charles Kingsley wrote:

“I am not fond, you know, of going into churches to pray. We must go up into the chase in the evenings, and pray there with nothing but God’s cloud temple between us and His heaven! And His choir of small birds and night crickets and booming beetles, and all happy things who praise Him all night long! And in the still summer noon, too, with the lazy-paced clouds above, and the distant sheep-bell, and the bee humming in the beds of thyme, and one bird making the hollies ring a moment, and then all still — hushed — awe-bound, as the great thunderclouds slide up from the far south! Then, there to praise God!”


It’s the birthday of sociologist and writer Harriet Martineau (books by this author), born in Norwich, England (1802). She had a tough childhood—she was one of eight children and her mother was a cold and difficult woman. Harriet was sick often, and from her infancy she had no sense of taste or smell. By the age of 12 she was mostly deaf. While her brothers went off to school she was tutored at home.

When she was 16 her parents sent her to stay with an aunt in Bristol for more than a year. In her Autobiography, she wrote:

“Before I went to Bristol, I was the prey of three griefs,–prominent among many. I cannot help laughing while I write this. They were my bad hand-writing, my deafness, and the state of my hair. Such a trio of miseries!”

Her aunt was much more warm and loving than her own parents—Martineau described her, “For the first time, a human being whom I was not afraid of.” In Bristol, she met a Unitarian minister named Lant Carpenter. Maritneau was fascinated by his teachings. She wrote later:

“He was a very devoted Minister, and a very earnest pietist: superficial in his knowledge, scanty in ability, narrow in his conceptions, and thoroughly priestly in his temper. He was exactly the dissenting minister to be worshiped by his people, (and especially by the young) and to be spoiled by that worship. He was worshiped by the young, and by none more than by me; and his power was unbounded […] A more extraordinary diversity of religious opinion than existed among his pupils when they became men and women could not be seen. They might be found at the extremes of catholicism and atheism, and every where between. As for me, his devout and devoted Catechumen, he made me desperately superstitious—living wholly in and for religion, and fiercely fanatical about it. I returned home raving about my pastor and teacher, remembering every word he had ever spoken to me,—with his instructions burnt in, as it were, upon my heart and conscience, and with an abominable spiritual rigidity and a truly respectable force of conscience curiously mingled together.”

This transformation changed Martineau’s life. She was so fired up that she started writing, anonymously, for a Unitarian publication, The Monthly Repository. In her second article she wrote about gender, arguing that women were not inherently stupider than men, just given less access to education. She taught herself at home as best she could. She wrote to a friend about those years:

“I liked cooking very well and ironing better. I used to get up at five to try whether I could not write stories and scraps of verse. My Latin prospered then, and I read much French, and taught myself Italian. Translation was a good exercise, I found, and I translated Tacitus into prose and Petrarch into verse, and used to read to my mother from French books. Then I learnt Wordsworth by heart by the bushel…and puzzled out metaphysical questions in my own mind all day long…and music burst out at all odd times, besides my daily practice. Oh, those were glorious days!”

She started winning awards for her essays, but as her ideas became more radical, eventually she broke with the Unitarian church. Soon after, her father’s business failed and he died. He left his wife and children almost nothing, and Martineau had to earn her own living. So she turned to writing more seriously, and supplemented her income with needlework.

Martineau was fascinated by political theory, by the ideas of Adam Smith, Joseph Priestley, Jeremy Bentham, and others. She thought that their ideas were important to the lives of everyday people, but that it was hard for most people to understand their writing. So she wrote Illustrations of Political Economy, fictional stories that illustrated various principles of political theory. Each of 25 stories had stated themes—there was “The Hill and the Valley,” which illustrated “industry, commerce, agrarianism, Luddism”; “Ella of Garveloch,” which taught “Ricardian rent theory, economic self-sufficiency”; or “Cinnamon and Pearls,” illustrating “imperialist exploitation in Ceylon.” Each story was fully drawn out—Ella of Garveloch, for example, was a poor Scottish fisherwoman struggling to make her way in a world of men, burdened by her many orphaned brothers and an unjust landlord.

Martineau had never published a book, and had no agent, publisher, or connections. She approached every publisher she could find, but the manuscript was rejected over and over. Finally it was accepted by a publisher named Charles Fox who paid her poorly and was not very optimistic about its sales. But Illustrations of Political Economy was a huge success. It was published as a serial, between 1832 and 1834, and is estimated to have sold 10,000 copies per month at the height of its popularity—more popular than novels by Charles Dickens.

She said, “Readers are plentiful; thinkers are rare.”

 

Be well, do good work, and keep in touch.®


Rest in Peace, Butch Thompson

 

The most elegant gentleman to come out of Minnesota, Mr. Butch Thompson, died yesterday in St. Paul. He picked up the New Orleans spirit listening to Jelly Roll Morton 78s and carried it through the 20th into the 21st century. He was a pianist and a clarinetist, the piano for the bounce, the clarinet for the blues, and if he could've he would've played both at the same time. We worked together for years, a quiet man, and I never knew him except through his music. God bless the memory, God preserve the music.

–GK

Born and raised in Marine-on-St. Croix, a small Minnesota river town, Butch Thompson was playing Christmas carols on his mother’s upright piano by age three, and began formal lessons at six. He picked up the clarinet in high school and led his first jazz group, “Shirt Thompson and His Sleeves,” as a senior.

After high school, he joined the Hall Brothers New Orleans Jazz Band of Minneapolis, and at 18 made his first visit to New Orleans, where he became one of the few non-New Orleanians to perform at Preservation Hall during the 1960s and ’70s.

In 1974, he joined the staff as the house pianist of public radio’s A Prairie Home Companion. By 1980, the show was nationally syndicated, and the Butch Thompson Trio was the house band, a position the group held for the next six years.

From the early days on APHC, Butch remembers, “It was pretty casual back then. Margaret or somebody would call me and ask if I was busy on Saturday. More than once I remember saying I couldn’t get there by showtime, and being told to show up as soon as I could. Sometimes I’d go onstage without remembering what key something was in. If Garrison was going to sing, I usually couldn’t go wrong with E major.”

By the late ’90s, Thompson was known as a leading authority on early jazz. He served as a development consultant on the 1992 Broadway hit Jelly’s Last Jam, which starred Gregory Hines. He also joined the touring company of the off-Broadway hit Jelly Roll! The Music and the Man, playing several runs with that show in New York and other cities through 1997.

The Village Voice described Butch’s music as “beguiling piano Americana from an interpreter who knows that Bix was more than an impressionist and Fats was more than a buffoon.”

 


 

 

Available Now: BOOM TOWN by Garrison Keillor!

In Garrison Keillor’s newest novel, Boom Town, we return to Lake Wobegon, famous from decades of monologues on the classic radio show A Prairie Home Companion.

**Available in Hardcover, Audiobook, and eReader formats**

Lake Wobegon is having a boom year thanks to millennial entrepreneurship—AuntMildred’s.com Gourmet Meatloaf, for example, or Universal Fire, makers of artisanal firewood seasoned with sea salt. Meanwhile, the author flies in to give eulogies at the funerals of five classmates, including a couple whom he disliked, and he finds a wave of narcissism crashing on the rocks of Lutheran stoicism. He is restored by the humor and grace of his old girlfriend Arlene and a visit from his wife, Giselle, who arrives from New York for a big love scene in an old lake cabin.

 

Praise for Boom Town:

“Wonderfully over-the-top. Blisteringly funny, acute, and true. Keillor’s speaking to us with encouragement and empathy about the American life. But at the same time, he’s got our number that way he’s always had it. This book is a tonic.” —Richard Ford

 

“You can’t go home again unless you’re Garrison Keillor and home is Lake Wobegon. Then, of course, it is imperative that you do so—and we are fortunate indeed to tag along and share in the final chapter of the most fascinating and compelling characters ever conjured from the most vivid imagination of America’s greatest storyteller!

In Boom Town, we are invited to catch up as Garrison gets caught up with all of those beautifully flawed human beings that populate and promulgate their mythical town where all the women are finally accounted for, all the men are self-realized or died trying, and all the children are still way above average.” —Martin Sheen

 

Read the first chapter for free >>>

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A new day dawns and we rise cheerfully to meet it

There is a magnificent Presbyterian church in New York being hassled by its neighbors who’re tired of the scaffolding that’s been standing for fifteen years. The scaffolding is there because the building is falling apart, and the little congregation is dwindling and can’t afford the repairs. They’d like to sell the property and let the buyers demolish the church and put up a 19-story condo tower. But the Landmark Commission doesn’t want this building, a landmarked 1890 Romanesque Revival masterpiece, to be replaced by a filing cabinet. Meanwhile attendance is fading because who wants to go to church and be struck by a fifty-pound chunk of sandstone?

I favor demolition. There is nothing holy about a building, the Holy Spirit moves freely in and out of buildings, people can feel God’s grace wherever they happen to be. If the building were preserved and sold to Pizza Hut and ovens placed where the altar used to be and the organ automated to play Metallica and Black Sabbath, how does this serve the common good?

Tear it down before it kills somebody. Time moves on, so move with it.

I say this as a very old man who is not landmarked but doing my best to avoid demolition. The body is the temple of the Holy Spirit, said the apostle Paul, and so far, the temple is intact. Some days I feel like sixty and sometimes I’m closer to fifteen. I have no idea what eighty would feel like. I use a cane only as an affectation: it makes me feel European.

I know I’m on the last stretch, but I intend it to be a cheerful stretch. I am married to the woman I love and after three years of pandemic isolation with her, I adore her. This desert island suits me. But she is more sociable, so we need to ease back into normal life and have people over for lunch, maybe take up cribbage, go bowling, attend lectures where you break up into discussion groups, those sorts of things. I sense her restlessness. Sometimes she goes into the back bedroom, and I hear peals of girlish laughter, shrieks of delight, as she talks to friends on the phone — does it make me jealous? Yes, of course.

We need to befriend younger people. I’ve gone to birthday parties for octos and heard all about someone’s prostate problems or kidney stones and hip replacements and of course colonoscopies. I’ve been colonoscopied and it was no big deal. Yes, the liquid you drink the day before tastes like used motor oil. But so what? I choose to be cheerful. Let’s talk about happy memories such as the narrow pews in my church, which, when I twist to kneel on the kneeler, reminds me of the girl I used to neck with in the back seat of her VW.

Sometimes I regret my old age but then I think of my dear friend who died when he and I were 17. He rented a boat and went out on a lake with a girl he was in love with and when she dove into the water, he dove after her, forgetting that he could not swim, and he drowned. He got only a slice of life, he missed out on sex and fatherhood and the pleasure of vocation, and I got the whole helping and await seconds.

So many heroes of my generation died young, Buddy Holly, James Dean, Jim Morrison, Janis, Jerry, Elvis. They were done in by celebrity and delusion and you and I outlived them to come to this point where we delight in the ordinary. I lie in bed and am awakened by the light and rise up to the new day and do my business and drink coffee and my wife tells me what’s in the morning paper and I go for a walk and people ask me how I’m doing, and I say, “Never better.” I sit in the evening drinking ginger tea and watching baseball with the sound off, two teams I don’t care about, and I edit whatever I wrote today while admiring the pitcher’s windup, the reflexive agility of infielders, the occasional long loping leaping outfield catch that steals a triple and kills the rally and the fielder casually tosses the ball into the stands and trots to the dugout.

Tear down the stone pile. Sell the lots for millions and give it to the poor. Let the faithful meet in someone’s home, as the disciples did. A new day dawns. Don’t look back.

 

I am an orphan and an officeless man

I miss having an office to go to. I had friendly colleagues and employees, and we were in the entertainment biz so we got to work with a lot of lulus and lunatics and we kept flexible hours and laughed a lot. I liked that we were in the business of making serious people split a gut. I also liked getting dressed up for work in a suit and tie, which you need to do when you’re involved with frivolity. Now I go to work in my pajamas at the dining room table. I don’t know if “clothes make the man” but I know that pajamas do not make the man. They make me feel like going back to bed.

I loved walking in the front door in the morning at 9 a.m., the way the receptionist straightened up and smiled, the electric anticipation among the minions that the captain was on deck, the ship was about to sail. I don’t sense that same excitement in my wife when I walk into the kitchen in my pajamas. She says, “Your hair is standing up like a rooster’s and I think you should check your left nostril.”

At the office, I was the Decider. I sat at the end of the table and I told the staff: “No more singing dogs on the show and the one tuba player who played ‘Flight of the Bumblebee’ is enough: no more. I think we need a midget shot from a cannon and an acrobatic couple who work with two Percherons. And I say you can never have too many cat jugglers. The guy we booked who could keep six in the air simultaneously was a genius. Pay him whatever he asks.”

My staff was a bunch of college grads who thought in terms of jazz, folk, poetry, the arts, and didn’t understand the entertainment biz. They didn’t know raison d’être from a box of raisins. Art is art. You see a woman in a tutu swanning around, you think, “Everyone is so quiet, this must be good, I should be deeply moved.” You hear a folksinger do a traditional labor ballad, you feel like there’s going to be a quiz afterward. But you hear a man recite Allen Ginsberg backward while balancing a banana on his nose, and he finishes with “generation my of minds best the seen I’ve” and his pants fall down, you are stunned and delighted. And that’s entertainment. Now the biz has been taken over by angry millennials who’re out to use entertainment to make people feel wretched about themselves for the social injustices they failed to prevent. That’s why I left.

One of my favorite acts was a full-blooded Arapaho named Joe who danced and sang and twirled ropes and for a finale, he stood looking in a hand mirror at the stooge sitting fifty feet behind and he threw a tomahawk over his left shoulder and knocked the toupee off the stooge’s head without drawing blood. People protested this as stereotyping and we had to cancel the act. How could it be stereotyping when Joe was the only guy who could do it without mishap?

I produced the show every week, sitting in a little office, no credenza, a photograph on the wall of me and Marcel Marceau, the famous French mime, except he wasn’t French, he didn’t know a word of French, that’s why he was a mime, he was from Pittsburgh and he did great jokes about Unitarians but they attacked him as insensitive so he turned to mime, which was very sensitive to the deaf.

I could feel the biz changing when my staff booked a stand-up who walked out and said, “You came here to laugh and be entertained, right? Well, guess again. I’m going to talk about the plastics you people use that are making this world uninhabitable.” He spoke for twenty minutes, no laughs, and got a standing ovation at the end. I resigned the next week.

So now I sit at my kitchen table, still in pajamas at noon, and the other day I found my talent as a musical flatulenteur. I ate an onion, grabbed my ankles, and farted “Malagueña” with enough left over for a few bars of “Chopsticks,” which you could never do today because it’d be insensitive to Hispanics and Chinese, but still, it’s a gift and I’m grateful for it.

 

Suddenly it's clear why I wanted to be old

I look at the Great Milky Way While inhaling the autumn bouquet At eventide And am mystified And simply don’t know what to say. I love this September chill in the air. I love sweaters. They hide the age wrinkles on my inner upper arms. A stocking cap means I don’t have to comb my hair. Delicate souls are yearning for Florida and maybe catch a temp job as a consumer influence consultant, enough to pay for a condo with a pool, but not me, I’m not into influence and Florida brings out the bad taste in people and nobody wants to see an old man in a thong bikini. So here I am. I like the coffee here. I’ve figured out how the shower works and no longer stand under scalding water because I turned the wrong knob; I don’t want to go to Florida and stay in a motel with a crank for a shower knob and be burned alive while naked. So I’ll stay up North. Here I take a shower, wrap a towel around me, walk into the bedroom and sing, “O my love, my darling, I hunger for your touch.” In Florida, I’d go to the ER. The air is golden, smelling of wine and apples and woodsmoke. It takes me back to when I was 15, sitting in the press box and covering the football games for the Anoka Herald, my first paid writing job. And when I was 18 and a girl and I lay in a pile of leaves and made free with each other. Now I’m 80, the sky so clear I can see vast constellations, standing in the yard, aware of the universe and also smelling the rich spongy earth below my feet. An eternity of stars above, including stars that no longer exist but their light still comes to us, and I stand here in mystification, having unlearned so much of what I thought I knew about life, achieving this plain peasant life. It’s a second childhood. Someone told me the other day that “racecar” spelled backward is “racecar.” Amazing. This is why I quit drinking and got my mitral valve replaced, so I could see beyond the average life expectancy and it’s quite worth the wait, to live in a state of wonder. Writing prose is a form of gardening, which my dad was good at, especially strawberries and asparagus and tomatoes. Store-bought tomatoes tasted like cardboard to him. (Now they taste the same to me.) My aunts Josephine and Eleanor were passionate gardeners. If my essays were as good as their cucumbers and lettuce, I’d be a major success, but frankly I like being a struggling octogenarian up-and-comer. People show me deference because I walk with a cane, and that’s okay, but I live in a very small world. My heroes are dead, my ambition is quite awake, I don’t believe in tragedy anymore, I believe in mystery. I am mystified by my grandson and what an excellent human being he has become. He is a bulwark and an inspiration. I had two grandsons but the other one took his own life one afternoon after school. He was a lively inquisitive boy in love with all of nature, especially animals, and had the ability to retain practically everything he ever read, and he’s been gone for five years and I haven’t accepted his death. I will always be mystified by it, as I am by my childhood friend Corinne who paddled a canoe out onto Lake Cayuga one moonlit night in 1986, her pockets full of rocks, and overturned it and drowned. It was thirty-six years ago but still vivid to me, especially tonight. Memory is tied to smell and on a September night chapters of life return to mind, unbidden. I’ve forgotten most of the books I ever read. Theology is of no use to me. I’m a child; I believe “All things work together for good to them that love God.” As a boy I used outhouses and now I walk into a men’s toilet and pee in a urinal and step back and it automatically flushes. I walk around with a device in my pocket the size of a half-slice of bread and I can call my grandson for a report on Gen Z or read the Times or do a search for “Success is counted sweetest by those who ne’er succeed. To comprehend a nectar requires sorest need.” It’s a sweet world. My beloved sent me out for a walk and here I am, going nowhere, looking at everything all at once.

Tempted to give up politics for Parcheesi

My mom admired FDR and Eleanor because they cared about the poor. My dad felt there was no such thing as a Depression, that anyone who wanted work could find it, that the WPA was relief for the lazy, We Poke Along. He maintained this view even after we pointed out that his first real job came from his uncle Lew who owned the Pure Oil station in town. Their difference of opinion never got in the way of their love for each other. Politics was far away; real life was up close and was all about family. Sometimes I’d find her sitting in his lap, the parents of six kissing. He was a little sheepish, she was not.

Sometimes I envy my parents’ close-up life. I sit every morning, a hard-hearted man scanning my email inbox, fending off the pitiful pleas of political candidates in tight races, falling behind with the fate of democracy itself in the balance, the future of the planet, but we’re losing (unthinkable!) to a weird opponent who believes COVID is a covert conspiracy of drug companies and is financed by tycoons who plan to relocate on Mars, the good candidate is only asking for a $10 contribution, he pleads, and I snip them off one by one, along with the fabulous 50% OFF THIS WEEK ONLY offers, and an African orphanage asking me to buy a $500 Apple gift certificate and forward it to this address to save kids from starvation. Out they go.

A Prairie Home Companion An Evening of Story and Song Humor Love & Comedy Tour Old Friends Poetry Prairie Home Christmas Show Solo Songs Stories The Gratitude Tour
Schedule

October 21, 2022

Friday

8:00 p.m.

The Anthem, Washington D.C.

The Anthem, Washington D.C.

A Prairie Home Companion American Revival comes to The Anthem in Washington D.C. with Ellie Dehn, Billy Collins, Heather Masse, Rob Fisher, Rich Dworsky, Pat Donohue, Fred Newman, Tim Russell and the Friendly String Quartet.

November 6, 2022

Sunday

7:30 p.m.

The Bend Theatre, West Bend, WI

West Bend, WI

Garrison Keillor brings his show to West Bend, WI for a performance of sing-a-longs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

November 12, 2022

Saturday

8:00 p.m.

The Tabernacle, Mount Tabor, NJ

Mount Tabor, NJ

Garrison Keillor brings his solo show to Mount Tabor, NJ. Be prepared to laugh and sing along as you celebrate all that unites us.

November 19, 2022

Saturday

7:30 p.m.

Macomb Center for the Performing Arts, Clinton Township, MI

Clinton Township, MI

Garrison Keillor and Robin & Linda Williams come to the Macomb Center for the Performing Arts in Clinton Township, MI for an evening of poetry, gospel, sing-alongs and the News from Lake Wobegon. 7:30 PM

buy tickets

November 26, 2022

Saturday

7:30 p.m.

Town Hall, New York City

Town Hall, New York City

A Prairie Home Companion American Revival comes to Town Hall in New York City with Christine DiGiallonardo, Heather Masse, Rob Fisher and the Demitasse Orchestra, Rich Dworsky, Walter Bobbie, Sue Scott, Fred Newman and Tim Russell.

November 28, 2022

Monday

8:00 p.m.

McCallum Theatre, Palm Desert, CA

Palm Desert, CA

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Palm Desert, CA for a performance of holiday songs, humor and The News from Lake Wobegon.

December 4, 2022

Sunday

8:00 p.m.

Broward Center for Performing Arts, Fort Lauderdale, FL

Fort Lauderdale, FL

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Fort Lauderdale, FL for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

December 15, 2022

Thursday

7:30 p.m.

The Fabulous Fox Theatre, St. Louis, MO

St. Louis, MO

A Prairie Home Companion Christmas Show comes to the Fabulous Fox Theatre in St. Louis, MO with Heather Masse, Rich Dworsky, Pat Donohue, Dean Magraw, Sue Scott, Fred Newman and Tim Russell.

January 7, 2023

Saturday

8:00 p.m.

Torrance Cultural Arts Foundation, Torrance, CA

Torrance, CA

Garrison Keillor brings his solo show to Torrance, CA. Be prepared to laugh and sing along as you celebrate all that unites us.

February 3, 2023

Friday

7:00 p.m.

The Holland Theatre, Bellefontaine, OH

Bellefontaine, OH

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Bellefontaine, OH for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

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The Writer’s Almanac for Tuesday, October 4, 2022

The Writer’s Almanac for Tuesday, October 4, 2022

1941 marked the birth of Anne Rice, author of “Interview with a Vampire.” Rice died in October 2021 at the age of 80.

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The Writer’s Almanac for Monday, October 3, 2022

The Writer’s Almanac for Monday, October 3, 2022

Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners, no matter what fork you use.” – The works of Emily Post, born on this day in 1873.

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A Prairie Home Companion: October 8, 2005

A Prairie Home Companion: October 8, 2005

This 2005 classic from the Fitzgerald features the legendary Larry Sparks & The Lonesome Ramblers, Prudence Johnson, and guest actor Lee Lynch.

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The Writer’s Almanac for Sunday, October 2, 2022

The Writer’s Almanac for Sunday, October 2, 2022

On this day in 1950, the comic strip Peanuts, written and illustrated by Twin Cities native Charles M. Schulz, was first published. The series and its creator won award after award, and Peanuts was lauded for its deft social commentary, wry wisdom, and the satirical eye.

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The Writer’s Almanac for Saturday, October 1, 2022

The Writer’s Almanac for Saturday, October 1, 2022

It’s the birthday of Ernest Haycox, 1899, who said to become a successful writer. “First, one must break in to print somewhere, anywhere, with anything, and get money for it.” Second, “consolidate in that field … to such a point that your stories will be good enough to sell whenever written.” and Third “to do something permanent, something at least bordering on the field of literature. The first two stages can be accomplished by sheer muscle and sweat. The third is an entirely different problem.”

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The Writer’s Almanac for Friday, September 30, 2022

The Writer’s Almanac for Friday, September 30, 2022

On this day in 1452, the first section of the Gutenberg Bible was finished in Mainz, Germany, by the printer Johannes Gutenberg. On this day in 1791, Wolfgang Amadeus Mozart’s two-act opera The Magic Flute premiered at the Freihaus Theater in the composer’s hometown of Vienna, Austria. And, it’s the birthday of author Truman Capote, born in 1924 and best known for “Breakfast at Tiffany’s” and “In Cold Blood.”

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The Writer’s Almanac for Thursday, September 29, 2022

The Writer’s Almanac for Thursday, September 29, 2022

Victorian novelist Elizabeth Gaskell was born in London on this day in 1810. Elizabeth Gaskell was close friends with novelist Charlotte Brontë, the author of Jane Eyre. After Brontë died, Gaskell wrote the biography The Life of Charlotte Brontë (1857), which many scholars now consider a definitive work.

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The Writer’s Almanac for Wednesday, September 28, 2022

The Writer’s Almanac for Wednesday, September 28, 2022

Today is the birthday of scrivener and alchemist Nicholas Flamel, who was born on the outskirts of Paris in the year 1300 to a poor but respectable family. He and his wife Pernelle were thought to have discovered an elixir of life. He has been enshrined in modern memory by the Harry Potter books, which feature the Flamel’s as friends of Albus Dumbledore in the book “The Sorcerer’s Stone.”

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The Writer’s Almanac for Tuesday, September 27, 2022

The Writer’s Almanac for Tuesday, September 27, 2022

“Artists are nourished more by each other than by fame or by the public. To give one’s work to the world is an experience of peculiar emptiness. The work goes away from the artist into a void, like a message stuck into a bottle and flung into the sea.” – writer Joyce Johnson, born on this day in 1935.

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Writing

A new day dawns and we rise cheerfully to meet it

There is a magnificent Presbyterian church in New York being hassled by its neighbors who’re tired of the scaffolding that’s been standing for fifteen years. The scaffolding is there because the building is falling apart, and the little congregation is dwindling and can’t afford the repairs. They’d like to sell the property and let the buyers demolish the church and put up a 19-story condo tower. But the Landmark Commission doesn’t want this building, a landmarked 1890 Romanesque Revival masterpiece, to be replaced by a filing cabinet. Meanwhile attendance is fading because who wants to go to church and be struck by a fifty-pound chunk of sandstone?

I favor demolition. There is nothing holy about a building, the Holy Spirit moves freely in and out of buildings, people can feel God’s grace wherever they happen to be. If the building were preserved and sold to Pizza Hut and ovens placed where the altar used to be and the organ automated to play Metallica and Black Sabbath, how does this serve the common good?

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I am an orphan and an officeless man

I miss having an office to go to. I had friendly colleagues and employees, and we were in the entertainment biz so we got to work with a lot of lulus and lunatics and we kept flexible hours and laughed a lot. I liked that we were in the business of making serious people split a gut. I also liked getting dressed up for work in a suit and tie, which you need to do when you’re involved with frivolity. Now I go to work in my pajamas at the dining room table. I don’t know if “clothes make the man” but I know that pajamas do not make the man. They make me feel like going back to bed.

I loved walking in the front door in the morning at 9 a.m., the way the receptionist straightened up and smiled, the electric anticipation among the minions that the captain was on deck, the ship was about to sail. I don’t sense that same excitement in my wife when I walk into the kitchen in my pajamas. She says, “Your hair is standing up like a rooster’s and I think you should check your left nostril.”

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Suddenly it’s clear why I wanted to be old

I love this September chill in the air. I love sweaters. They hide the age wrinkles on my inner upper arms. A stocking cap means I don’t have to comb my hair. Delicate souls are yearning for Florida and maybe catch a temp job as a consumer influence consultant, enough to pay for a condo with a pool, but not me, I’m not into influence and Florida brings out the bad taste in people and nobody wants to see an old man in a thong bikini. So here I am. I like the coffee here. I’ve figured out how the shower works and no longer stand under scalding water because I turned the wrong knob; I don’t want to go to Florida and stay in a motel with a crank for a shower knob and be burned alive while naked. So I’ll stay up North. Here I take a shower, wrap a towel around me, walk into the bedroom and sing, “O my love, my darling, I hunger for your touch.” In Florida, I’d go to the ER.

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Tempted to give up politics for Parcheesi

My mom admired FDR and Eleanor because they cared about the poor. My dad felt there was no such thing as a Depression, that anyone who wanted work could find it, that the WPA was relief for the lazy, We Poke Along. He maintained this view even after we pointed out that his first real job came from his uncle Lew who owned the Pure Oil station in town. Their difference of opinion never got in the way of their love for each other. Politics was far away; real life was up close and was all about family. Sometimes I’d find her sitting in his lap, the parents of six kissing. He was a little sheepish, she was not.

Sometimes I envy my parents’ close-up life. I sit every morning, a hard-hearted man scanning my email inbox, fending off the pitiful pleas of political candidates in tight races, falling behind with the fate of democracy itself in the balance, the future of the planet, but we’re losing (unthinkable!) to a weird opponent who believes COVID is a covert conspiracy of drug companies and is financed by tycoons who plan to relocate on Mars, the good candidate is only asking for a $10 contribution, he pleads, and I snip them off one by one, along with the fabulous 50% OFF THIS WEEK ONLY offers, and an African orphanage asking me to buy a $500 Apple gift certificate and forward it to this address to save kids from starvation. Out they go.

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What was so remarkable about Monday

Nobody does royal funerals so beautifully as the Brits and an American watches with awe the long procession toward the chapel at Windsor Castle, the precision left/right stroll of the Grenadiers alongside the hearse, the horsemen behind, the bemedaled notaries and royal descendants and then, having come through narrow arches into the courtyard, the hearse stops, the rear door opens, and the eight uniformed pallbearers do a side-shuffle march to take hold of the coffin and lift it to their shoulders and take it up the steps. No simple task but they do it precisely and a stately silence prevails except on TV where American reporters venture speculation about a woman whose job was to be a mystery and who did it very well.

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October is coming, prepare to be bold

She told me out of the blue that she adores me. I was there, in a chair, listening; she was standing by the grandfather clock. She didn’t sing it but she said it clearly. This should answer any remaining questions. But Mister Malaise and Madam Miasma are ever on our trail, skulking in woodlands and meadows, waylaying the vulnerable, requiring us to drink discouragement and despair, and they got me a few days ago, two weeks after mitral valve replacement, walking tall in Transitional Care, transitioning back to normal life when I was hit (in the time it takes to tell it) by abject weakness, dizziness, nausea, and had to be locked up in hospital and tubes put in my arms for blood and antibiotics, and then released in a weakened semi-invalid state. It’s a lousy feeling. I look out at Minneapolis and imagine it’s Odessa, which it is not. I worry the Swiss banks will fail. Water mains will burst. Bacon will be banned, leaving us with vegan substitute.

The body wants to heal and it has felicitous intuitions how to go about doing it but meanwhile I ache and shuffle around like an old grampa and hike the hallways and work at maintaining a cheerful outlook (false). My wife is a worrier and when we promised to love and honor each other 27 years ago, diarrhea and vomiting weren’t mentioned in detail, so I walk carefully.

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What if it does and they do?

Sea levels are rising as the polar ice caps melt and now it’s clear why Republicans are in favor of global warming, it’s a form of gerrymandering. It destroys the Democratic coasts and drives disheartened Manhattanites westward to wander lost and confused in Ohio, their sophistication shredded, their street smarts useless. The Obamas will lose their place on Cape Cod and move to Omaha. Ms. Ocasio-Cortez will wind up in Topeka and go back to bartending. The fashion industry will move to Des Moines and polyester plaids will make a big comeback. Broadway will, of course, settle in Oklahoma –– where else?

My love and I live on the 12th floor of a building on the Upper West Side of Manhattan, which won’t be so upper much longer and so we’re thinking of buying a kayak so we can still make it to Zabar’s when the streets are flooded. We’ll paddle around the little islands that used to be Central Park and the Belvedere Castle to look in the Guggenheim, which will be turned into a water slide, and when Zabar’s closes with its fabulous cheese section where a shopper gains weight simply by inhaling, then we’ll order a chopper to lift us off the roof and wave goodbye to the old life and be flown to Pittsburgh to fly back to Minnesota. One chapter ends, another begins.

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Never been such times as these before, I swear

It’s good for your breathing, the deep breaths you must draw at the systemic shamelessness of Mar-il-Legal, the casual heist of government stuff, the FBI arriving to take away the top-secret documents and all, the refusal by the Former to acknowledge error, his wholesale abuse of the FBI, and then the weaselish dictum by the Trump judge to hold the DOJ at bay, it was breathtaking, like watching a hippo climb a tree.

The sorting of material, separating articles of clothing from top-secret documents into their own piles, seems to be a problem for DJT, according to the FBI. Surely the man’s valet puts the socks in the sock drawer and not with the golf balls and cheeseburgers, but in his official dealings DJT seems prone to chaos.

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Lying in bed, grateful for it all

A week in hospital has brought me back to an appreciation of Jell-O, scrambled eggs, mac and cheese, the banana, food that is beyond criticism. There is no such thing as a deluxe banana. The best mac and cheese you ever had was not significantly better than the worst. My beloved disagrees. She is somehow repelled by Jell-O, perhaps she thinks if you eat it you’ll wind up living in a trailer park. To me, Jell-O is what it is, Jell-O. My dad lived in a trailer park and loved it; I think it gave him a sense of imminent mobility. Hitch up the tow, let’s go to Orlando.

My beloved has some Swedish ruminants in her ancestry whereas I have coyotes in mine. The ruminants had a taste for savory weeds and the coyotes only ate weeds to get the taste of chicken feather out of their mouths. Somehow we’ve made a happy marriage out of this.

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What was done for me back in Minnesota

There is vast kindness in this world and right now I am resting in it, astonished by it, a man who in the space of 48 hours went through an ablation procedure to calm wild heart arrhythmia and then a heart valve replacement and a valve repair. I climbed aboard the gurney for the first procedure, an adult male of 80, and was borne away from the second in an infantile state, helpless, somewhat hallucinatory, a disastrous life change for a member of the American Academy of Arts and Letters, and through it all I was aware of the young women and men in blue scrubs who were at my side, making friendly small talk while checking tubes and adjusting pillows. They asked me to squeeze their hands, wiggle my fingers, look into a bright light, push up against their hand pulling my foot down, smile, raise my eyebrows, follow their finger with my eyes, and when I did they said, “Awesome,” “Fantastic,” “Excellent.” I said, “A person doesn’t have to do much to win praise around here” and they laughed. It was the only useful thing I could do, make them laugh, so I became a lie-down comedian, interpreting literally what they said: “Oh, we are going to have a bowel movement now? Fine, you go first and I’ll watch and see how it’s done.”

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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