Las Vegas, NV
May 20, 2020
Garrison Keillor hits Las Vegas with a new solo show!
April 18, 2020
Garrison Keillor comes to the Rochester Civic Theatre for a night of stories, songs, poetry, and humor. Tickets $50 and up
February 19, 2020
Garrison Keillor with Heather Masse at the Dakota. Night 2 of 2. Tickets $30+
February 18, 2020
Garrison Keillor with Heather Masse at the Dakota. Night 1 of 2. Tickets $30+
by Felicia Hemans
The boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle’s wreck
Shone round him o’er the dead.
Yet beautiful and bright he stood,
As born to rule the storm;
A creature of heroic blood,
A proud, though child-like form.
The flames rolled on–he would not go
Without his Father’s word;
That father, faint in death below,
His voice no longer heard.
He called aloud–’say, Father, say
If yet my task is done?’
He knew not that the chieftain lay
Unconscious of his son.
‘Speak, father!’ once again he cried,
‘If I may yet be gone!’
And but the booming shots replied,
And fast the flames rolled on.
Upon his brow he felt their breath,
And in his waving hair,
And looked from that lone post of death
In still yet brave despair.
And shouted but once more aloud,
‘My father! must I stay?’
While o’er him fast, through sail and shroud,
The wreathing fires made way.
They wrapt the ship in splendour wild,
They caught the flag on high,
And streamed above the gallant child,
Like banners in the sky.
There came a burst of thunder sound–
The boy–oh! where was he?
Ask of the winds that far around
With fragments strewed the sea!–
With mast, and helm, and pennon fair,
That well had borne their part–
But the noblest thing which perished there
Was that young faithful heart.
“Casabianca” by Felicia Hemans. Public domain. (buy now)
It was on this day in 1931 that the US Senate approved “The Star-Spangled Banner” as the official national anthem of the United States. On March 4, 1931 President Herbert Hoover signed the act into law.
The lyrics come from a poem written by Francis Scott Key more than a century before, “Defence of Fort McHenry.” He’d spent a night toward the end of the War of 1812 hearing the British navy bombard Baltimore, Maryland. The bombardment lasted 25 hours — and in the dawn’s early light, Francis Scott Key emerged to see the U.S. flag still waving over Fort McHenry. He jotted the poem “Defence of Fort McHenry” on the back of an envelope. Then he went to his hotel and made another copy, which was printed in the Baltimore American a week later.
The tune for the “Star-Spangled Banner” comes from an old British drinking song called “To Anacreon in Heaven,” which was very popular at men’s social clubs in London during the 1700s. Francis Scott Key himself did the pairing of the tune to his poem. It was a big hit.
For the next century, a few different anthems were used at official U.S. ceremonies, including “My Country ‘Tis of Thee” and “Hail Columbia.” The U.S. Navy adopted “The Star-Spangled Banner” for its officialdom in 1889, and the presidency did in 1916. But it wasn’t until this day in 1931 — just 90 years ago — that the US Senate passed a resolution and the next day Hoover signed into law the decree that “The Star-Spangled Banner” was the official national anthem of the United States of America.
Beethoven’s “Moonlight” Sonata was published on this date in 1802. Its real name is the slightly less evocative “Piano Sonata No. 14 in C Sharp Minor, Opus 27, No. 2,” and its Italian subtitle is translated as “almost a fantasy.” In 1832, five years after Beethoven’s death, a German critic compared the sonata to the effect of moonlight shining on Lake Lucerne, and the interpretation became so popular that, by the end of the century, the piece was universally known as the “Moonlight Sonata.” Beethoven himself had attributed the emotion of the piece to sitting at the bedside of a friend who had suffered an untimely death.
It’s the birthday of the poet James Merrill (books by this author), born in New York City (1926). His father was the co-founder of Merrill Lynch. With an ample trust fund, James never had to worry about money, so he was free to devote himself to poetry. But even though he was wealthy himself, he was sensitive to the fact that most artists weren’t, so he created the Ingram Merrill Foundation in 1956 with a permanent endowment for writers and painters. His several collections of poetry include The Changing Light at Sandover (1982) which won the National Book Critics Circle Award.
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