The Writer’s Almanac for March 26, 2019

A Prayer in Spring
by Robert Frost

Oh, give us pleasure in the flowers today;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfill.

“A Prayer in Spring” by Robert Frost. Public domain. (buy now)


It’s the birthday of Gregory Corso, (books by this author) born in New York City (1930). He served three years for theft in a prison in upstate New York, and discovered poetry in the prison library. After he got out, he met Allen Ginsberg and Jack Kerouac in New York City; Lawrence Ferlinghetti published his first collection, Gasoline.


It’s the birthday of Tennessee Williams (books by this author) born Thomas Lanier Williams in Columbus, Mississippi (1914). He’s the author of the plays The Glass Menagerie (1944), A Streetcar Named Desire (1947), and Cat on a Hot Tin Roof (1955). It was his sister, Rose, he was closest to; they were rarely apart, and the family cook called them “the couple.”

When Tom was seven and Rose was nine, the family moved from the Mississippi Delta to a tenement apartment in St. Louis. The filth and noise of the city shocked them. Their mother forced Rose out into society, where she suffered a series of exquisite humiliations; she had a breakdown, she was institutionalized, and her parents forced her to undergo a lobotomy. He said, “I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.”


It’s the birthday of the man who said, “A poem begins in delight and ends in wisdom.” Robert Frost, (books by this author) born in San Francisco (1874). He’s one of the most famous poets in American history, and the man who wrote “The Road Not Taken,” “Mending Wall,” “The Death of the Hired Man,” “After Apple-Picking,” and “Home Burial.” He won the Pulitzer Prize for poetry four different times. He drew large crowds to his immensely popular poetry readings, which he preferred to call “sayings.” He suffered from dark depressions. He once said, “Happiness makes up in height for what it lacks in length.”

When John F. Kennedy was elected president, he asked Frost to read at his inauguration, and hinted that Frost might compose a new poem for the occasion. Frost did write one, called “Dedication,” but on inauguration day the sun shone brightly, making a glare on the page, which made it difficult for the nearly 87-year-old Frost to see the poem he’d recently composed. He started and stumbled; LBJ tried to shield the page with his hat, but Frost gave up and instead recited a poem that he knew by heart, “The Gift Outright,” which ends:

Something we were withholding made us weak.
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.
Such as we were we gave ourselves outright
(The deed of gift was many deeds of war)
To the land vaguely realizing westward,
But still unstoried, artless, unenhanced,
Such as she was, such as she would become.

He died a couple of years later, the same year as the much younger President Kennedy.


It’s the birthday of poet Alfred Edward Housman — A.E. Housman — (books by this author) in Worcestershire, England, in 1859, who worked as a clerk in the Patent Office in London for 10 years as he wrote the poems for which we know him today, including “When I was one-and-twenty / I heard a wise man say, ‘Give crowns and pounds and guineas / But not your heart away.'” And, “Loveliest of trees, the cherry now / Is hung with bloom along the bough.”

He said: “Good literature continually read for pleasure must, let us hope, do some good to the reader: must quicken his perception though dull, and sharpen his discrimination though blunt, and mellow the rawness of his personal opinions.”


It’s the birthday of Joseph Campbell (books by this author), born in New York City (1904). He saw Buffalo Bill’s Wild West Riders as a child and decided to learn everything there was to know about Indians. He read his way through the children’s room at his local library by the time he was 11, and started right in on reports from the Bureau of Ethnology.

In college, he turned to studying Arthurian legend. He abandoned a Ph.D. dissertation about Holy Grail stories and went to live in a shack, where for five years he continued to read. In 1949, he published a monumental study of mythology called The Hero with a Thousand Faces; it traced the common theme of the spiritual quest in myth. All sorts of writers found it a treasure trove for their own work, from the poet Robert Bly to the filmmaker George Lucas, who said that without it, he would never have been able to write Star Wars.

He wrote, “[For] the latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of 42nd Street and Fifth Avenue, waiting for the traffic light to change.”


It was on this day in 1920 that This Side of Paradise was published, launching 23-year-old F. Scott Fitzgerald (books by this author) to fame and fortune. It’s the story of a young man named Amory Blaine who falls in love with a beautiful blond debutant named Rosalind Connage and then loses her because she doesn’t want to marry someone with so little money. He goes on a drinking spree and has a series of bohemian adventures, only to wind up taking the blame for a crime committed by Rosalind’s brother. An account of the crime appears in the newspaper alongside the announcement of Rosalind’s engagement to another man.

The first version of the book was called “The Romantic Egotist,” and Fitzgerald had started writing it in the fall of 1917 while awaiting commission as an Army officer. He wrote most of the manuscript at Fort Leavenworth, Kansas, and sent chapters as he wrote them to a typist at Princeton, where he had been a student. In March 1918, he submitted the novel to Charles Scribner’s Sons. Scribner’s rejected the novel but encouraged Fitzgerald to revise it. He submitted a new version titled The Education of a Personage to Scribner’s in September 1918, but that second version was also rejected.

In July 1919, after his discharge from the Army, Fitzgerald returned to his family’s home at 599 Summit Avenue in St. Paul, which he called “a house below the average in a street above the average.”

Fitzgerald was at the end of a series of failures and frustrations. He’d dropped out of Princeton in 1917 because of poor grades, spent time in the Army during WWI and never saw combat or went overseas, had a New York advertising job that he hated, and his novel had been rejected. When southern belle Zelda Sayre broke off their engagement because she was afraid he couldn’t support her, he spent a week drowning his sorrows. He said, “I was in love with a whirlwind, so when the girl threw me over, I went home and finished my novel.”

Scribner’s editor Maxwell Perkins, though rejecting The Romantic Egotist, had given Fitzgerald hope that it could be salvaged. Fitzgerald worked hard at revision for the next three months. He pinned revision notes to his curtains and used a speaking tube outside his room to order meals to be sent up. Fitzgerald rewrote much of the novel, using material he had published while a student at Princeton, including the short story “Eleanor” and the play “The Debutante.” Fitzgerald also placed typescript pages from earlier versions, with handwritten corrections, into his new draft, producing discrepancies that eventually found their way into print.

Fitzgerald took a walk now and then for a break. He’d walk over to Selby Avenue to meet his friend Tubby Washington for cigarettes and Cokes at W.A. Frost’s drugstore.

He was known to wander over to Mrs. Charles Porterfield’s Boardinghouse on Summit, where he sat on the porch discussing literature with local teachers and writers.

In August 1919, Fitzgerald finished a new draft of the novel, now titled This Side of Paradise. He gave it to a friend from St. Paul for a final edit and sent the new typescript to Scribner’s on September 4, 1919. Two weeks after he mailed the manuscript, Fitzgerald received Maxwell Perkins’ letter accepting the book. Fitzgerald was so excited that he ran outside and stopped cars on the street to announce the news. He later wrote, “That week the postman rang and rang, and I paid off my terrible small debts, bought a suit, and woke up every morning into a world of ineffable topflightiness and promise.”

The publication of This Side of Paradise on this day in 1920, made Fitzgerald famous almost overnight, and a week later he married Zelda Sayre in New York.

Scott Fitzgerald wrote: “Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying — only to see their faces in the reflecting chandeliers.”

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What is normality and do we want it?

So here we are, locked down in our tiny village since March, winter on the way, chilly winds over the tundra, we’re waiting for men on a dogsled to bring the sacred COVID vaccine, meanwhile we hunker in our dark hut and while away the hours telling tales of old conquests. I try to while but whiling is not my strong suit and I’ve had no conquests, only a series of lucky breaks. I married well. I was born late enough so that medicine had figured out how to repair my congenital heart defect, which enabled me to enjoy the marriage a good deal longer. I took up writing as a profession, which is advantageous for a man with a long face and no social skills. I could list others.

When I hear people talk about life getting back to normal after the vaccine, frankly I have qualms. I’ve lived a long time and seen a number of normals and don’t think normality is what we should settle for. Some of us have come to appreciate this simpler contemplative time. I don’t long to be in crowds again. I don’t miss going to restaurants, the shouted conversations, the strangers at your elbow. I prefer Netflix to movie theaters, the popcorn is better. And dinner parties — do we have to? I remember that awful point in the evening when you try to think of a nice way to say, “I wish you people would all go home now.”

I’m a Scot on my mother’s side and so I expect the worst and for us pessimists, staying home is an excellent idea and the pandemic gives me a good excuse. I can imagine walking down the street and a 500-pound anvil falls out of a tree and crushes me and someone gets it on video and it goes viral, a tall scholarly man suddenly obliterated and it’s horrible but also weirdly humorous — he’s a white male and then suddenly he’s a pile of clothing — and though you ask, “Why was a 500-pound anvil parked in a tree on Columbus Avenue?” it’s too late for Nowhere Man — he’s being carried in a coffin the size of a fruit basket and his death video has gotten 57 million hits. I refuse to be him; I am the man happy to be eating waffles in his own kitchen.

They say it’ll be another year before a reliable vaccine is found and it’ll take a while to distribute it, so there’s time for us to plan the New Normal before it begins. I want there to be more walking, less talking. I want to bring back cribbage and backgammon. I want to bring back the classics, Dickens and Trollope and Turgenev. I want to reduce the forty-hour week to thirty. The American people are in desperate need of getting more fun out of life. Let’s elongate the lunch hour and eliminate the big dinner. Let’s continue the Work From Home movement. And let’s do away with the Republican and Democratic Parties. Outlaw them. POOF: gone.

We’re sick of them, the posturing and pandering, the flood of money, the cant, the tired rhetoric. Take a look at the GOP marching lockstep to isolationism and the biggest deficit in history — if that’s conservatism, I’m Grace Kelly. The Democratic Party is dreaming of Denmark: get over it. I propose we drop them both and create a Guys’ Party and a Women’s, meaning (1) each Party holds a broad spectrum of views from left to right and forces opposites to reason with each other, (2) the Women’s Party will naturally be dominant since women are inclined toward Order and Reasonableness, not so obsessed with Gamesmanship, and (4) it will be an enormous relief for guys to be relieved of leadership. We are comedians at heart, not commissioners. When I skipped (3), women noticed it and guys didn’t. Hillary lost in 2016 because a debater vs. a flamethrower is no contest. When Uncle Joe says, “What the hell is wrong with this guy?” he is talking guy talk, saying something Hillary wanted to say and couldn’t.

Let’s put the bitterest, most divisive issues into quarantine for two years and focus on what we all agree is right: eliminate hunger, make good schools, pay impoverished parents to raise their children, create dignified work for young people. Unemployment among 16- to 24-year-olds is around 20%. This is not acceptable. Set the cultural wars aside for a while, give self-righteousness a rest, and let’s take care of our people.

Enough of the news, onward with friendship

Someday we shall look back at these golden October days with wonder and amazement, how good life was even in a pandemic during a lunatic time. Here in New York City, everyone wears a mask, there is a high level of civility, and though riding down Columbus Avenue feels like we’re driving across a freshly plowed field, life is good. I sat in a sidewalk café with a friend on Sunday, unmasked, telling old stories, enjoying freedom of speech. She complained about the winner of the Nobel Prize in Literature: “I wrote poems like hers when I was in the ninth grade. ‘The leaves are turning brown, the leaves are falling, death is near.’ Who put the Swedes in charge of literature?”

Back in Minneapolis, where I’m from, you couldn’t say that. Too many Swedes around and too much PC and self- righteousness. Back there, among young lefties, I am a Privileged White Male, not a person but a type, but in my New York neighborhood, which tends Jewish, an old WASP is sort of a novelty. I walk around amid all colors and ethnicities and interesting accents and hairstyles, and I’m just a guy in jeans and a black T-shirt. This is a big relief. One big pleasure of urban life is looking at other people and it’s hard to do that if they are glaring at you as a symbol of all that is wrong. New Yorkers don’t.

Of course, life is easier for me now that I’ve quit reading the news. There’s nothing new in it, nothing to be learned, and hasn’t been since March. Once you cut out the news, the lives of friends and family become preeminent, their voices on the telephone, their emails. The brother-in-law, bedridden in Boston, who is on his third pass through Shakespeare’s plays, keeping his mind active while living in an inert body. The psychologist cousin in Detroit, a shrewd judge of my character, every visit is illuminating. The friend who, at 85, claims to be dying but still enjoys his evening martini and laughs hard at old jokes. The musician friends, unemployed since the pandemic began, making interesting domestic lives for themselves. The writer friends, writing away.

I am working on a letter to an old editor of mine, now 100 years old, hale and hearty, who bought a story of mine back in 1969 for a prestigious magazine. That publication earned me a slot in status-conscious public radio; it was my ticket. Looking back, I see that had he sent a rejection letter, I’d be retired from a career as a parking lot attendant, living in a small green trailer at the end of a dirt road, a big hand-painted Trespassers Will Be Attacked By Large Dogs sign beside it. Instead, I’m publishing a memoir soon and grateful for having had a life worth memoirizing.

The book won’t sell well because it is short on trauma. I didn’t struggle with drink, or suffer from syndromes that I was aware of. My only trauma this week was shopping in a drugstore where half the goods are in locked compartments so, shopping for deodorant, shampoo, razor blades, and artificial tears, I had to ask a staff person to unlock four separate compartments, and she was overworked and rather irked and tried to avoid me. This is a manageable trauma, along with the restaurant deliverymen on bicycles who go whizzing through red lights. It is nothing, really, compared to the pleasure of telephone friendship.

I talked to a couple friends about getting together to sing duets. I miss the old maudlin songs like the one in which Benny dies in Mother’s arms while Papa is drunk in the barroom and “let your teardrops kiss the flowers on my grave,” songs that have always cheered me up. I don’t sing them ironically, I sing them with sincere feeling. To stand next to a friend and sing in two-part harmony about death is to hold powerful opposing ideas simultaneously and life is enlarged by it.

The news is noise. I’ll remember October for the pleasure of long phone conversations and for the sweetness of marital confinement. She is one of the two people in the world I’m permitted to embrace and I enjoy doing it, over and over. I could arise and walk across the room and do it right now and I shall, as soon as I come to the end of this sentence.

A word from an old WASP, awaiting winter

The gorgeous October days go parading by and you know they will end and then there’s one more, warm and golden, the Van Gogh trees, the Renoir sky: it’s beautiful but I’m an old white Anglo-Saxon Protestant male, the demographic responsible for the mess we’re in and all the messes before it. So I prefer to stay indoors. I wear a mask, the largest one I can find. Social distancing comes naturally to me — I’ve been emotionally distant since childhood. My parents weren’t huggers, they patted the dog and I guess we were supposed to extrapolate from that.

I’m 78. I’m heading into the Why Am I Here years, when you walk into a room and try to remember what you came for.

It’s a strange world. I remember when only carnival workers had tattoos and now I see nice young people with spiderwebs on their necks, or faces on their forearms. I grew up with four channels of TV, and now there are hundreds. You could watch twenty-four hours a day and barely scrape the surface. And what sort of life would it be? So I don’t watch anything and thus I don’t know who celebrities are anymore. Pop music is childish, standup is vulgar, movies are about explosives. Any recent teenage immigrant is more in tune with the culture than I am.

I don’t read books. The fiction is all by young people, heavily introspective, and if there’s an old white guy in a novel, he is sleazy but not smart enough to be a threat. The memoirs are by people under 40 who grew up dyslexic, anorexic, trisexual, and Missouri Synod in Texas. Once we produced great presidents such as Washington, Lincoln, and Roosevelt, and now the current guy is crowding Andrew Johnson and James Buchanan at the bottom of the pile. He is no more Protestant than Jujubes are Jewish, but he’s old and white and so I feel people hold me responsible for him. Everywhere I go, he comes up in the conversation: why? Why can’t we talk about something else?

The world belongs to the young and they gather in big crowds, unmasked, arms draped around each other, as the vodka is passed around along with the virus, which is just plain wrong, but then so is a great deal else. Like drive-thru liquor stores. When you buy a gallon of hooch, you ought to show you can walk in a straight line. But young people prefer the drive-thru, so there you are.

The world is changing. I’m basically okay with that. People of color, Black people, Latinos, dominate baseball now, not because of affirmative action but because they’re better ballplayers. Many of them have tattoos. Guys who grew up in South America had a much longer season. There are no great Canadian shortstops because it’s still winter in April. My team, the Minnesota Twins, has one player I can personally identify with: Max Kepler in right field. A slim white guy with a Germanic name. I don’t need nine white guys, just one. A token white male.

I was planning to be a comfy old grandpa who tells little kids stories about the olden days, but little kids today all have wires in their ears so storytelling is pointless. And my stories are about waiting for a school bus on a 50-below morning in the dark with feral coyotes watching from the ditch, a bus on which several bullies were waiting to beat me up, but global warming has ameliorated those Minnesota winters. It used to be, people asked where were you from, you said Minnesota, they said, “Oh. It gets cold there.” Now they say, “That’s in the Midwest, right?” Knowledge of geography is sketchy now; thanks to Google, nobody looks at maps.

I come from a bygone era when we all belonged to a culture, respected the president, knew the same songs. I stood in front of a crowd a year ago and sang those songs, about working on the railroad and Dinah in the kitchen, the E-ri-e a-rising and the gin a-getting low, the grasshopper picking his teeth with a carpet tack, and a few old codgers sang along and everyone else was looking for the lyrics on their smartphones. When you need Google to tell you this is the land of the pilgrims’ pride where your fathers died, freedom ringing from the mountainside, then I have to wonder, Where am I and why am I here?

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The Writer’s Almanac for Monday, October 26, 2020

The Writer’s Almanac for Monday, October 26, 2020

It’s the birthday of the early American self-help writer Napoleon Hill (1883-1970), who wrote, “Do not wait: the time will never be ‘just right.'”

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It’s the birthday of Jelly Roll Morton (1890-1941), considered the first true jazz composer because he was the first to write down his jazz tunes.

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Writing

What is normality and do we want it?

So here we are, locked down in our tiny village since March, winter on the way, chilly winds over the tundra, we’re waiting for men on a dogsled to bring the sacred COVID vaccine, meanwhile we hunker in our dark hut and while away the hours telling tales of old conquests. I try to while but whiling is not my strong suit and I’ve had no conquests, only a series of lucky breaks. I married well. I was born late enough so that medicine had figured out how to repair my congenital heart defect, which enabled me to enjoy the marriage a good deal longer. I took up writing as a profession, which is advantageous for a man with a long face and no social skills. I could list others.

Read More

Enough of the news, onward with friendship

Someday we shall look back at these golden October days with wonder and amazement, how good life was even in a pandemic during a lunatic. Here in New York City, everyone wears a mask, there is a high level of civility, and though riding down Columbus Avenue feels like we’re driving across a freshly plowed field, life is good. I sat in a sidewalk café with a friend on Sunday, unmasked, telling old stories, enjoying freedom of speech. She complained about the winner of the Nobel Prize in Literature: “I wrote poems like hers when I was in the ninth grade. ‘The leaves are turning brown, the leaves are falling, death is near.’ Who put the Swedes in charge of literature?”

Back in Minneapolis, where I’m from, you couldn’t say that. Too many Swedes around and too much PC and self- righteousness. Back there, among young lefties, I am a Privileged White Male, not a person but a type, but in my New York neighborhood, which tends Jewish, an old WASP is sort of a novelty. I walk around amid all colors and ethnicities and interesting accents and hairstyles, and I’m just a guy in jeans and a black T-shirt. This is a big relief. One big pleasure of urban life is looking at other people and it’s hard to do that if they are glaring at you as a symbol of all that is wrong. New Yorkers don’t.

Read More

A word from an old WASP, awaiting winter

The gorgeous October days go parading by and you know they will end and then there’s one more, warm and golden, the Van Gogh trees, the Renoir sky: it’s beautiful but I’m an old white Anglo-Saxon Protestant male, the demographic responsible for the mess we’re in and all the messes before it. So I prefer to stay indoors. I wear a mask, the largest one I can find. Social distancing comes naturally to me — I’ve been emotionally distant since childhood. My parents weren’t huggers, they patted the dog and I guess we were supposed to extrapolate from that.

I’m 78. I’m heading into the Why Am I Here years, when you walk into a room and try to remember what you came for.

Read More

In a troubled time, it’s time to make a perfect day

It is a true accomplishment to give a perfect birthday to a beloved person and a whole gang of us managed to do this for my sweetie on Saturday, a day of perfection, beginning to end. She arose at 10 a.m. and went to bed at midnight and in those fourteen hours there were no harsh words, no snarls or snippy comments, no big spills, no spam messages, no knocks on the door by downstairs neighbors complaining about our shower leaking onto their bed. Instead there were phone calls from numerous people she loves, there were numerous small thoughtful gifts, there was a very long entertaining supper outdoors on a warm September evening with good food (but not too much) and lighthearted talk and some good stories and nothing about a possible constitutional crisis in November with the election being thrown aside by a 6-3 vote of the Supreme Court, none of that. She was happy the entire time.

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A former outlaw appreciating the Republican life

In the spring, there was a shortage of vegetable seeds and now, I’m told, there is a shortage of canning jar lids. This doesn’t affect me, locked down in Manhattan, but it brings back memories of my childhood home, the half-acre garden, the big tomato, corn and cucumber crops, the steamy kitchen with the pressure cooker going full tilt.

As a child, I worried that we might be poor and maybe canning was a sign that we were. Our neighbors were not canners. The dread of the stigma of poverty stuck with me until I was 18 and went to college and actually was poor and took it as a point of pride. I was a poet specializing in unintelligible poetry, and poverty was a mark of authenticity. Geniuses were, of necessity, poor. My girlfriend, however, came from a suburban Republican family and over time, against my principles, I came to love them, especially her mother, Marjorie. She had grown up in North Dakota in the Depression, when dust blew through the windows, her father and brother drunk in the barn, and she set out to make a graceful life of her own and maintain a cheerful atmosphere, avoiding the sort of dark brooding that filled my poetry, and I stepped into the role of boyfriend and enjoyed their company, and gradually they corrupted me and instilled strong bourgeois leanings that an outlaw poet should shun.

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The News from Manhattan: Friday, September 18, 2020

New York seems to be returning to life, more lights, more traffic, more taxis. Meanwhile the pandemic has given us a greater appreciation of what we have.

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The News from Manhattan: Thursday, September 17, 2020

The audiobook business is booming, thanks to people with long commutes, people on Stairmasters, people who like to fall asleep while listening to a book.

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A late dispatch from the New York correspondent

A chilly night in New York, fall in the air, geese winging along a flyway over West 91st, a lively crowd watching a playground basketball game. Unusual in these pandemic days, to hear a cheering crowd. We’ve been isolating here since March, avoiding the dread virus, leading a life more like that of a lighthouse keeper than a New Yorker, no plays, no Fauré or Bizet or cabaret, though Sunday we sat in a sidewalk café and had a cassoulet, a small soirée, just three of us, me and the Missus and our friend Suzanne whom I like to hang out with because she’s older than I and very lively. She is proof that aging, though likely to be fatal, need not be dull. Gusts of talk, none of it touching on the Unmentionable.

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The News from Manhattan: Saturday, September 12, 2020

Our girl left for school this morning. I miss her. I woke her up at 7 this morning, singing “What A Wonderful World,” with the line “I hear babies cry, I watch them grow, they’ll learn much more than I’ll ever know.”

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The News from Manhattan: Friday, September 11, 2020

Thinking about San Francisco today and that beautiful drive up Highway One across the Golden Gate Bridge and through the tunnel with the rainbow painted over it.

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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“[Keillor is] an expert at making you feel at home with his low-key, familiar style. Comfortable is his specialty.” -Betsie Freeman, Omaha-World Herald

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