The Babe
(Back when I was 24, I pitched up at Time-Life Inc. in its 48-story box headquarters on Sixth Avenue & 50th Street, one more desperate job applicant, and was directed to Sports Illustrated where a kindly woman named Honor Fitzpatrick looked at my writing samples and gently discouraged me. “Your talent is for fiction,” she said. “The only opening I have is for a fact-checker. I don’t think you’d be happy doing that.” Discouraging at the time, but in retrospect one is grateful. Profoundly grateful. A job in that box might’ve sent me down a path that turns into a deep trench, only to awaken at age 48, divorced, in a junk-ridden studio apartment on West 23rd where I sit night after night beating up on a clunky novel about the Midwest. Twenty years later, an editor at S.I. asked me to write something for them and of course I said yes — I took it as corporate capitulation — and wrote a piece of fiction.)

OUR LAKE WOBEGON TEAMS DID not do well last year, the Whippets with no pitching finishing dead last, the Leonards pitiful and helpless in the fall even with a 230-pounder to center the offensive line, and now it’s basketball season again and already the boys are getting accustomed to defeat. When they ran out on the floor for the opener versus Bowlus (who won 58-21), they looked pale and cold in their blue and gold silks, and Buddy had the custodian turn up the heat, but it was too late. These boys looked like they were on death row, they trembled as their names were announced.

It’s not defeat per se that hurts so much, we’re used to that; it’s the sense of doom and submission to fate that is awful. When the 230-pounder centered the ball and it stuck between his tremendous thighs and he toppled forward to be plundered by the Bisons, it was, I’m sure, with a terrible knowledge in his heart that he had this debacle coming to him and it was useless to resist. Two of the basketball players are sons of players on the fabled 1958 squad that was supposed to win the state championship and put our town on the map, but while we looked forward to that glorious weekend our team was eliminated in the first round by St. Klaus. None of us ever recovered from that disappointment. But do our children have to suffer from it, too?

As Harry (Can O’Corn) Knudsen wrote: “In the game of life we’re playing, people now are saying that the aim of it is friendship and trust. I wish that it were true but it seems, for me and you that someone always loses and it’s us.”

Can O’s inspiration came from playing eleven years for the Whippets, a humbling experience for anyone. The team is getting trounced, pummeled, whipped, and Dutch says, “Come on, guys, you’re too tense out there, it’s a game, go out there and have fun,” and you think, This is fun? If this is fun, then sic your dogs on me, let them chew me for a while, that’d be pure pleasure. But out you trot to right field feeling heavyhearted and not even sure you’re trotting correctly so you adjust the trot and your left foot grabs your right, you trip on your own feet, and down you go like a sack of potatoes and the fans in the stands are doubled up gasping and choking, and you have dirt in your mouth that you’ll taste for years—is this experience good for a person?

Some fans have been led to wonder if maybe our Lake Wobegon athletes are suffering from a Christian upbringing that stresses the unworthiness angle and is light on the aspect of grace. How else would boys of sixteen and seventeen get the feeling that they were born to lose, if not in Bible class? And the uneasiness our boys have felt about winning—a fan can recall dozens of nights when the locals had a good first half, opened a nice lead, began to feel the opponents’ pain, and sympathized and lightened up and wound up giving away their lunch. Does this come from misreading the Gospels?

Little Jimmy Wahlberg used to sit in the dugout and preach to the Whippets between innings, using the score of the ball game to quote Scripture; e.g., John 1:1: “In the beginning was the Word, and the Word was with God, and the Word was God,” or Matthew 4:4: “Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God.” That was fine except when he was pitching. God had never granted Little Jimmy’s prayer request for a good curveball, so this fine Christian boy got shelled like a peanut whenever he took the mound, and one day Ronnie Decker came back to the bench after an eternal inning in centerfield and said, “First Revelations 13:0: Keep the ball down and throw at their heads.”

Ronnie is Catholic, and they have more taste for blood, it seems. (Was there ever a Methodist bullfighter?) In St. Klaus, the ladies chant, “Make ’em sing and make ’em dance / Kick ’em in the nuts and step on their hands.” The boys are ugly brutes with raw sores on their arms and legs and with little ball-bearing eyes who will try to hurt you. A gang of men stands by the backstop, drinking beer and talking to the umpire, a clean-cut Lutheran boy named Fred. Fred knows that, the week before, Carlson called a third strike on a Klausie, dashed to his car, the men rocked it and let the air out of the tires but couldn’t pry the hood open and disconnect the spark plugs before he started up and rode away on the rims. Fred hopes to keep the fans happy.

For a Golden Age of Lake Wobegon Sports, you’d have to go back to the forties. The town ball club was the Lake Wobegon Schroeders, so named because the starting nine were brothers, sons of E. J. Schroeder. Nine big strapping boys with identical mops of black hair, big beaks, little chins, and so shy they couldn’t look you in the eye, and E.J. was the manager, though the boys were such fine ballplayers, he only sat in the shade on a white kitchen chair and grumbled at them, they didn’t require management.

E.J. was ticked off if a boy hit a bad pitch. He’d spit and curse and rail at him, and then R.J.’d go up and pound one out of the park (making the score 11-zip) and circle the bases and the old man’d say, “Boy, he put the old apple right down the middle, didn’t he? Blind man coulda hit that one. Your gramma coulda put the wood on that one. If a guy couldn’t hit that one out, there’d be something wrong with him, I’d say. Wind practically took that one out of here, didn’t even need to hit it much”—and lean over and spit. When the Schroeders were winning every game, E.J. bitched about how they won.

“Why’dja throw to first for, ya dummy?”

“But it’s the third out, Dad. We won the game.”

“I know that. You don’t have to point that out to me. Why’ntcha get the guy at third?”

“It was easier to go to first.”

“Easier! Easier??!!”

The tenth son, Paul, had a gimpy right leg but still tried to please his dad and sat in the dugout and kept statistics (1.29, for example, and .452 and .992), but E.J. never looked at them. “That’s history,” he said, spitting, “I am interested in the here and now.”

So his sons could never please him, and if they did, he forgot about it. Once, against Freeport, his oldest boy, Edwin Jim, Jr., turned and ran to the centerfe1d fence for a long long long fly ball and threw his glove forty feet in the air to snag the ball and caught the ball and glove and turned toward the dugout to see if his dad had seen it, and E.J. was on his feet clapping, but when he saw the boy look to him, he immediately pretended he was swatting mosquitoes. The batter was called out, the third out. Jim ran back to the bench and stood by his dad. E.J. sat chewing in silence and fnally he said, “I saw a man in Superior, Wisconsin, do that a long time ago but he did it at night and the ball was hit a lot harder.”

What made this old man so mean? Some said it happened in 1924, when he played for the town team that went to Fort Snelling for the state championship and in the ninth inning, in the deepening dusk on Campbell’s Bluff, Lake Wobegon down by one run, bases loaded and himself the tying run on third, when the Minneapolis pitcher suddenly collapsed and writhed around on the mound with his eyes bulging and face purple and vomiting and foaming and clawing and screeching, everyone ran to help him, including E.J., and he jumped up and tagged them all out. A triple play, unassisted. What a rotten trick, but there they stood, a bunch of rubes, and all the slickers howling and whooping their heads off, so he became mean, is one theory.

And he was mean. He could hit foul balls with deadly accuracy at an opponent or a fan who’d been riding him, or a member of the fan’s immediate family, and once he fouled twenty-eight consecutive pitches off the home-plate umpire, for which he was thrown out of the Old Sod Shanty League.

“Go! Hence!” cried the ump.

“For foul balls?”

The umpire and the sinner were face to face. “Forever!” cried the ump. “Never again, so long as ball is thrown, shall thy face be seen in this park.”

“Foul balls ain’t against any rule that I know of!”

The umpire said, “Thou hast displeased me.” And he pointed outerward and E.J. slouched away.

So he coached his boys. He never said a kind word to them, and they worked like dogs in hopes of hearing one, and thus they became great, mowing down the opposition for a hundred miles around. In 1946 they reached their peak. That was the year they disposed easily of fifteen crack teams in the Father Powers Charity Tournament, some by massacre, and at the closing ceremony, surrounded by sad little crippled children sitting dazed in the hot sun and holding pitiful flags they had made themselves, when E.J. was supposed to hand back the winner’s check for $100 to Father Powers to help with the work among the poor, E.J. said, “Fat chance!” and shoved away the kindly priest’s outstretched hand. That was also the year Babe Ruth came to town with the Sorbasol All-Star barnstorming team.

The Babe had retired in 1935 and was dying of cancer, but even a dying man has bills to pay, and so he took to the road for Sorbasol, and Lake Wobegon was the twenty-fourth stop on the trip, a day game on November 12. The All-Star train of two sleepers and a private car for the Babe backed up the sixteen-mile spur into Lake Wobegon, arriving at 10:00 A.M. with a blast of whistle and a burst of steam, but hundreds already were on hand to watch it arrive.

The Babe was a legend then, much like God is today. He didn’t give interviews, in other words. He rode around on his train and appeared only when necessary. It was said that he drank Canadian rye whiskey, ate hot dogs, won thousands at poker, and kept beautiful women in his private car, Excelsior, but that was only talk.

The sleepers were ordinary deluxe Pullmans; the Excelsior was royal green with gold-and-silver trim and crimson velvet curtains tied shut—not that anyone tried to look in; these were proud country people, not a bunch of gawkers. Men stood by the train, their backs to it, talking purposefully about various things, looking out across the lake, and when other men straggled across the feld in twos and threes, stared at the train, and asked, “Is he really in there?” the firstcomers said, “Who? Oh! You mean the Babe? Oh, yes, I reckon he’s here all right—this is his train, you know. I doubt that his train would go running around without the Babe in it, now, would it?” and resumed their job of standing by the train, gazing out across the lake. A proud moment for them.

At noon the Babe came out in white linen knickers. He looked lost. A tiny black man held his left arm. Babe tried to smile at the people and the look on his face made them glance away. He stumbled on a loose plank on the platform and men reached to steady him and noticed he was hot to the touch. He signed an autograph. It was illegible. A young woman was carried to him who’d been mysteriously ill for months, and he laid his big hand on her forehead and she said she felt something. (Next day she was a little better. Not recovered but improved.)

However, the Babe looked shaky, like a man who ate a bushel of peaches whole and now was worried about the pits. He’s drunk, some said, and a man did dump a basket of empty beer bottles off the train, and boys dove in to get one for a souvenir—but others who came close to his breath said no, he wasn’t drunk, only dying. So it was that an immense crowd turned out at the Wally (Old Hard Hands) Bunsen Memorial Ballpark: twenty cents per seat, two bits to stand along the foul line, and a dollar to be behind a rope by the dugout, where the Babe would shake hands with each person in that section.

He and the All-Stars changed into their red Sorbasol uniforms in the dugout, there being no place else, and people looked away as they did it (nowadays people would look, but then they didn’t), and the Babe and his teammates tossed the ball around, then sat down, and out came the Schroeders. They ran around and warmed up and you could see by their nonchalance how nervous they were. E.J. batted grounders to them and hit one grounder zinging into the visitors’ dugout, missing the Babe by six inches. He was too sick to move. The All-Stars ran out and griped to the ump but the Babe sat like he didn’t know where he was. The ump was scared. The Babe hobbled out to home plate for the ceremonial handshakes and photographs, and E.J. put his arm around him as the crowd stood cheering and grinned and whispered, “We’re going to kill ya, ya big mutt. First pitch goes in your ear. This is your last game. Bye, Babe.” And the game got under way.

It was a good game, it’s been said, though nobody remembers much about it specifically, such as the score, for example. The All-Stars were nobodies, only the Babe mattered to the crowd, and the big question was Would he play? He looked too shaky to take the field, so some said, “Suspend the rules! Why not let him just go up and bat! He can bat for the pitcher! Why not? It wouldn’t hurt anything!” And nowadays they might do it, but back then you didn’t pick up the bat unless you picked up your glove and played a position, and others said that maybe it wouldn’t hurt anything but once you start changing the rules of the game for convenience, then what happens to our principles? Or do we change those, too?

So the game went along, a good game except that the Babe sat sprawled in the dugout, the little black man dipping cloths in a bucket of ice and laying them on the great man’s head—a cool fall day but he was hot—and between innings he climbed out and waved to the fans and they stood and cheered and wondered would he come to bat. E.J. said to Bernie, “He’ll bat all right, and when he comes, remember the first pitch: hard and high and inside.”

“He looks too weak to get the bat off his shoulder, Dad. He looks like a breeze would blow him over. I can’t throw at Babe Ruth.”

“He’s not sick, he’s pretending so he don’t have to play like the rest of us. Look at him: big fat rich New York son of a bitch, I bet he’s getting five hundred dollars just to sit there and have a pickaninny put ice on him. Boy, I’d put some ice on him you-know-where, boy, he’d get up quick then, he’d be ready to play then. He comes up, I want you to give him something to think about so he knows we’re not all a bunch of dumb hicks out here happy just to have him show up. I want him to know that some of us mean it. You do what I say. I’m serious.”

It was a good game and people enjoyed it, the day cool and bright, delicious, smelling of apples and leather and woodsmoke and horses, blazed with majestic colors as if in a country where kings and queens ride through the cornfields into the triumphant reds and oranges of the woods, and men in November playing the last game of summer, waiting for the Babe, everyone waiting for the Babe as runs scored, hours passed, the sky turned red and hazy. It was about time to quit and go home, and then he marched out, bat in hand, and three thousand people threw back their heads and yelled as loud as they could. They yelled for one solid minute and then it was still.

The Babe stood looking toward the woods until everything was silent, then stepped to the plate and waved the bat, and Bernie looked at him. It was so quiet you could hear coughing in the crowd. Way to the rear a man said, “Merle, you get your hands off her and shut up now,” and hundreds turned and shushed him. Then Bernie wound up. He bent way down and reached way back and kicked up high and the world turned and the ball flew and the umpire said, “BALL ONE!” and the catcher turned and said, “Be quiet, this doesn’t concern you,” and the umpire blushed. He knew immediately that he was in the wrong. Babe Ruth was not going to walk, he would sooner strike out and would do it himself, with no help from an umpire. So the umpire turned and walked away.

The Babe turned and spat and picked up a little dirt and rubbed his hands with it (people thought, Look, that’s our dirt and he’s putting it on his hands, as if the Babe might bring his own) and then stood in and waved the bat and Bernie bent way down and reached way back and kicked high and the world turned and the ball flew and the Babe swung and missed; he said huhhhnnnn and staggered. And the next pitch. He swung and cried in pain and the big slow curve slapped into the catcher’s mitt.

It was so still, they heard the Babe clear his throat, like a board sliding across dirt. They heard Bernie breathing hard through his nose.

The people were quiet, wanting to see, hear, and smell everything and remember it forever: the wet fall dirt, the pale-white bat, the pink cotton candy and the gentlemen’s hats, the smell of wool and the glimmer of a star in the twilight, the touch of your dad’s big hand and your little hand in it. Even E.J. was quiet, chewing, watching his son. The sun had set beyond right field, darkness was settling, you had to look close to see—Bernie took three steps toward home and pointed at the high outside corner of the plate, calling his pitch, and the Babe threw back his head and laughed four laughs. (People were glad to hear he was feeling better, but it was scary to hear a man laugh at home plate; everyone knew it was bad luck.) He touched the corner with his bat. Bernie climbed back on the mound, he paused, he bent down low and reached way back and kicked real high and the world turned and the ball flew and the Babe swung and it cracked and the ball became a tiny white star in the sky. It hung there as the Babe went around the bases in his famous Babe Ruth stride, the big graceful man trotting on slim little feet, his head down until the roar of the crowd rose like an ocean wave on the prairie and he looked up as he turned at third, he smiled, lifted his cap, strode soundlessly across home plate looking like the greatest ballplayer in the history of the world. The star was still in the sky, straight out due northwest of the centerfield fence, where he hit it. The ball was never found, though they searched for it for years.

“Did you see that?” your dad says, taking your hand.

You say, “Yes, I did.”

Even E.J. saw it and stood with the rest and he was changed after that, as were the others. A true hero has some power to make us a gift of a larger life. The Schroeders broke up, the boys went their own ways, and once they were out of earshot, E.J. sat in the Sidetrack Tap and bragged them up, the winners he produced and how they had shown Babe Ruth a pretty good game. He was tolerated but Babe Ruth was revered. He did something on that one day in our town that made us feel we were on the map of the universe, connected somehow to the stars, part of the mind of God. The full effect of his mighty blow diminished over time, of course, and now our teams languish, our coaches despair. Defeat comes to seem the natural course of things. Lake Wobegon dresses for a game, they put on their jock-straps, pull on the socks, get into the colors, they start to lose heart and turn pale—fear shrivels them.

Boys, this game may be your only chance to be good, he might tell them. You might screw up everything else in your life and poison the ones who love you, create misery, create such pain and devastation it will be repeated by generations of descendants. Boys, there’s plenty of room for tragedy in life, so if you go bad, don’t have it be said that you never did anything right. Win this game.

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She loves me enough so I live in New York

I’m a Minnesotan and I live in New York because my wife is in love with me and she loves New York. It is exactly that simple. She loves opera and fine art and interesting foods and observing human eccentricity and you don’t find much of that out in the Corn Belt.

I don’t belong here. People hear me talk and can tell I’m an outsider because I pronounce it “tock” whereas they say “towalk” and also because I say, “After you, please, go right ahead, I’m in no hurry” and New Yorkers say, “Watcher back!” and at a dinner party New Yorkers all talk over each other, conversations are multilayered, and I, who was brought up to wait my turn, sit silently for three hours and the other guests go home wondering, “Who was the weird guy? Obviously a non-English speaker.”

New Yorkers exercise freedom of speech; I don’t. The other night, at a French restaurant, I ordered cassoulet and paid $24 for a bowl of beans with chunks of pork, rather inferior to the casserole Mabel served to the kids in the grade school cafeteria for which I paid 35 cents at the time. My dinner companions asked, “How is it?” and I said, “Excellent,” because I was brought up not to complain. Maybe in another ten years I’ll call the waiter over and say, “Take this back to the kitchen and take it off my bill.” I will be 89, an age at which one should be able to speak one’s mind.

But I’m okay being out of place. My dad once said, “You couldn’t pay me enough to live in New York,” and as a postal clerk, he was probably right about that, but love makes the difference.

I admire New Yorkers. I went to the Bronx to see the Minnesota Twins get crushed by the Yanks and on the D train up to the ballpark, packed in tight with people avoiding contact despite being less than six inches apart, the train sways and a Black woman’s elbow bumps my chest and I observe the tattoos on her neck and feel a sense of solidarity: not a word is spoken. A Minnesotan would hesitate to mention her race for fear of being considered racist but I did and it is what it is and if you don’t like it, sue me.

It’s astonishing that the city works as well as it does. We hail a cab and go to the Met and for less than we’d pay for a flight to Des Moines, we see a great performance of “Rigoletto,” which, for me, is more memorable than a night in Des Moines could be, and Rigoletto is a great baritone role, and as a baritone I appreciate that, and the assassin is played by a basso who sings the longest lowest note in opera and the audience goes wild, very rare that subterranean singing evokes such enthusiasm. It’s a great evening and we exit, thrilled, into the chilly night and wave down a cab and are transported jiggety-jig back home. COVID is raging around us, but we wore our masks through the show, and we’re feeling fine.

There’s a crisis in New York every day, sometimes three or four. Some water mains go back to Victorian times and a pipe bursts or lightning strikes and the power goes out or giant rats come up out of a toilet, but New Yorkers learn to endure. You lose power and you light candles, a water main bursts and your faucet goes dry so you get along on gin for a day or two. A good dog should be able to occupy an attacking rat until you can grab a hair dryer and scare the rodent away, unless the power is out in which case you whack it with a leaf from the dining room table, but if there’s no water, even more rats may come up out of the toilet, and you’ll have to reach for the acetylene torch you keep under the bed and take on the whole herd. New Yorkers live with the anticipation of crisis, and when a day goes by without one, it feels luxurious.

And that’s how I feel at this very moment. No rats, water comes out of the tap, lights are on, my love lies in bed beside me. She reaches over and takes my hand. This is a very good day.

 

My mother told me and now I'll tell you

January is a peaceful month, too cold to go anywhere so I sit in my spacious chair with a quilt around me, still in my pajamas at two in the afternoon, eating guacamole with tortilla chips and contributing nothing whatsoever to civilization or to the GNP, except for the occasional limerick.

January is good for the soul,
Down in my warm rabbit hole.
In a pillowy bed
From toes to head
I keep myself under control.

Christmas is gone and the illusion that childhood innocence can be recovered (it can’t) and we’re free of obligatory joyfulness and able to savor sadness again and relish our loneliness in this uncaring world, and the meals are penitential meals because my pants got too tight and my shirt wouldn’t button at the neck, so it’s time for celery and Ry-Krisp and herbal tea, which give a sweet sense of righteousness, which is good for vanity, feeling that the jowl is shrinking and lard that hangs over the belt is gradually coming under control and this — dare I mention it? — leads to inclinations of an erotic nature, something that disgusts you children, the thought that an old coot and his lady would commingle skin to skin and whisper and sigh and moan and even shriek for joy, but this is why we’re grateful when the Christmas guests go home and we needn’t stifle our pleasures.

February’s in view,
Two valentines, me and you,
Lie down for a nap
And whisper and wrap
Ourselves in each other
And kiss and O brother,
It’s thrilling and utterly new.

Winter is the most beautiful time of year, if it’s beauty you want, trees and bushes on the morning after a blizzard, the entire world brilliant with snow, and if the sun shines, it is a transformative experience, if that’s what you wish, but of course if you want parking lots and taco joints and concrete condos and boredom, then Florida is for you.

The world is lightening up but these long dark evenings are a lovely time of day, especially for those of us who had industriousness baked into us in childhood, but when the sun sets at five p.m., the old drudge sets the manuscript aside and lights a candle and the lady pours a glass of wine and it’s time for conversation, which is at the heart of a good marriage and a kid brought up evangelical, believing that God is paying close attention to every word that comes out of your mouth, writing it down, giving you D-minuses, carries a terrible disability, but I am trying, I am trying.

I stay indoors in January out of fear I’ll forget what my mother told me as a small child — Do not, under any circumstance, even if someone dares you, do not, do not, do not put your tongue on an iron pump handle or railing.

If you do, your tongue will freeze to the metal and you will be trapped and you may spend the night there, tongue frozen to iron, and they will find your body in the morning, and your grieving family will ask, “Why? Why us?” to which there is no answer.

And now I regret mentioning this. For having warned you of the danger, I’ve planted the idea of handle-tonguing in your mind and you may reject my advice and say (1) it’s my tongue and I’ll do what I want with it, or (2) it’s no worse than having a cold, or (3) if it’s God’s will that I lick a pump handle, then I will, or (4) I read on Twitter that some doctors say that handle-licking may be beneficial, and tomorrow when you go out and see a pump handle or iron railing you’ll be unable to stop yourself from walking up to it and — so forget what I said. Erase it from your mind. Stop reading. Find something else to do. Snort some methamphetamine, toss back a pint of bourbon, smoke reefer — there are treatment programs for those bad habits, but there is no AA program for Arctic Adherence. No. The answer is to stay indoors. But if you must leave the house, be sure to wear a mask over your nose and mouth, but not a paper or cloth mask, you need an iron mask, one with a lock. Your breath will warm it and keep you safe. Leave the key at home.

A beautiful afternoon is good for the heart 

Dire warnings of crowded ERs in New York, a fresh plague of COVID is raging in the streets, but a person can’t live in a closet and on Saturday we went to the opera against our better judgment and it was an excellent thing to do. The Met is back in business and a lady walked out on stage to remind us to keep our masks on and people applauded — we feared she’d announce the show was canceled, but no, Mozart’s The Marriage of Figaro went on with a heroic cast, Italian, Czech, English, American, some singers who maybe hadn’t been on a stage for a year or more, and all told it was pretty fabulous. Mozart wrote it two years before our Constitution was ratified and people are still laughing at the jokes. The Constitution is a work in progress but Figaro is a masterpiece.

Performing arts companies all over are striving to be politically proper these days, and practice inclusivity and diversity, and here’s a comedy with servants in it and romantic shenanigans and all is resolved in the end with a sweet chorus along the lines of “Let’s forgive each other and all be happy,” especially sweet since in 1786 when Mozart wrote it diseases were raging for which there were no vaccines and people languished in debtors’ prisons and small children worked in factories and people felt lucky to live to be 40. Mozart died at 35 from an infection treated today by antibiotics. And the piece is gorgeous and funny as can be. I sat next to my wife who once played violin on an opera tour of forty consecutive Figaros and she laughed through it all.

The Count is arranging a tryst with Susanna and the Countess sings the gorgeous lament of the betrayed wife, “Dove sono i bei momenti” (Where have those beautiful moments gone of sweetness and pleasure and why, despite his lying tongue, do the happy memories not fade?), a moment of sheer transcendent heartbreaking beauty and then you’re back to the slapstick, the baritone’s lust for the soprano, people hiding behind curtains, the seductive note, the wife plotting revenge.

With COVID going on, the Met is working like crazy to stay in business. A singer tests positive and a sub has to be ready in the wings and new rehearsals scheduled to work him or her into the complexity of the staging, and this happens over and over, and the sub cannot be Peggy Sue from Waterloo, the sub must be a pro and a principal who is up to par, and so singers have been brought in to cover the crucial roles, and a soprano might cover the Countess in Figaro and Musetta in La Bohème, two major roles and she must be prepared — in the event the lead tests positive for COVID — to go onstage tonight in one opera or tomorrow night in the other, two demanding roles in her head and a sheaf of stage directions, and maybe she’s living out of a suitcase in lockdown, and staying away from unmasked strangers, meanwhile the Met is playing to half-empty houses due to fears of the virus, and this is not a small matter. The Metropolitan Opera is the standard-bearer of the art form in America. If it goes under, something fabulous and thrilling is lost in our country. There is a battle going on; it’s a story you could write an opera about.

If you consider opera elitist, then I guess passionate feeling is elitist and we should all be content to be cool and lead a life of Whatever. Pop music is cool, but opera is out to break your heart. I saw William Bolcom’s A View From The Bridge a couple years ago and I’m still a mess. Renée Fleming did the same to me in Der Rosenkavalier.

I am no student of opera, only a tourist, and I’m from the Midwest, the home of emotional withdrawal, where I grew up among serious Bible scholars for whom the result of scholarship was schism and bitterness, and now I go to a church where I am often overwhelmed by the hymns, the prayers for healing, the exchange of peace, a church full of Piskers but sometimes the sanctuary is so joyful and we stand for the benediction and, as Mozart wrote, let us forgive each other and go and be happy, and let us also, for God’s sake, get vaccinated. Do it for the sake of the soprano’s children so she can come out and break your heart.

A man walking through a big city snowstorm

A beautiful snow fell in Manhattan on Epiphany, the feast of light, and the city was cheerful that morning and my cabdriver said out of the blue, “It’s a beautiful day and we’re here and that’s what matters,” which is extraordinary coming from a cabdriver, an epiphany. I worry about cabdrivers in the Uber age. I hear him talking top-speed in a Slavic tongue and wonder how much he’s invested in this cab and can he earn it back by picking up people hailing him on street corners. I doubt it.

I am an American, born and bred, and as such am romantic about the little entrepreneur, the corner grocer, the stationery store around the corner, the independent druggist, but Amazon is ever at your fingertips and if you type a word beginning with the letters A-M its central computer the size of Detroit trembles with amatory anticipation or if someone in the room says, “I wonder where we could find —” it is picked up by the company’s satellites circling the globe that send out transactional vibrations and before long the website is on your screen and it reads your unconscious and without your checking a single box, $1345.34 worth of merchandise is due to arrive on your doorstep tomorrow by 8 a.m.

That’s what made me love it years ago, the sheer ease of shopping there, no need for a password — Amazon knows me!! — it knows my weakness for Pearson’s Salted Nut Rolls and ginger tea and medical romance novels and it makes shopping so easy that I cannot not do it — but now I look around the neighborhood and see For Rent signs on storefronts and I read about the death toll caused by lack of exercise due to online shopping and hear about the working conditions in the slave labor camps and realize that in a few years, Jeff Bezos will hold enough U.S. federal bonds to have a voice in naming the next Secretary of the Treasury and why should the Federalist Society own the Supreme Court? Why shouldn’t Amazon have a seat?

Amazon is its own nation within the U.S. and is making ours a retail economy and soon American manufacturing will be limited to frozen pizza, plastics, and personal memoirs, and one day Premier Xi Jinping will FaceTime Joe from Beijing and say, “Ahem. You want to tell us how to run Hong Kong, fine, but we embargo clothing.” And the prospect of Americans huddled in blankets is not a happy one. Our lust for Chinese-made clothing, cellphones, computers, and cars will settle the matter. We cannot live without them and they can very well live without Pearson’s Salted Nut Rolls and personal memoirs by pitiful persons in Pittsburgh, Paterson, and Petaluma. End of story.

I walked around looking at the snow and noticed people flocking to the hardware store to buy plastic sliders and tiny toboggans. Amazon sells this stuff but not instantly and a snowstorm is urgently exciting because snow doesn’t last long in New York, it turns to slush in a day or two, and little kids on their way home from school are trembling to get out in the park and slide. Little kids growing up in tiny apartments where a parent or two are working from home, consultants working by Zoom, novelists, psychiatrists doing phone therapy, unemployed theater critics, theologians on sabbatical, copywriters, content providers, whatever, and no whooping or shrieking is allowed, the poor children’s spirits are stifled by TV and Twitter, but then it snows and they dash into the great outdoors, a slider in hand, and in their excitement they forget their cellphones at home, and now they are reliving my Minnesota childhood on the slopes of Central Park, whooping, crashing around, throwing snowballs, deliriously free as children need to discover how to be.

We’re in the midst of a revolt by superstition against science, which is dragging the pandemic on for a while, and the cynical fiction of the stolen election is another downer, but those lunacies seem more feverish in the tepid states. A good hard winter is a restorative. You entertain paranoid delusions but then you realize that if you slip and fall and bang your head and lie helpless in the cold, someone will come to rescue you and won’t ask your political leaning. A good snowfall for Epiphany is a big boost. Speak the truth and the truth shall set you free. In the other direction is a place you do not want to go.

 

A Prairie Home Companion An Evening of Story and Song Humor Love & Comedy Tour Old Friends Poetry Prairie Home Christmas Show Solo Songs Stories The Gratitude Tour
Schedule

January 27, 2022

Thursday

12:00 p.m.

Carrollton Cultural Arts Center (Lobby), Carrollton, GA

Carrollton, GA Luncheon

Garrison Keillor will join guests for a casual Luncheon in the Lobby of the Carrollton Cultural Arts Center, where he will talk about how it all began and where he thinks he is going. 12:00 PM

January 28, 2022

Friday

7:30 p.m.

Carrollton Cultural Arts Center, Carrollton, GA

Carrollton, GA

Garrison Keillor and the Hopefuls (Robin and Linda Williams) comes to the Carrollton Cultural Arts Center for an Evening of poetry, gospel, sing-alongs and the News from Lake Wobegon. 7:30 PM

buy tickets

February 4, 2022

Friday

7:30 p.m.

High Point Theatre, High Point, NC

High Point, NC

Garrison Keillor and the Hopeful Gospel Quartet come to the High Point Theatre for an Evening of poetry, gospel, sing-alongs and the News from Lake Wobegon. 7:30 PM

buy tickets

February 5, 2022

Saturday

7:00 PM

The Wayne Theatre, Waynesboro, VA

Waynesboro, VA

Garrison Keillor and the Hopeful Gospel Quartet come to The Wayne Theatre for an Evening of poetry, gospel, sing-alongs and the News from Lake Wobegon. 7:00PM

buy tickets

February 6, 2022

Sunday

7:00 p.m.

The Avalon Theatre

Easton, MD

Garrison Keillor comes to The Avalon Theatre in Easton, MD for an Evening of poetry, Sing-alongs and the News from Lake Wobegon. Tickets $60

March 4, 2022

Friday

8:00 p.m.

The Kent Stage, Kent, OH

Kent, OH

March 4 in Kent, OH Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

March 6, 2022

Sunday

7:30 p.m.

Virginia Theatre, Champaign, IL

Champaign, IL

Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

Radio

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She loves me enough so I live in New York

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I don’t belong here. People hear me talk and can tell I’m an outsider because I pronounce it “tock” whereas they say “towalk” and also because I say, “After you, please, go right ahead, I’m in no hurry” and New Yorkers say, “Watcher back!” and at a dinner party New Yorkers all talk over each other, conversations are multilayered, and I, who was brought up to wait my turn, sit silently for three hours and the other guests go home wondering, “Who was the weird guy? Obviously a non-English speaker.”

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My mother told me and now I’ll tell you

January is a peaceful month, too cold to go anywhere so I sit in my spacious chair with a quilt around me, still in my pajamas at two in the afternoon, eating guacamole with tortilla chips and contributing nothing whatsoever to civilization or to the GNP, except for the occasional limerick.

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A beautiful afternoon is good for the heart

Dire warnings of crowded ERs in New York, a fresh plague of COVID is raging in the streets, but a person can’t live in a closet and on Saturday we went to the opera against our better judgment and it was an excellent thing to do. The Met is back in business and a lady walked out on stage to remind us to keep our masks on and people applauded — we feared she’d announce the show was canceled, but no, Mozart’s The Marriage of Figaro went on with a heroic cast, Italian, Czech, English, American, some singers who maybe hadn’t been on a stage for a year or more, and all told it was pretty fabulous. Mozart wrote it two years before our Constitution was ratified and people are still laughing at the jokes. The Constitution is a work in progress but Figaro is a masterpiece.

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A man walking through a big city snowstorm

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It was front-page in the papers and the subhead said that a U.S. senator had been stranded overnight on the interstate. The blockage of an interstate is the true measure of a serious storm and the headline writer tossed in the senator as further evidence, but it only made me wish there had been numerous senators — say, those from Florida, South Carolina, Alabama, Mississippi, and Louisiana, the five states least accomplished at snow motorism, and if the Senate had come to session the next morning, our nation would get moving again, one blockage breaking a logjam. But it was only a Democrat from Virginia, giving Mitch McConnell a one-vote edge, and there is no vacancy on the Supreme Court, so he didn’t need it.

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Meditation while waiting for coffee to brew

I was in Clearwater Beach, Florida, the morning of the 31st, listening to coffee drip, looking out the picture window at a parking lot, and saw a squirrel sitting on top of a telephone pole at eye level fifteen feet away, looking at me. On the beach, men with metal detectors searched for lost diamond rings and gold ingots. The squirrel had no good reason to be on top of a pole and I had no reason to be in Florida and the men on the beach kept moving along and not finding anything, we were all just spending time, and eventually the squirrel went racing along a cable to a nearby roof and I flew back home and I assume the men found something else to do, maybe watch football and drink Harvey Wallbangers.

Time flies by, the planet is spinning faster, it’s 11 a.m. and then suddenly it’s 3:30, so I try to eliminate wasted time such as the hours I spend rustling around for postage stamps and meanwhile getting engrossed in a stack of rejection letters from editors, time that if I saved it I could spend it on nobler things, such as writing less about myself and more about social responsibility. But first I have to clean out my email box, which is laden every morning with notes like “The reason I’m running for county attorney in Rome, Georgia is …” and I, who don’t live anywhere near Georgia nor do I wish to, must unsubscribe from that mailing list, which requires four separate steps and in the time it takes to do it, I see that four more fundraising emails have appeared, all written by programmers and sent to hundreds of thousands on mailing lists bought by campaigns and it’s like being attacked by a cloud of deerflies.

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Forget auld acquaintance, forge onward

New Year’s Day is an occasion nobody knows what to do with and so is the Eve that precedes it. I used to go to parties where we gathered around someone with a guitar and sang about broken romance and drank until the liquor was gone and the next day I awoke in a fog to watch football with other inert men but I gave all that up long ago. Gradually, a person edits out stuff that makes no sense and I scratched football, Florida vacations, artichokes, science fiction, pocket billiards, and broadcast journalism, and thus life became more and more interesting. It’s been forty years since I watched a football game. Twenty since I put the bottle away. These changes make one hopeful for the future. And here we are, looking around at 2022.

Call me naïve but I’ve been around for three score and ten plus nine years and I believe in progress. I was impressed when science found a way to put shampoo and conditioner into one bottle and when the cranberry and raisin married to form the craisin. I still rejoice at the ease of long-distance phone calls — we don’t even use the term “long distance” anymore — I’m astonished when my daughter FaceTimes me from London as I sit in a café in New York, and in our capitalist society, why does this not cost $35.75 a minute? A miracle.

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You make me happy when skies are gray

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I went to the dentist’s office last week and was astonished by the photos of smiling faces on the wall — how do people manage to do this? A grin that shows upper teeth, even gums! So the mask makes me normal. I may get a flesh-colored one with a smiling mouth on it and wear it after COVID is history.

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I am dreaming of a light Christmas

I love Christmas because my mother did and she fought for it against her fundamentalist husband who felt it was worldly and unscriptural, but Grace loved the stockings and tree, the wrappings, the songs, the dinner, and all the more for the fact that her mother died when my mother was seven. Twelve children racked with grief, a grim household in south Minneapolis, which made the festivity all the more precious.

It was interesting to hear this annual argument between two people who loved each other dearly. I knew that, doctrinally, Dad was correct but Mother’s position was one of love, and love prevailed, and we had Christmas year after year.

I’ve had some dismal Christmases. The Christmas of the goose, when I took the goose out of the oven and hot grease spilled on my wrist and I dropped it and the glass baking dish broke and the goose skidded across the kitchen floor collecting cat hair and glass fragments. One year we did a Dickensian Christmas, had a tree with candles, did a group reading of A Christmas Carol and discovered that Scrooge has all the good lines, and nobody wants to be a Cratchit, they are such wimps. The reading was interrupted by screams — the tree was on fire. Candles make sense if you have a freshly cut tree and ours had been harvested in September in Quebec. But the fire rescued us from Dickens so all was well.

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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