The Writer’s Almanac for Saturday, May 14, 2022


The Months
by Linda Pastan

March
When the Earl King came
to steal away the child
in Goethe’s poem, the father said
don’t be afraid,
it’s just the wind…
As if it weren’t the wind
that blows away the tender
fragments of this world—
leftover leaves in the corners
of the garden, a Lenten Rose
that thought it safe
to bloom so early.

April
In the pastel blur
of the garden,
the cherry
and redbud
shake rain
from their delicate
shoulders, as petals
of pink
dogwood
wash down the ditches
in dreamlike
rivers of color.

May
Mayapple, daffodil,
hyacinth, lily,
and by the front
porch steps
every billowing
shade of purple
and lavender lilac,
my mother’s favorite flower,
sweet breath drifting through
the open windows:
perfume of memory-conduit
of spring.

 

Linda Pastan, “The Months” from The Last Uncle. © 2002 Linda Pastan, published by W.W. Norton and used by permission of Linda Pastan in care of the Jean V. Naggar Literary Agency, Inc. (permissions@jvnla.com). (buy now)


Skylab was launched on this date in 1973. It was America’s first space station. It served as a solar observatory, a microgravity lab, a medical lab, an Earth-observation station, and a proving ground for new technology that enabled humans to survive in space: microgravity toilets, showers, and sleeping bags — among other necessities — were developed or perfected on Skylab.

Skylab was launched without a pilot or crew; its first crew rendezvoused with the space station on May 25. They spent 28 days in space, which broke the previous record for the duration of a space flight. Their record didn’t stand long, however; its second crew was in space for 59 days. Skylab’s third crew spent 84 days in orbit, and their record remained unbroken until a crew spent six months aboard the Russian space station Mir in the mid-1990s.

Everything the Skylab astronauts did as part of their daily routine was considered “data.”

Their day started at six in the morning when the three crewmembers would check for the day’s orders from Mission Control. Then they would use the bathroom, weigh themselves, and eat breakfast. They took turns at the daily science chores — including serving as the medical “guinea pig” to study the effects of space travel on the human body. The workday lasted until eight in the evening, and then they enjoyed a couple of hours of free time before their 10 p.m. bedtime. They often spent that leisure time just looking out the window, although once in a while they would devise their own informal experiments. Astronaut Jerry Carr, a member of the third crew, said, “It was such an interesting thing to turn loose a blob of water to see what you can do with it.” They recorded their little experiments and saved them to show American schoolchildren a little bit about what life in space was like.

The Skylab crews also had to contend with equipment malfunctions and unexpected repairs, and some of these required a spacewalk. Jack Lousma, a member of the second crew, described it at Skylab’s 40th-anniversary celebration, “From outside you can see the entire Earth in a three-dimensional perspective. You’re riding along on this ‘magic carpet.’ There’s no vibration, no sound, and a sunrise and sunset every hour and a half. You just want to stay out there.”

Skylab was occupied for just less than eight months. Its final crew returned to Earth in early February 1974, and left Skylab in its orbit. Jerry Carr said, “There was a certain small amount of sadness when we left, realizing we were going to be the last crew to inhabit the spacecraft. It had hung together beautifully for us, and we kind of hated to leave it. But, of course, we were also looking forward to going home.” After so long in space it took the astronauts a little while to adjust to life with gravity: they would often just drop things rather than setting them down, because they expected them to simply float away.

NASA expected Skylab to remain in orbit for the next ten years or so. But a high level of solar activity heated the Earth’s atmosphere and caused more drag on the space station than scientists had expected. They predicted that it would break apart and fall to Earth sometime in 1979. Skylab’s demise was a huge media event: people sold Skylab re-entry merchandise and took bets on when and where the first piece would hit the Earth. Two San Francisco newspapers offered competing prizes for the first piece of Skylab delivered to their offices. As it happened, most of Skylab’s remains landed on a sparsely populated region in western Australia or in the Indian Ocean. Seventeen-year-old Stan Thornton of the Australian town of Esperance collected the San Francisco Examiner’s prize for the first retrieved Skylab piece.

Skylab paved the way for the International Space Station, which was developed with the aid of Carr and his fellow crewmember Bill Pogue.


It’s the birthday of nature writer Hal Borland (books by this author), born in Sterling, Nebraska (1900). He wrote that he grew up:

[I]n those years when the Old West was passing and the New West was emerging. It was a time when we still heard echoes and already saw shadows, on moonlit nights when the coyotes yapped on the hilltops, and on hot summer afternoons when mirages shimmered, dust devils spun across the flats, and towering cumulus clouds sailed like galleons across the vast blueness of the sky. Echoes of remembrance of what men once did there, and visions of what they would do together.”

Hal’s grandfather was a blacksmith and his father a newspaperman. Hal followed in his father’s footsteps and moved all over the country working for local papers — he started out at his father’s paper in Flagler, Colorado, a town of 750 people, and he ended up at the New York Times in 1937. One day he submitted a piece about the English oak tree to the editorial page and it was accepted. After that his nature editorials were a staple in the Times. He published one every week and by the time he died in 1978 he had written 1,750 nature editorials — the last of them published the day before his death. Borland kept a New Yorker cartoon on his office wall showing a man brandishing a newspaper and shouting, “Here’s another of those crackpot editorials about the voices of frogs shattering the autumn stillness!”

Borland published quite a few books, too, including When the Legends Die (1963) and Sundial of the Seasons (1964).


On this day, the first group reading of Welsh poet Dylan Thomas’s radio play Under Milk Wood (1953) was staged at the Poetry Center at the 92nd Street Y in New York City (books by this author).

Thomas began writing radio plays in the 1940s to supplement his income. Under Milk Wood grew from a story he’d written for the BBC (1945) called “Quite Early one Morning” and was inspired by an early morning walk Thomas had taken in New Quay, Cardiganshire, in West Wales. On his walk he began imagining the voices of the townspeople. He determined to write what he called “a play for voices,” for the radio. Under Milk Wood is set in a small Welsh fishing town called Llareggub, which is “bugger all” spelled backward. The play spans one day and one night in a town filled with prostitutes, ghosts, drunkards, and bigamists like Polly Garter, Captain Cat, Organ Morgan, Mrs. Willy Nilly, and No Good Boyo. The title of the play refers to the forest that looms on a hill above town where villagers go for illicit sexual encounters. Dylan worked on the play for eight years.

When he arrived in New York for the reading he was still tinkering with the beginning and he didn’t have an end. He was also drinking and smoking heavily. Finally his literary agent locked him in a room until he finished the play, then painstakingly copied the new pages for the actors, jumped into a cab, and shoved the pages in the actors hands minutes before the curtain rose. Dylan himself performed two characters, that of “First Voice” and Reverend Eli Jenkins.

At the last minute someone decided to record the play and single microphone was placed on stage. This is the only known recording of Under Milk Wood with Thomas as part of the cast. Several months later Thomas fell into a coma from excessive drinking and died. Under Milk Wood was his last significant piece of writing.

The play was adapted for a film version starring Richard Burton, Elizabeth Taylor, and Peter O’Toole (1972). It’s been produced as a ballet by the Independent Ballet of Wales (2008) and was the primary influence for the Kinks album We Are the Village Green Preservation Society (1968).

In Under Milk Wood, Dylan Thomas wrote, “There’s the clip clop of horses on the sunhoneyed cobbles of the humming streets, hammering of horse-shoes, a gobble quack and cackle, tomtit twitter from the bird-ounced boughs, braying on the Donkey Dawn.”


On this day in 1607 the London Company explorers from England landed in what would become Jamestown, Virginia, the first English settlement in the New World. The colony lay on the banks of the James River, 60 miles from the mouth of Chesapeake Bay.


It was on this day in 1804 that Captain Meriwether Lewis (books by this authorand Lieutenant William Clark set out from St. Louis, Missouri, on their overland expedition to the Pacific Coast and back. They were very different men. Clark was levelheaded and easy going. Lewis was romantic and ambitious and prone to depression. On the day they set out, William Clark wrote in his journal, “Rained the fore part of the day. … I Set out at 4 o Clock P.M., in the presence of many of the neighboring in habitants, and proceeded on under a jentle brease up the Missourie … a heavy rain this after-noon.” Meriwether Lewis wrote on the same day, “We were now about to penetrate a country at least two thousand miles in width, on which the foot of civilized man had never trodden. I could but esteem this moment of my departure as among the most happy of my life.”

 

Be well, do good work, and keep in touch.®


Rest in Peace, Butch Thompson

 

The most elegant gentleman to come out of Minnesota, Mr. Butch Thompson, died yesterday in St. Paul. He picked up the New Orleans spirit listening to Jelly Roll Morton 78s and carried it through the 20th into the 21st century. He was a pianist and a clarinetist, the piano for the bounce, the clarinet for the blues, and if he could've he would've played both at the same time. We worked together for years, a quiet man, and I never knew him except through his music. God bless the memory, God preserve the music.

–GK

Born and raised in Marine-on-St. Croix, a small Minnesota river town, Butch Thompson was playing Christmas carols on his mother’s upright piano by age three, and began formal lessons at six. He picked up the clarinet in high school and led his first jazz group, “Shirt Thompson and His Sleeves,” as a senior.

After high school, he joined the Hall Brothers New Orleans Jazz Band of Minneapolis, and at 18 made his first visit to New Orleans, where he became one of the few non-New Orleanians to perform at Preservation Hall during the 1960s and ’70s.

In 1974, he joined the staff as the house pianist of public radio’s A Prairie Home Companion. By 1980, the show was nationally syndicated, and the Butch Thompson Trio was the house band, a position the group held for the next six years.

From the early days on APHC, Butch remembers, “It was pretty casual back then. Margaret or somebody would call me and ask if I was busy on Saturday. More than once I remember saying I couldn’t get there by showtime, and being told to show up as soon as I could. Sometimes I’d go onstage without remembering what key something was in. If Garrison was going to sing, I usually couldn’t go wrong with E major.”

By the late ’90s, Thompson was known as a leading authority on early jazz. He served as a development consultant on the 1992 Broadway hit Jelly’s Last Jam, which starred Gregory Hines. He also joined the touring company of the off-Broadway hit Jelly Roll! The Music and the Man, playing several runs with that show in New York and other cities through 1997.

The Village Voice described Butch’s music as “beguiling piano Americana from an interpreter who knows that Bix was more than an impressionist and Fats was more than a buffoon.”

 


 

 

Available Now: BOOM TOWN by Garrison Keillor!

In Garrison Keillor’s newest novel, Boom Town, we return to Lake Wobegon, famous from decades of monologues on the classic radio show A Prairie Home Companion.

**Available in Hardcover, Audiobook, and eReader formats**

Lake Wobegon is having a boom year thanks to millennial entrepreneurship—AuntMildred’s.com Gourmet Meatloaf, for example, or Universal Fire, makers of artisanal firewood seasoned with sea salt. Meanwhile, the author flies in to give eulogies at the funerals of five classmates, including a couple whom he disliked, and he finds a wave of narcissism crashing on the rocks of Lutheran stoicism. He is restored by the humor and grace of his old girlfriend Arlene and a visit from his wife, Giselle, who arrives from New York for a big love scene in an old lake cabin.

 

Praise for Boom Town:

“Wonderfully over-the-top. Blisteringly funny, acute, and true. Keillor’s speaking to us with encouragement and empathy about the American life. But at the same time, he’s got our number that way he’s always had it. This book is a tonic.” —Richard Ford

 

“You can’t go home again unless you’re Garrison Keillor and home is Lake Wobegon. Then, of course, it is imperative that you do so—and we are fortunate indeed to tag along and share in the final chapter of the most fascinating and compelling characters ever conjured from the most vivid imagination of America’s greatest storyteller!

In Boom Town, we are invited to catch up as Garrison gets caught up with all of those beautifully flawed human beings that populate and promulgate their mythical town where all the women are finally accounted for, all the men are self-realized or died trying, and all the children are still way above average.” —Martin Sheen

 

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Forget about songwriting. Try fiction

The word from people who know is that Taylor Swift is working with younger edgier indy artists, trying to stay relevant, hoping to hang on in today’s rapidly shifting pop culture, trying to free herself from the bonds of the narrative lyric and pick up the style of spatter imagery. Miss Swift is 32.

So forget about songwriting. Thirty-two is much too young for irrelevance. In solid professions such as medicine, engineering, law, the humorous essay, you’re just hitting your stride at 32. Miss Swift’s problem is that she prospered for years appealing to 11-year-old girls but now much of her audience is in its early twenties and doesn’t want to be in the same demographic with 11-year-olds so she needs to change the act to drive away the children, make it edgy, frighten the parents.

I see the perils of the music biz while strolling around Central Park on a weekend and passing by kiddie birthday parties where East Side parents have gone to vast expense to celebrate their child’s second or third birthday. The parents are guilty, having hired young women to raise the kiddos, and the lavish party, with catered hot dogs and potato salad and a designer cake, flocks of balloons and streamers, perhaps a mime artist and a monkey, a craft table, a photographer, and a singer, is meant to show the depth of their love. A dozen toddlers sit on the grass, the birthday girl or boy wearing a gold crown, and the singer entertains, and it’s all too obvious: she is talented, beautiful, has a degree in theater, had Broadway ambitions, and now she is performing for two-year-olds, which is like singing to a herd of house cats. She sings her heart out, big projection, great articulation, hoping to impress the mothers standing in back who may hire her for their kids’ birthdays, and she cries, “Let’s all clap our hands!” to kids who don’t know their hands from their feet, and it breaks my heart. Miss Show Biz was a star back in Iola, Kansas, and now she’s a joke: what’s next for her? Singing at birthday parties for dogs?

I intended to move to New York when I was 24 and become a writer and I got myself a room in a rooming house on West 19th and met a serious photographer who drove cab at night to support his wife and two infant daughters living in a squalid tenement on the Lower East Side and taking photographs in the afternoon, black-and-white pictures of street people, most of them as depressed as he. I followed him around for a few days, thinking I’d write about him, but seeing his life up close decided me on going back to Minnesota. A young artist needs friends, supporters, aunts, perhaps a welcoming basement for a while.

Being young and broke in a strange big city with nothing but a distant dream in your pocket is a form of imprisonment and not a course to be taken lightly unless you have a nice trust fund to fall back on. A friend of mine is a successful photographer, also b&w like the cabdriver, but he stayed close to home and married a woman with a good job and they practiced birth control. Twenty years later, the art world started smiling on him.

As for me, I am an heir to the Keiller orange marmalade fortune. The Keillers in Scotland died off and we American Keillors, who were illiterate farmers and misspelled our own name, found a trunk full of stock certificates in a barn in Barnstable belonging to Thomas Keillor in 1774, but Thomas was a Loyalist, opposed to the Revolution, and the shame of this caused many Keillors to change their names. Ralph Waldo Keillor did and Henry Wadsworth Keillor and also George and Martha Keillor. Meanwhile, Thomas fled to Canada with the marmalade stocks, which fell to my grandpa James and then my father John, so my siblings and I are loaded. It’s a long story. And that’s how I financed my career in fiction. My ambition had been to write limericks, but thank goodness I gave that up. There’s no money in it, just misery.

Young men who take up light verse:
It’s not a career, it’s a curse.
Clean rooms or wash dishes,
Rhyme is pernicious,
It’s a huge waste of time, perhaps worse,
A tragic decision
Leading to supervision
In a mental ward by a trained nurse.

Enjoying my irrelevance, thank goodness

“You are the only person I know who gets dressed up to go to the doctor’s,” my wife told me the other day, and I pointed out to her that I was not wearing a tie, only a gray pinstripe suit and white shirt, top button open, and dark cloth shoes, not wingtips. Still she was impressed.

This is a feature of marriage to a much younger woman: her frequent wonderment. I remember Harry Truman, she grew up with LBJ. She’s a late boomer, my generation doesn’t have a name because we predate narcissism, the country was too busy fighting fascism and saving the world, they didn’t bother to hand out generational identities. My wife is astonished that when I visited my grandma on the farm and I had to get up in the night, I went to the foot of the bed and used a chamber pot. To her, this places me back in the 19th century and I don’t mind. Great things happened back then, indoor plumbing being one of them. So I wear a suit to the doctor’s to show him that he’s dealing with a historic personage, a man who carries a piece of our nation’s noble heritage, not some yo-yo or schlump.

I led a free and independent boy’s life, growing up, back before parents read books about parenting, and after my morning chores, I got on a bike and joined other boys and we played cowboys and Indians or we played Civil War, and I usually was an Indian or fought for the Confederacy, so I grew up feeling romantic about Lost Causes. As a white male novelist, I am very comfortable today; my books sell in the low four figures and this gives me the same sense of validation I got when I was nine and fought for Stonewall Jackson.

My wife grew up in a feminist household and so she is the fixer and planner, she walks into a hardware store with complete confidence, she issues crisp orders to plumbers and painters. They glance at me, sitting in a dim corner with a pad and pencil, chuckling to myself, and ask, “Do you need to run this by him?” and she says, “No, he’s an essayist.”

She runs our life while I fight for lost causes, my current one being the plague of impactfulness, the use of “impact” as a verb, mostly by millennials writing mission statements, trying to put some muscle into paragraphs of limp macaroni.

Impactfulness is the result of the flood of Canadians coming over our undefended northern border, tens of thousands of hockey players seeking warmth and music and sophistication, but bringing their Canadian censoriousness with them. Northerners have always claimed moral authority over others, the inevitable result of wall maps and their impactful verticality. I’m from Minnesota, I know about supposed moral superiority, and I know that my crusade will have the impact of wet Kleenex trying to stop a speeding locomotive, that a younger generation is impacting like a steam hammer, or imagines it is, and “impactful” is gaining popularity and my opposition is totally irrelevant.

Well, I enjoy my irrelevance.

I got a letter from a candidate pleading for $25, accusing his opponent of getting millions from wealthy celebs such as Ryan Seacrest and Kendall Jenner and I was pleased that I have no idea who those two are. I am not a TV watcher, I don’t tune in talk shows, I don’t walk around with earbuds. I watched the Jan. 6 hearings, which were riveting television, and I watch baseball, which Abner Doubleday designed for TV. In fact, it’s better on TV because you can turn off the announcers, silence the crowd, walk away during an endless inning and make yourself popcorn with real butter on it and a glass of ice water, chat with your dear wife who is reading through a plumbing supply catalog, step outside and look at the Milky Way, and return to the TV for the 10th inning, the team at bat awarded a baserunner on 2nd, a new rule that makes great sense. (And how many new rules can you say that about?)

It’s a good life, the Seacrestless and Jenner-free life, the woman in charge of practical matters as God intended her to be, the old man penning an essay as the batter lofts a fly to right and the baserunner tags and takes third. Our shortstop comes to bat, swings at the second pitch and makes impact and the runner scores and I’m happy. There’s injustice in the world and plastic particles poisoning the dolphins but I’m okay for now. We’ll get to the rest tomorrow.

Drama is life trying to get our attention

When an old man prepares for open-heart surgery, he maintains a confident demeanor and so does his good wife. He has an excellent surgeon and the procedure has been around since he was a teenager, pioneered by Dr. Walt Lillehei of Minneapolis. All is well. Stay calm and pull your socks up.

The old man is me and Dr. Lillehei attended the University of Minnesota, as I did, but he did not major in English as I did nor did he write surreal poetry and doomsday fiction that took a stab at cynicism. I come from fundamentalist Scots who would’ve looked on heart surgery as a waste of money. The heart is sinful and heart disease is caused by rich living and can be remedied by physical labor, thinner dinners, and prayer. Dr. Lillehei came from progressive Norwegians and he had more curiosity.

I’ve been down this road before, July 2001, under Dr. Orszulak at Mayo, and I rolled into the OR feeling quite chipper, prepared to joke around, and then the anesthesiologist did something and I disappeared. I awoke with an angelic being in blue scrubs whispering to me. I went home for a pleasant couple of weeks lounging in the backyard and resumed life.

Of course I am twenty years older now and things could be different. So the patient tries to gain a clear look at his own life.

It was wildly lucky. I switched from surreal and cynical to light comedy as easily as you’d junk a rusty VW and accept the gift of a Jaguar. I found comedy quite amiable. I worked hard because it offered an escape from a hopeless marriage. I survived some rocky times to earn a pile of money, which I flung in many directions. I bought a mansion that looked like a train station and felt like one too. There was a high wall around the backyard that gave it a penal quality. I bought 80 acres in Wisconsin and put a log cabin on it and discovered that peace and quiet make me uneasy. I took expensive vacations I didn’t enjoy.

What I enjoyed was work. Then I met and married Jenny, who has a forgiving soul and is very funny on top of it. I tell her how much I adore her and she makes a sound like “Hnnh” that always cracks me up. She is a violinist, well-traveled, a New Yorker at heart though she grew up in my hometown so she knows what she’s dealing with. She is a keeper. I feel well-kept.

I am not a forgiving person. I have not yet forgiven two former employees who got me in a shakedown scheme and I made the mistake of settling with them before I had cleared my name. I know I should forgive them before I go under the knife but I don’t know how. The man who cooked up the scheme I sincerely wish would rot in hell but I need to cleanse my heart and have only a short time in which to accomplish this.

Carrying anger in your heart is misery in a bottle and my rector Kate suggested I read Fred Luskin, a psychologist who leads a forgiveness training program at Stanford, if you can imagine such a thing. He put out a book giving nine steps toward forgiveness and No. 3 says that forgiveness does not necessarily mean reconciliation, which is an enormous relief. I envisioned having to put my arms around the traitor and feeling his white beard against my cheek and whispering words of endearment. This would not be within my powers. Mr. Luskin says that forgiveness is for one’s own sake, to restore peace in one’s heart, and is not play-acting. He says, “Forgiveness is for you.” He says, “Make a commitment to yourself to feel better.” I like that. And he is a psychologist so I believe him.

I make myself feel better by thinking about the times I’ve stood in front of a paying audience and hummed a note and sang, “My country, ’tis” and they all joined in and it was so beautiful, people got teary-eyed. It was intermission but instead of heading for the lobby they stood and sang. And maybe Dinah in the kitchen and “She was just seventeen if you know what I mean” and “O Lord my God, when I in awesome wonder” and it was awesome. It wasn’t what they paid to see, they gave it to themselves. We all sang and found forgiveness in it. When I think of those times, it is well with my soul.

I'm very old, as God knows, and he's watching

I turn 80 in a few days, as I’ve been saying for about six months now and it’s a good age. I don’t think about my health, I am living proof that bad habits don’t matter so long as you give them up soon enough. I am quite happy, a BuddhEpiscopalian who doesn’t care about material things though I do fart a lot. I don’t sit around dreaming of what I might do someday. Someday is now, and what I shall do is enjoy it fully. Nobody expects more of me; if I walk into a room and don’t trip on the doorsill, I’m admired for it. My wife starts talking about air conditioning and then she sees me and says, “But why am I talking to you about it?” I’m from the time when we cooled off by driving around with the windows open. It was a good time, my time. Back in the country I grew up in, namely this one, men didn’t go into schools and shoot little kids, we never imagined such a thing, and what’s the reason? Fewer psychiatric medications? Fewer therapists? No. If drugstores sold licorice-flavored cyanide in drinking glasses, we’d see more of that. I plan to expire before the Supremes decide the Second Amendment guarantees the right to carry knapsacks of dynamite aboard airliners. Why should we give up our rights on the Jetway? On the other hand, I do admit there have been improvements: I was in the Detroit airport, Concourse A, the other day and a man sat at a real piano on a low platform and played music, a very graceful jazzer, nothing about man’s downfall, very danceable, and I put a ten in his jar. It was worth it. It made me feel all cheery in the midst of a merch carnival to hear genuine individual talent. It reminded me of that country I grew up in, when more musicians worked the streets. I wish hitchhiking would make a comeback. In my youth, I was picked up by various men, some of them drunk, and in return for the ride, I listened to whatever they wanted to tell me, which sometimes was a lot. A fair trade. It was an exercise in mutual trust. Then the Seventies came along when young men affected the derelict look and when you look like an outlaw there are no free rides to be had, even if you’re very nice down deep. With age comes a degree of wisdom. You learn to choose your battles carefully and not expend anger on hopeless causes such as fairness and equality and getting your home nice and neat. My battle is against the words “monetize” and “monetization.” What tiresome phony weirdo words they are. Just say “sell” or “cash in” or “earn a truckload of bucks from”! Even “exploit” is better. “Monetize” is an attempt to dignify with pseudo-techno-lingo the common ordinary money grubbing that we all do. Stick “monetize” up your Levis. I am going to the mat on this. I refuse to be friends with or share a cab with or sit on a plane next to a monetizer. “Flight Attendant, take me back to Tourist, a middle seat next to weeping children would be preferable to listening to this idiot vocalize.” And now that I have demonetized you, dear hearts, let me move on to the next battle, which is to establish kindness and amiability among friends and strangers alike. I admit I’m still happy about that cashier at Trader Joe’s who said, “How are you today, my dear?” It reminded me of a bygone time. She was, I believe, a woman and I am, to my way of thinking at least, a man though of course there is fluidity involved, and as we all know, the rules of social exchange between W and M have tightened, so I didn’t ogle, I looked at my shoes and said simply, “Never better.” Which is inoffensive, though untrue. I wanted to hug her and did not. My people weren’t huggers. We were Bible-believing Christians who avoided physical contact lest we contract the religious doubts of the embracee and who knows but what it could be true? My brother was a Bible believer who married a girl who then catholicized him. I could say more but I don’t want to cause trouble. I’m a harmless old man, nattering in the corner. I’ll stop now.  
A Prairie Home Companion An Evening of Story and Song Humor Love & Comedy Tour Old Friends Poetry Prairie Home Christmas Show Solo Songs Stories The Gratitude Tour
Schedule

October 1, 2022

Saturday

8:00 p.m.

The Tabernacle, Mount Tabor, NJ

Mount Tabor, NJ

Garrison Keillor brings his solo show to Mount Tabor, NJ. Be prepared to laugh and sing along as you celebrate all that unites us.

October 9, 2022

Sunday

7:00 p.m.

Paramount Hudson Valley, Peekskill, NY

Peekskill, NY

Garrison Keillor brings his solo show to Peekskill NY. Be prepared to laugh and sing along as you celebrate all that unite us.

October 11, 2022

Tuesday

7:00 p.m.

The Holland Theatre, Bellefontaine, OH

Bellefontaine, OH

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Bellefontaine, OH for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

October 13, 2022

Thursday

7:30 p.m.

Virginia Theatre, Champaign, IL

Champaign, IL

Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

October 21, 2022

Friday

8:00 p.m.

The Anthem, Washington D.C.

The Anthem, Washington D.C.

A Prairie Home Companion American Revival comes to The Anthem in Washington D.C. with Ellie Dehn, Billy Collins, Heather Masse, Rob Fisher, Rich Dworsky, Pat Donohue, Fred Newman, Tim Russell and the Friendly String Quartet.

November 6, 2022

Sunday

7:30 p.m.

The Bend Theatre, West Bend, WI

West Bend, WI

Garrison Keillor brings his show to West Bend, WI for a performance of sing-a-longs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

November 26, 2022

Saturday

7:30 p.m.

Town Hall, New York City

Town Hall, New York City

A Prairie Home Companion American Revival comes to Town Hall in New York City with Christine DiGiallonardo, Heather Masse, Rob Fisher and the Demitasse Orchestra, Rich Dworsky, Walter Bobbie, Sue Scott, Fred Newman and Tim Russell.

November 28, 2022

Monday

8:00 p.m.

McCallum Theatre, Palm Desert, CA

Palm Desert, CA

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Palm Desert, CA for a performance of holiday songs, humor and The News from Lake Wobegon.

December 4, 2022

Sunday

8:00 p.m.

Broward Center for Performing Arts, Fort Lauderdale, FL

Fort Lauderdale, FL

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Fort Lauderdale, FL for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

February 23, 2023

Thursday

7:30 p.m.

Clayton Center for the Arts, Maryville, TN

Maryville, TN

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Maryville, TN for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

Radio

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The Writer’s Almanac for Wednesday, August 17, 2022

The Writer’s Almanac for Wednesday, August 17, 2022

Today is the birthday of Ted Hughes, a poet, translator, and children’s writer born in 1930. Hughes said: “The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain — and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.”

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The Writer’s Almanac for Tuesday, August 16, 2022

The Writer’s Almanac for Tuesday, August 16, 2022

T.E. Lawrence, better known as “Lawrence of Arabia” was born this day in 1888 in Tremadoc, Wales. His book “The Seven Pillars of Wisdom” (1926) was an account of his exploits as a military advisor to Arabs in their revolt against the Turks.

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The Writer’s Almanac for Monday, August 15, 2022

The Writer’s Almanac for Monday, August 15, 2022

Poet, playwright, and essayist Mary Jo Salter was born on this day in 1954. She counts Emily Dickinson as one of her poetic models, and considers herself a formalist, working with meter and rhyme rather than free verse, crafting quatrains and sonnets and villanelles.

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A Prairie Home Companion: August 20, 2011

A Prairie Home Companion: August 20, 2011

This Compilation show is a mix of performances from The San Diego Civic Theater featuring special guests: The U.S. Navy Band Southwest, Sean and Sara Watkins, Jearlyn Steele, The Duo-Tones, Natalie MacMaster.

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The Writer’s Almanac for Sunday, August 14, 2022

The Writer’s Almanac for Sunday, August 14, 2022

The English novelist John Galsworthy was born on this day in 1867. His series “The Forsyte Saga” was turned into a successful BBC adaptation. 18 million people watched it’s 1968 finale.

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The Writer’s Almanac for Saturday, August 13, 2022

The Writer’s Almanac for Saturday, August 13, 2022

Novelist Tom Perrotta celebrates his 61th birthday today. Best known for his 2011 novel “The Leftovers” about life on earth after an event takes some, and leaves billions behind.

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The Writer’s Almanac for Friday, August 12, 2022

The Writer’s Almanac for Friday, August 12, 2022

It’s the birthday of the woman who wrote the lines: “O beautiful for spacious skies, / For amber waves of grain, / For purple mountain majesties / Above the fruited plain!” That’s Katharine Lee Bates, born in Falmouth, Massachusetts, on Cape Cod (1859).

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The Writer’s Almanac for Thursday, August 11, 2022

The Writer’s Almanac for Thursday, August 11, 2022

“I cannot believe that the inscrutable universe turns on an axis of suffering; surely the strange beauty of the world must somewhere rest on pure joy!” — Louise Bogan, poet, born on this day in 1897.

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The Writer’s Almanac for Wednesday, August 10, 2022

The Writer’s Almanac for Wednesday, August 10, 2022

Minnesota born poet Joyce Sutphen celebrates 73 years of age on this day. On writing poetry, Sutphen says: “Poetry makes the world real for me […] in the end, it isn’t hard. When I sit down to write a poem, one thing just leads to another.”

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The Writer’s Almanac for Friday, August 19, 2022

The Writer’s Almanac for Friday, August 19, 2022

The poet Ogden Nash was born on this day in 1902. His work leaned towards the humorous. He said: “Middle age is when you’re sitting at home on a Saturday night and the telephone rings and you hope it isn’t for you.” and “A door is what a dog is perpetually on the wrong side of.”

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Writing

Forget about songwriting. Try fiction.

The word from people who know is that Taylor Swift is working with younger edgier indy artists, trying to stay relevant, hoping to hang on in today’s rapidly shifting pop culture, trying to free herself from the bonds of the narrative lyric and pick up the style of spatter imagery. Miss Swift is 32.

So forget about songwriting. Thirty-two is much too young for irrelevance. In solid professions such as medicine, engineering, law, the humorous essay, you’re just hitting your stride at 32. Miss Swift’s problem is that she prospered for years appealing to 11-year-old girls but now much of her audience is in its early twenties and doesn’t want to be in the same demographic with 11-year-olds so she needs to change the act to drive away the children, make it edgy, frighten the parents.

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Drama is life trying to get our attention

When an old man prepares for open-heart surgery, he maintains a confident demeanor and so does his good wife. He has an excellent surgeon and the procedure has been around since he was a teenager, pioneered by Dr. Walt Lillehei of Minneapolis. All is well. Stay calm and pull your socks up.

The old man is me and Dr. Lillehei attended the University of Minnesota, as I did, but he did not major in English as I did nor did he write surreal poetry and doomsday fiction that took a stab at cynicism. I come from fundamentalist Scots who would’ve looked on heart surgery as a waste of money. The heart is sinful and heart disease is caused by rich living and can be remedied by physical labor, thinner dinners, and prayer. Dr. Lillehei came from progressive Norwegians and he had more curiosity.

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I’m very old, as God knows, and he’s watching

I maintain there is always hope if you look around for it. I read the first few paragraphs of a story in the Times about fungi and how they absorb carbon that might otherwise be airborne and aggravate global warming and they enable plants to survive drought and serve as fertilizers. The headline was Unearthing the Secret Superpowers of Fungus and right there was my source of happiness for the day and I read no farther lest I come across the inevitable Buts and Howevers. My podiatrist says I have fungus under my toenails. This tells me that I shall be able to dance again and maybe run the low hurdles.

It’s good of the Times to offer hope. Usually it’s a downer. You read it and learn that the seas are full of plastic, a carbon cloud is making the glaciers melt, whole species are dying out, and half of our Republican friends believe that Joe and Jill are occupying the White House illegally, so we’re not the United States, we’re the banana republic of Ameragua and bands of revolutionaries will come down from the Sierras to overthrow the tyrants. I’d rather believe in the power of fungus.

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A big event and then a major announcement

I maintain there is always hope if you look around for it. I read the first few paragraphs of a story in the Times about fungi and how they absorb carbon that might otherwise be airborne and aggravate global warming and they enable plants to survive drought and serve as fertilizers. The headline was Unearthing the Secret Superpowers of Fungus and right there was my source of happiness for the day and I read no farther lest I come across the inevitable Buts and Howevers. My podiatrist says I have fungus under my toenails. This tells me that I shall be able to dance again and maybe run the low hurdles.

It’s good of the Times to offer hope. Usually it’s a downer. You read it and learn that the seas are full of plastic, a carbon cloud is making the glaciers melt, whole species are dying out, and half of our Republican friends believe that Joe and Jill are occupying the White House illegally, so we’re not the United States, we’re the banana republic of Ameragua and bands of revolutionaries will come down from the Sierras to overthrow the tyrants. I’d rather believe in the power of fungus.

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Let’s talk about gender, but only for a moment

On summer vacation, I get my news from my wife, which is a great convenience and helps brighten the mood and she’s just read me the story about sharks sighted off the coast and beaches on Cape Cod and Long Island posting warnings to swimmers, which only reaffirms my lifelong aversion to beaches. Lying sunburnt on the sand, looking out at ocean vastness in the company of people who have no business wearing loincloths in public never appealed to me, especially not the vastness part. I am a domestic creature, I love enclosed spaces. I went to Alaska once, checked into a hotel in Homer, ordered room service, sat in my room with the shades drawn, and was quite content.

Now that I know about shark-infested beaches, I have one more reason to stay inland. I don’t want some poor reporter to have to write the second paragraph of my obituary, “Mr. Keillor was eaten by a shark off Jones Beach on Tuesday while wading in a raspberry-colored swimsuit and wearing a broad-brimmed straw hat fringed with straw fronds. A memorial service will be held at a time to be announced later.”

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Listening to that lonesome whistle blow, etc.

I am in the process of packing up and leaving Minnesota where I’ve lived for most of eighty years, which seems dramatic but isn’t since most of my classmates left long ago and Bob Dylan, who overlapped with me at the University of Minnesota, heard the lonesome whistle blow and matriculated his way to New York and if Bob ever wrote a song about hating to leave home, I’m not aware of it. The itinerant life was what he was all about.

I am fond of Minnesota, the home of Hazelden and the recovery industry and America’s front line of defense against the flood of illegals from Canada, which has led to the boom in hockey, the season now extending into summer. It’s the home of Robert Bly, author of Iron John, which was big back when there was a men’s movement but it disappeared due to gender fluidity when masculinity liquified and men were no longer required to be solid granite. I tried to be Agnes for a while but it was too late, I was in my late sixties, stoicism was baked into me, voice-raising drugs had no effect, my eyebrows are bushy, and I hate hockey, which real Minnesota women are very good at.

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Some days are perfect: why not say so?

A summer evening on the porch overlooking the Connecticut River and Her Healthness has relaxed the rules and we’re having beef hamburgers off the grill and corn on the cob slathered in actual butter, not a vegan imitation, and the Parisian niece has baked custard tarts so delicious I decline a second knowing it would push me over the edge into decadence, a gent in capri pants and caftan, smoking a Gauloises in a cigarette holder, listening to the Gypsy Kings on my earbuds, aloof to those around me.

I’ve avoided decadence so far except for a mild addiction to Dairy Queen Blizzards, which so far is under control. I’ve avoided COVID and knee replacement and wood ticks that carry a virus that makes you talk endlessly in run-on sentences about a former president, and so it’s a pleasant evening, and we hear the happy cries of children at an old children’s camp nearby that teaches traditional values of friendship, sharing, good manners, daily chores, curiosity, and creativity. Children are not allowed electronic devices and “social justice” and “healing” are not in the mission statement, presumably “friendship” and “sharing” cover that. The boys and girls wash their faces in the morning in cold water at an outdoor trough. It’s not a church camp so they miss out on Ecclesiastes, but there is an evening campfire and I’m sure I’ve heard “Kumbaya.”

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The author disembarks almost

A beautiful summer day, sitting on a porch in Connecticut, looking at boats anchored in the cove, grateful that I don’t own one. It’s one foolishness I’ve avoided in my life: most of the other numbskull boxes I have checked and as I sit here enjoying the breeze off the water, I torture myself with memories of dumbness, mistaken romances, real estate stupidity, as vivid as the incident on Wednesday when, stepping out of a New York subway car, I paused to make sure it was 42nd, and the subway doors closed on my neck.

Yes, you read that right. I had bags in my hands, and I dropped them to try to pry the doors open, my head poking out, and couldn’t, and then a man pulled them open and I got out, turned and said thank you. He was a construction guy in an orange vest. He looked concerned. Then I remembered that Penn Station is at 34th so I had to catch the next train for one stop. I got on that train and got off without incident. So I’m a man whose head is caught in the doors while getting off at the wrong stop. There are worse things. The guillotine, for one.

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Good manners are a sign of trust, no?

I was in Nashville last weekend and saw an old man wearing a shirt with eagles and red and blue stripes on it and also the preamble of the U.S. Constitution. I did a show there in front of an audience wearing more brightly colored clothes than you’d find up north, including pastels I thought had been outlawed long ago. During the show the audience (at my invitation) sang “How Great Thou Art” and other hymns with such evangelical power I was tempted to come to the Lord then and there except I’d done that already years before. And after the show I drove past two blocks of bars with garish neon signs where everyone in sight was very young and very drunk. So the South is still the South. In New York, the audience would’ve worn a lot of black or tan, the hymn would’ve been sung reluctantly but tolerantly, and you’d have to look far and wide to find universal intoxication. And in all Manhattan you wouldn’t find a shirt like that. Only on Staten Island.

I enjoy living in this country with the rest of you who are not much like me, I truly do, but I do have my limits. I come across nice young women whose arms are covered with tattoos like a child’s doodling and big dark serious ones on their legs, and I wonder why a perfectly nice woman is trying to look like a convicted felon.

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She and I and you and us, all watching TV

I have it on good authority that we now have 26 sets of personal pronouns available in English, including the gender-neutral zie, zim, zer, zis, zieself, and I expect there will be more to come since the spectrum of personal differences is endless. My wife, for example, who is adored by me, I can no longer think of as she or her, lumped in with other women including harridans, hags, harpies and shrews, and so my wife is jen and jer and jenself and several individuals whom I despise are scheiss and scheissen and scheissenself. My fellow tall persons have the pronouns hi and hiya. Height is every bit as crucial an identifier as gender and so is intelligence. I don’t know any people I’d refer to as dem or dose but surely dey’re out there somewhere.

Personal identity is a complex matter and if a pronoun is all you need to validate you, fine. It’d help if you pasted your pronoun on your forehead, but if you feel that would marginalize you or stereotype you, I understand. And now that the Supremes have made it a basic constitutional right to carry a concealed loaded weapon, I predict that we’re going to respect gender identity more than ever. A guy with a .45 under the jacket thereby becomes plural and they is going to be more numerous and you might want to become plural too.

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Press Kit

If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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