The Keillor Reader — Introduction

When I was twenty and something of a romantic, I considered dying young and becoming immortal like Buddy Holly (twenty-two), James Dean (twenty-four), and Janis Joplin (twenty-seven) so that people could place bouquets on my grave and think what a shame it was that I never fully realized my enormous talent. But I didn’t have enormous talent. Some people believed I did because I wrote poems and was shy, didn’t make eye contact, kept to myself. (Nowadays you’d say “high-functioning end of the autism spectrum,” but back in the day oddity was interpreted differently.). Anyway, death didn’t occur. I never needed to charter a plane in a snowstorm as Buddy did, and a car like James Dean’s Porsche 550 Spyder was way beyond my means, and heroin was not readily available in Anoka, Minnesota, so onward I went. I had a lot to think about other than immortality—sex, of course, and how to avoid going to Vietnam and dying young in a stupid war, and then I started a radio show called A Prairie Home Companion, which ate up all my time—a man has to work awfully hard to make up for lack of talent—and suddenly I was forty, which is too old to die young, so I forgot about it and headed down the long dirt road of longevity, and thus arrived at seventy, when I took time to sit down and read my own work and see what is what.

I started out with No. 2 pencil and pads of paper, then acquired an Underwood manual typewriter with a faint f and a misshapen O. You had to poke the keys hard to make an impression. I set it on a maple desk in my bedroom, which looked out onto a cornfield across the road, and I wrote stories about tortured loners who stood at a distance from the crowd and observed their comings and goings with envy tinged with contempt. Or contempt tinged with envy. My parents did not encourage literary aspirations: I was the third of six children of John and Grace, a young Sanctified Brethren couple in Anoka, Minnesota, on the Mississippi, a farm boy and a city girl who eloped and married secretly against opposition from both their families. We have a premarital picture of them on a summer day in a backyard in Minneapolis, looking very dreamy. The Brethren did not read novels or poetry and were wary of history, except what was in Scripture, but they offered a rich supply of contempt. They were the Faithful Remnant, maintaining the pure flame of God’s Word abandoned by the rest of Christianity. I grew up along the river in Brooklyn Park township, where we moved in 1947 into a house Dad built on an acre lot with room for a big garden. All around us were vegetable farms, fields of corn, peas, onions, potatoes. My brother and sister and I attended Benson School, a handsome three-room country school, where I had Estelle Shaver and Fern Moehlenbrock for teachers. In first grade, I was slow to read, and Miss Shaver kept me after school to read aloud to her, which she made me believe was not for my sake, but for hers, to keep her company as she graded papers. She said to Bill the janitor, “Listen to him, doesn’t he have a lovely voice.” In time, I turned into a bookworm and a good speller. At age eleven, after I dropped an easy fly ball during recess, I asked Miss Moehlenbrock’s permission to spend recess in the library, reading history books, a turning point in my life. Instead of vying for the respect of other boys, I sought out the company of old uncles and asked them about the war and the thirties and why did Grandpa Denham come over from Scotland in 1905 and why did Grandpa Keillor come down from New Brunswick in 1880? The old uncles were very grateful for a boy’s interest. All I had to do was ask a few questions and sit and listen. They thought I was definitely gifted. It was so much easier to ingratiate myself with them than to impress my peers. My peers thought I was strange. I didn’t mind. I won the class spelling bee that spring, beating out Billy Pedersen on the word veracity.

The summer before eighth grade, I walked into the office of the Anoka Herald, a down-at-the-heels weekly around the corner from the junior high, and asked the editor, Warren Feist, if I could write sports for him, assuming he’d laugh and say no. It was an act of reckless bravery by a fearful young man, and Mr. Feist was very kind. He smiled and said, “Sure.” So I got to sit in the press box at football games, high above the crowd, and look reporterly as I took extensive notes on each play. Back at the office—thirteen years old, I had an office—Whitey and Russ sat at the keyboards of their monster Linotype machines, with a little flame in back keeping the melted lead hot. Line by line, they clattered away at the stories, pulling the lever that poured the hot lead into the mold to make a slug. I banged out my stories and handed the yellow copy paper to Russ, who typeset them. He and Whitey were both heavy drinkers, pasty-faced with purple noses, and the paper languished in the shadow of the competing County Union. But I was thrilled to be there. Mr. Feist edited my stories gently, removing paragraphs of crowd description, drawing out the action on the field. The Herald was printed on Wednesday afternoon and I made a point to be there to watch. Whitey stood on a platform over the flatbed press and, though he was drunk, he could take a sheet of paper the size of a cafeteria table, shake it loose from the stack, and then flip it up and onto the flatbed, where the roller rolled over it with a whump and a shwoosh and the folder cut and trimmed and folded it, and a copy of the Herald slid down the chute with the sports page and my name, my story about the Anoka Tornadoes ready to be read by dozens, if not hundreds, of subscribers, men and women in kitchens all over Anoka absorbed in my account of the game. It was thrilling then and still is, years later, seeing your own words in print.

My parents were dismayed by newspapering. My mother said that writers were a bunch of drunks, meaning F. Scott Fitzgerald. As a young woman, she had lived near his old neighborhood in St. Paul and heard stories. She also knew that Hemingway, Faulkner, O’Neill, Tennessee Williams, and Dylan Thomas all drank a lot. People went to Thomas’s readings to see if he could remain standing and not drop a cigarette down his pants and set himself on fire. She had read about that somewhere.

As Sanctified Brethren born and bred, they were not sympathetic to the writing life. They cleaved to the literal truth of Holy Scripture and pored over the Word, trying to discern the Lord’s Will. That was the writing that mattered and everything else was vanity and horsefeathers. The Lord wanted us to be watchful, waiting for His Glorious Return, not making up stories. We sat in the Gospel Hall on Fourteenth Avenue South in Minneapolis, perusing Deuteronomy, led by my Uncle Don, who felt that God’s instructions to the Jews wandering in the wilderness had relevance for us. The Bible was awfully exciting to read if you believed it was entirely true—as great literature, it was not bad, but as revelation, it was a wild ride. I was a devout young man, at least in my own heart, and asked to be baptized when I was fourteen, and waded out into the waters with Brother John Rogers as the Brethren sang a hymn. When I was twenty, I abandoned them. I thought that probably they were right, that it was sinful to want to be a writer, but I wanted to do it anyway. It was all I really wanted. A good Christian was supposed to sacrifice his desires to the Lord. I chose not to.

In 1960 I went off to be an English major at the University of Minnesota, where John Berryman, James Wright, and Allen Tate taught. My parents were not pleased, but I didn’t ask for their help and so they had no say about it. I owned three cardboard boxes of stuff including a Webster’s Third Unabridged and an Underwood typewriter. Hiking around campus in blue jeans, white shirt, corduroy jacket with elbow patches, Red Wing work boots, and a broad-brimmed hat, with a pack of Camels or Marlboros in my pocket, I felt obliged to smoke at least one pack of cigarettes every day, two if I could afford them, and drink coffee by the gallon, because that’s what writers do. Back then, a cup of coffee was two bits, a pack of smokes cost 35 cents, and a drink was a dollar. I supported myself by washing dishes and parking cars, both of them formative experiences. You work the morning shift in the heat and steam of the scullery and you feel clean and contented the rest of the day. You stand on a gravel parking lot on the high bluff of the Mississippi, the wintry blast sweeping down the valley, and you direct a stream of cars to their correct spots in straight lines, tolerating no dissent or diversion, stomping out individual preference wherever it occurs, and you discover the fascist storm trooper within yourself. Good to know one’s own capacity.

Mr. Tate was sixty-eight when I took his poetry seminar. A slim, elegant man with a Southern patrician accent—a pal of Robert Penn Warren and Hart Crane—he chain-smoked in class, so we did, too. The whole English Department reeked of tobacco smoke and was proudly alcoholic— anyone who wasn’t was considered an interloper, possibly a Mormon. James Wright chain-smoked through his lectures on Dickens and Whitman, which he delivered through a haze of hangover. He always looked pale and haggard. His line “Suddenly I realize that if I stepped out of my body, I would break into blossom” was written by a man with smoke coming out of his mouth.

My hero, Saul Bellow (The Adventures of Augie March), had recently taught at the U and I liked hearing about him from his pal, my advisor, Joe Kwiat, a big, hearty guy with a great bark of a voice. Snowy-haired Robert Frost came and filled Northrup Auditorium, 4,700 seats, and recited his greatest hits by heart. I was in a crowd of students who stood by the back door and watched him emerge and shuffle down the walk and climb into his limousine. Our great drunken genius was John Berryman, the poet and wildly brilliant lecturer, a man of such towering intellect that I was afraid to be in the same room with him—one caustic word, even a disapproving glance, and I would’ve gone up in flames. He wore a big beard that made him look like he was eating his sweater. He gave readings of his Dream Songs at which his speech was slurred, he slumped against the lectern, lurching into flights of reminiscence, muttering asides to friends in the audience, a man on the verge of collapse. His greatness and his affliction seemed intertwined, a true artist engaging with dark forces in his own body in full public view. Fate had driven him to this condition, just as it had driven him to create poetry, and he could no more give up one than he could stifle the other. And I, fearful of embarrassing myself in public, was clearly incapable of this greatness.

If the true sign of brilliance is to be seriously screwed up, stalked by livid demons, fatally wounded, then I was, compared to Berryman, a dullard and a dolt. My dad had not committed suicide with a shotgun outside my bedroom window when I was twelve. Berryman’s had. Mine simply worked hard. My boyhood may have appeared strict and narrow—no dancing, drinking, smoking, moviegoing, card playing, no rough talk or profanity—but my Brethren were people of great kindness, most of them related to me. I was quite at home among them.

So I accepted that I would never be a true artist and that my future lay in being amusing. For the campus literary magazine, The Ivory Tower, I wrote stuff that owed much to Benchley and Thurber, A. J. Liebling and E. B. White. My journalism teacher, Bob Lindsay, encouraged this. He was a Marine Corps captain—a veteran of two wars, his bald head had a noticeable dent in it, as if a mortar shell had bounced off it—and he was a no-nonsense teacher. In his class, one spelling mistake on a writing assignment, no matter how elegant, earned you an F. We were horrified to hear this. But we learned to copyread, a skill that sticks with you for life. Mr. Lindsay’s office was on the first floor of Murphy Hall, and whenever I walked down the hall, I slowed down, and if his door was open and he didn’t have a visitor, I stuck my head in. He was brusque, not given to b.s., and when he said I should try to catch on at The New Yorker, that was pure gold. And then, unbeknownst to me, he sent the magazine a few pieces of mine from the Tower and a letter attesting to my good character.

I had not told him that I had written to my draft board and said I would not report for induction into the U.S. Army, as I’d been ordered to do. Vietnam was on every young man’s mind and I waited for the FBI to knock on my door and they didn’t. Evidently someone at the draft board office stuck my file in a dark place and thereby put herself in danger—it is a felony to conceal or otherwise impair the availability of a governmental record—and whoever did that deed was braver than I. I owe her a large debt and wish I knew who she is.

In 1966, I spent July and August in New York, holed up in a boarding-house on West Nineteethth Street in a poor Hispanic neighborhood near the Episcopal seminary, and thought about staying permanently. The boardinghouse was cheap: breakfast and dinner along with a room for $75 a week. The clientele was about half recent patients from mental hospitals, doped up on Thorazine, a quiet bunch, who sat in the garden under ailanthus trees listening to the nuns in a nearby convent chanting in Spanish. I was supposed to marry a girl in September, a big wedding in a Methodist church with four bridesmaids in bronze taffeta and country-club reception—it was all planned—and I wanted to escape. I felt like a jerk, abandoning her and her family, who had been so good to me, but I was hearing warning bells—there was a large vacancy between her and me. New York seemed like a good move, what with marriage and the FBI way on my trail. I knew an artist named Irving who drove a cab by night and shot photographs by day, and I hung out with him. He was screwed up, as a true artist should be, he dropped acid, smoked dope, and lived in a one-bedroom fourth-floor walk-up on the Lower East Side with his wife and two baby girls in such poverty as I knew I hadn’t the strength of character to endure. Tiny dim rooms, summer heat, city clangor, sink full of dirty dishes, weeping infants, a bitter wife. New York was a dark swamp where a man could walk deeper and deeper into the muck and disappear and nobody would notice. But what was waiting for me back in Minnesota? I tried to write a piece for The New Yorker that romanticized life on Nineteenth Street as operatic, flamboyant, exotic, people yelling at each other in Spanish, and took it to their offices on West Forty-third, where a very nice woman named Patricia Mosher read it and told me to keep in touch. I took a bus to Boston to interview at The Atlantic. An overnight bus, to save on hotel. Got to the Atlantic office on Arlington Street an hour early and went to the men’s toilet, stood at the sink, took off my shirt, and sort of bathed and dried myself with paper towels, and a man in a suit came in, stood at the urinal, and made a point of not looking at me. He, as it turned out, was the man who would be interviewing me. It was a brief interview and I was not told to keep in touch. I rode the Greyhound back to Minnesota and got married. The next year, Irving jumped out the window and killed himself.

In 1969, I sent some stories to The New Yorker and one was bought off the slush pile by Roger Angell, who became my editor, and I moved my family to a rented farmhouse south of Freeport, Minnesota, in German Catholic country. The magazine paid around $1,000 a story, and our rent was $80 a month, not including heat and light. I sent off two or three stories a month and if they bought one, we were on Easy Street. It was a luxurious life for a writer, not so good for the writer’s wife and infant child, isolated among clannish country people suspicious of strangers. Sweden might have been better, or Bulgaria. I wrote in an upstairs bedroom on my Underwood typewriter on a slab of ¾-inch plywood set on two filing cabinets, my back to a window looking out on the farmyard, the barn, the cattle milling in the feedlot, the silo, the granary, the pig barn, the woods beyond. I found that I could sit and look at a piece of writing for hours at a time and not get twitchy, a skill I had picked up in Brethren Bible study, and I was a good rewriter. Day after peaceful day, visitors on weekends, the occasional big check and encouraging letter from West Forty-third Street. My wife slipped into depression; she spent whole days hardly able to speak. We moved back to the city for her sake and I took a job at Minnesota Public Radio, the six to nine a.m. shift, played records and created a cheery on-air persona, the Old Scout, who rallied listeners to rise and shine and face the day with a smile. It was a good persona. I even started to believe in it myself. I was in an awkward marriage, I was absurdly self-conscious and timid and eager to please and arrogant, all at the same time, but I was lucky. On that early morning shift, I invented a town where the women are strong, the men are good-looking, and the children are all above average. Businesses in that town advertised on my show—Jack’s Auto Repair, Bob’s Bank, Bunsen Motors, Bertha’s Kitty Boutique, the Chatterbox Café, the Sidetrack Tap, Skoglund’s Five & Dime, the Mercantile—and I talked about the women, men, and children, and that town, Lake Wobegon, became my magnum opus, unintentionally. I just sort of slid into it, like you’d go for a walk in the woods and fall into a crevasse and wind up in a cave full of rubies and emeralds. I labored in obscurity for the first few years, and then Will Jones, the entertainment columnist of The Minneapolis Tribune, wrote a big warm embrace of a story and that was the beginning of many good things. Will was an Ohioan and admired James Thurber, thought Lake Wobegon was Thurberesque, and his kind words in print were intoxicating.

In 1974, after writing a fact piece for the magazine about the Grand Ole Opry, I started up A Prairie Home Companion on Saturday evenings, a live variety show with room for a long monologue by me (“It has been a quiet week in Lake Wobegon…”), and found steady colleagues who did most of the work, starting with my boss, Bill Kling, and the producer, Margaret Moos, the engineer, Lynne Cruise, Tom Keith, Bill Hinkley, and Judy Larson, and down to the present day, Sam Hudson, Kate Gustafson, Richard Dworsky, Tim Russell, Sue Scott, and Fred Newman, not to mention fabulous guests, tech guys, good stagehands, and so we sail the ocean blue in pursuit of truth and beauty, sober men and true, attentive to our duty.

Life can be good when you finally grow up. You find steady work you enjoy, buy a car that starts on cold mornings, look for love, sing along with the radio, beget children who nestle on your lap and put their little arms around your neck and kiss you. You mow your lawn, read history, learn to fry fish in beer batter, seek out comfortable shoes, converse with strangers on the bus. You find a hairstyle that suits you. Your taste changes, contemporary art strikes you as ditzy and you are moved by Hopper and Rockwell and Nordic painters of snowscapes. Young Sarah Songwriter only makes you wonder if she is getting enough exercise, whereas a Chopin étude carries visions of women in lamplight, the forbidden kiss, the whisper of silk, the nobility of the arts. You cross the line into your forties, the mortgage years, and the fifties, when you stand weeping at graduations and weddings, and then in the blink of an eye come your sixties and now you’re on Easy Street. You become eminent and benevolent and learn to harrumph. And then seventy. Ah, seventy. A golden age. You are full of wisdom, you have embraced moderation and humility, your work is triumphant, you pee like a Palomino pony, and your imagination is more vivid than ever before. One can’t wait to turn eighty and ninety.

Having once anticipated dying young, I now look back on those times when I might have and did not. The time I dashed out onto a busy freeway to retrieve a heavy mattress I’d foolishly tied with twine to the roof of the car and at 65 m.p.h. physics kicked in and it blew off. While I was dragging it off the road a truck bore down on me as if I were a raccoon and blew its air horn. I heard the Doppler effect up close and the whoosh of the draft made my pant legs go whupwhupwhupwhup and blew my hair back.

One summer my brother Philip and I canoed into a deep cavern in Devil’s Island on Lake Superior, attracted by the dancing reflections on the low cavern ceiling. We steered into a narrow passage, ducking under rocks, and he took pictures of the formations, and after awhile we paddled out, a few minutes before the wake of an ore boat a mile away came crashing into the cavern, three-foot waves that would have smashed us into the rocky ceiling like eggs in a blender. Our mangled remains would’ve floated out and been found by fishermen days or weeks later—two Twin Cities men perish in boating mishap—but instead we sat in the canoe and watched the waves whopping into the cavern and said nothing, there being nothing to say. He raised his Leica and snapped a picture of the crashing waves and dropped it into the lake and it got smaller and smaller as it plummeted to the bottom.

Philip died a few years ago in Madison, Wisconsin, skating on a pond near his house. He who had survived the close call in the cave on Lake Superior fell and struck the back of his head on the ice and suffered serious brain injury and died. He was an engineer, a methodical man, a problem-solver, and I imagine that even as he fell, he was analyzing his mistake—he should’ve sat down on the ice and landed on his butt rather than his head. He tried too hard to remain upright; he should’ve collapsed. His family tried to keep his funeral as light as possible. There were three funny speeches and a rollicking gospel finish, and then we stood around the hole singing hymns as the gravedigger bent down, exposing a big slice of butt crack, and lowered Philip’s body into the ground, and then went to supper.

After we buried my brother, he became a steady, flickering presence in my life, even more so than before. He was a man who strove to get along with people and try to accept them and not scorch them with ridicule, and now I try to be more like him and less like myself.

When you’re in your seventies, people die all around you, at a steady rate. A high school classmate collapsed at our Fiftieth Reunion while I was at the microphone nattering and died two days later. A man died in the audience at A Prairie Home Companion in Seattle; he was old and very ill but wanted to come to the show, and during intermission he simply leaned against his wife and expired. Tom Keith, who was on the radio with me for four decades, came to a post-show party at my house, felt fine, and three days later fell down dead—the man who played Mr. Big, the jowly incomprehensible man, and did the sounds of a golf swing, a man falling off a bridge into piranha-infested waters, a 350 h.p. snowmobile driven by an orangutang over a cliff and onto the ice of Lake Superior. He was a champ.

The living wander away, move to Arizona or Colombia—we don’t hear from them for months, years—but the dead move in with us to stay. They keep busy exhorting us to greater faithfulness, forgiving us, comforting us. My mother-in-law, Marjorie O’Bleness, is smiling from the doorway, holding a Winston and a Rob Roy, listening to a good joke that I cannot hear. My grandmother Dora is kneading bread on the counter, whistling a tune I can’t make out.

I think often of John Updike, who lovingly re-created the backyards and clotheslines of the 1940s small town and described a snowstorm as “an immense whispering” and wrote beautifully of his father bidding him goodbye on a train platform and astonishing him by planting a kiss on the son’s cheek. I last saw John on the New York subway, riding from Broadway and 155th Street to 72nd, a white-haired gent of seventy-five grinning like a schoolkid. At 110th a gang of seminarians boarded and crowded around him, chattering, not recognizing him, and he sat soaking it up, delighted, surrounded by material.

The film director Robert Altman is a hero of mine—shooting a movie in St. Paul though he was eighty-one and in the throes of cancer and barely mobile. He loved his work and so put his mortality aside. If you have flown a B-24 bomber, that screaming unheated boxcar of a plane, on fifty missions in the South Pacific at the age of twenty as Bob had, there is not much left to be afraid of. I remember him sitting in a canvas chair at four a.m. on the corner of Seventh and St. Peter in St. Paul, on a Sunday in July, directing a scene in which Kevin Kline gets up from a stool in Mickey’s Diner and walks out the door and scratches a match on the doorframe and lights a smoke and walks across a rain-soaked street. Bob was pushing to beat the sunrise but he loved studying that walk and lighting it, angling it, instructing the man with the hose, the man in the cherry picker with the spotlight, all the while offering running commentary to his audience of grips and extras. He was a happy man who refused to be seduced into being somebody else, even in Hollywood.

My movie-star handsome teacher Reed Whittemore, author of a fine poem about the enormous silence that follows after a high school marching band finishes practicing on the football field in a small town, author of a fine rant against New York (“Where the best and the worst and the middle / Of our land and all others go in their days of hope to be made over / Into granite careerists”), proposed that literature is a defender of the individual against society and it is also a job of work, like planting a field or building a fence. I am grateful for my own work—more now than ever, the pleasure of scratching away on paper. I sit in my office and look up at a photograph over the fireplace of the old schoolhouse. He had been a carpenter in the shipyards of New Brunswick and came to Minnesota in 1880 to help out his sister Mary, whose husband was terribly sick, and soon after James arrived, the husband died of tuberculosis, leaving Mary with three small children and a 160-acre homestead. So James stayed on. One spring day in 1902, about the time her children were raised, he walked across the road to speak to the schoolteacher, Dora Powell. He was forty-two, a farmer, and she was twenty-two, a lovely slip of a girl from Iowa. He had a strong tenor voice and knew many songs by heart and he always had a book with him and people often saw him reading while driving a team into town or sitting on a mower, cutting hay, reins in one hand and book in the other. We don’t know what happened in the schoolhouse that afternoon, but when they emerged, she had agreed to marry him, and thus they became my grandfather and grandmother. They drove to St. Francis to be married by a judge and when they arrived home, James was so enthused, he forgot to unhitch the horses and they stood all night in the farmyard, their reins hanging down to the ground. He took Dora in his arms and carried her upstairs, a ritual he continued until he got old and feeble. In later years, the Brethren met in the schoolhouse and I sat with them and listened to their long silences, the ticking of the old Regulator wall clock, their prayers, the soulful drone of their hymns, and imagined my grandma, who was then almost seventy, as a young schoolteacher, very proper, hair tied up in a coil of braid, being urgently courted by the farmer from across the road. And now I am her age and the schoolhouse looks down from the wall. It is 1902, and she sees him cross the road, a handsome man with a full moustache, and he walks into her schoolroom and she sees that he has combed his hair and put on a cologne. He stands by her desk and talks about the weather and she sees his discomfort and guesses what he has come to do and she says, “I’m glad you came over because I’ve been meaning to say goodbye. When the school term ends, I plan to go back to Iowa. And I want to bake you a pie to thank you for those times you came over here and lit a fire in the stove and warmed up the place before I got here, and I need to know what kind of pie you like, apple or blueberry.” That is as far as she can go, and now it is his turn to say that he wishes she would not leave, that he would miss her, that he has taken a shine to her, that he has wanted to kiss her for several months now and didn’t know how to manage it. She does not blink. They gaze on each other, not smiling, not frowning, and then he takes a step toward her and bends and kisses her. And kisses her again. He is forty-two and still innocent, locked up in loyalty to his sister’s family, now free. His life is about to begin. He has thirty years left on this earth. He died before I was born. My father believed that he would meet his parents in heaven and recognize them, but Scripture doesn’t say that. I can only meet my grandfather in imagination and there he is, wrapped up in a heavy jacket, frost on his moustache, enjoying his work.

Available Now: BOOM TOWN by Garrison Keillor!

In Garrison Keillor’s newest novel, Boom Town, we return to Lake Wobegon, famous from decades of monologues on the classic radio show A Prairie Home Companion.

**Available in Hardcover, Audiobook, and eReader formats**

Lake Wobegon is having a boom year thanks to millennial entrepreneurship—AuntMildred’s.com Gourmet Meatloaf, for example, or Universal Fire, makers of artisanal firewood seasoned with sea salt. Meanwhile, the author flies in to give eulogies at the funerals of five classmates, including a couple whom he disliked, and he finds a wave of narcissism crashing on the rocks of Lutheran stoicism. He is restored by the humor and grace of his old girlfriend Arlene and a visit from his wife, Giselle, who arrives from New York for a big love scene in an old lake cabin.

 

Praise for Boom Town:

“Wonderfully over-the-top. Blisteringly funny, acute, and true. Keillor’s speaking to us with encouragement and empathy about the American life. But at the same time, he’s got our number that way he’s always had it. This book is a tonic.” —Richard Ford

 

“You can’t go home again unless you’re Garrison Keillor and home is Lake Wobegon. Then, of course, it is imperative that you do so—and we are fortunate indeed to tag along and share in the final chapter of the most fascinating and compelling characters ever conjured from the most vivid imagination of America’s greatest storyteller!

In Boom Town, we are invited to catch up as Garrison gets caught up with all of those beautifully flawed human beings that populate and promulgate their mythical town where all the women are finally accounted for, all the men are self-realized or died trying, and all the children are still way above average.” —Martin Sheen

 

Read the first chapter for free >>>

Purchase Boom Town Hardcover >>>

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A Wednesday drive in the old neighborhood

Another perfect summer and despite all there is to be forlorn about, I feel the same mindless happiness I remember from when I was 20 and running around Minneapolis in a red Mustang with a girl named Maggie and listening to the Cleftones and Cadillacs, the Coasters, the Drifters singing, “Out of the sun, we’ll be havin’ some fun. People walking above, we’ll be making love under the boardwalk.” We had no boardwalk at Lake Calhoun but there were dim places where we sat and necked. She had no plans for me nor did I for her, which was part of the mindlessness. Two young mammals keeping company, enjoying warm weather.

It all came back to me, riding around south Minneapolis Wednesday with my family, looking for the Dairy Queen on 38th Street, two blocks from the Grace & Truth Gospel Hall I attended as a boy in a small separatist sect where I enjoyed the feeling of complete comprehension of absolute truth, from Genesis to Revelation, right up to the age of twelve or thirteen.

Thanks to this upbringing, I have a good ear for the humorless self-righteous and when I got an email from an old friend asking for a donation to a collaborative storytelling collective to create a safe space and healing life-affirming environment for an inclusive group of young people focused on the intentional use of language to deepen self-awareness in the face of stress and trauma, I knew where he was coming from. I don’t object to this, I’m just a harmless old guy cruising around and looking forward to a Dairy Queen.

I did, however, note that in his list of minorities he’d serve, he listed “Dakhota” with a right-leaning accent mark over the o. I’d never seen the word spelled that way and I don’t know how to create that diacritical mark on my computer keyboard. But clearly, though he is white with no Dakhota corpuscles in him that he’s ever mentioned, he was demonstrating his moral superiority as one sensitive to indigenous nuance compared to a bigoted peasant such as myself.

Maggie and I were not inclusive, we were content to be two, both wanting to be writers, and we did tell stories, hers were about bad boyfriends who were too grabby, so I avoided grabbiness and simply held hands and eventually she kissed me and I kissed her back and was careful to make my kisses approximately equal in passion but not try to outdo her. Our safe space was the Mustang and the healing environment was July. In Minnesota you have to suffer a good deal to get to summer and when the perfect days arrive, you owe it to yourself to experience them fully. At the DQ I ordered a medium Butterfinger Blizzard and it was life-affirming.

Lake Calhoun was renamed Bde Maka Ska in honor of the Dakhota and surely it made no sense for Minneapolis to honor John Calhoun, the South Carolinian proponent of slavery and a man with bad hair, but for Maggie and me in the Mustang, the lake had no political significance, it was only a large body of water we looked at as we laid hands on each other. But I’m fine with the name change. Woody Allen was Allan Konigsberg and decided not to be; Allen Ginsberg’s first name was Irwin and a guy named Irwin could not have written “I saw the best minds of my generation destroyed by madness,” he would’ve become an insurance salesman. If Bob Dylan had remained Bob Zimmerman, Columbia Records never would’ve seen him as a poet and visionary and he’d be a cabdriver today. Maybe Maggie has become Starflower Moonbright and is conducting collaborative life-affirming workshops in Fargaux, North Dakhota. I wish her well.

As for me, I am enjoying a mindless summer day in the back seat behind my wife and daughter as we drive through my old neighborhood, eating our Dairy Queens. Some things we know for certain and that’s one. Another is that the two states west of here will never put the h in their names and the right-leaning accent mark over the o. There are good people there but they won’t let Minnesotans tell them how to spell their name. The originalists on the Supreme Court could find that Thomas Jefferson spelled the name with the h and the accent but I say, Live and let live. Enjoy the day. It’s summer.

 

Talking on the phone to Joyce and rejoicing

We sat in the sun and played Scrabble Monday and a few minutes later a vulgar four-letter profanity appeared on my letter rack that I could’ve played for 47 points and did not. I just wasn’t in the mood. I’d spoken on the phone that day with Joyce, a preacher and a favorite cousin of mine. Our grandfathers were brothers, and a long-ago rift between them separated our families for decades and I didn’t meet Joyce until I was an old man. This strange story of two stubborn Scots keeping their distance draws me even closer to her. She’s a student of family history and when we talk Jesus comes easily into the conversation with no change of tone of voice, same as you’d mention your brother or father. He is not in a separate universe.

I’ve tried to say the four-letter word several times and I can’t get it to sound natural, not like my two friends who use it often to bold-face what they’re saying. I don’t object. They’re neighbors and Jesus said to love them so I do, mostly, though the word sounds alarming to me like breaking glass. There’s no kindness about it.

Joyce’s grandfather was in the Navy and mine worked for the railroad and they must’ve heard plenty of profanity but never took up the habit. My grandpa, however, was capable of silent anger of an enduring nature, which his children knew and dreaded. My mother as a girl once sat down in the kitchen window and didn’t notice the fresh blueberry pie on the sill and knocked it out on the lawn and she was terrified her dad would berate her for it. He once got angry at her for being too friendly with boys at school and sent her to transfer to a school where she knew nobody. She forgave him and a few years later she had to confess to him that she was pregnant by the boy who would become my father though they hadn’t said their vows yet.

It was 1936, he was still needed on the farm, his father having died three years before, and she was in nurse’s training. They’d been in love for five years and had no money and one day, driving a double team of horses, he almost broke his neck when the horses bolted and the wagon crashed in the ditch, and he was so elated by his survival he wrote her a long letter describing the mishap — the only sustained narrative I ever knew to come out of my father — and he borrowed his brother’s Model A and drove to the city and a few months later she was pregnant. They lied to Grandpa, said they had eloped, and both families were upset but the storm passed. Grandpa’s anger might have exiled her to a home for unwed mothers and my brother Philip would’ve been adopted and I would not have come into existence. But they were forgiven and the story was kept secret by my 21 aunts and uncles and I never found out until my parents were gone and I was an 70-year-old orphan.

Righteous indignation is the easy part of the Christian faith and the hard part is forgiveness. Our country is caught up in ferocious indignation but there is a more merciful culture among us. We know that our country is a haven for the hopeful. We grieve for the migrant workers who died of the heat in the semitrailer that hauled them up from Mexico. We grieve for the pregnant women trapped in an impossible dilemma. The children in room 112 are still on our minds.

What Grandpa never told my mother was that her mother was pregnant for three months before he married her and the indignation of his family was one thing that drove him to leave Scotland and come to America. This is why Joyce and I are keen about family history. Each of us owes our life to a marvelous combination of circumstances, and mercy and kindness and forgiveness are entwined with it.

The righteously indignant are missing out on comedy, which is at the heart of America and which is about forgiveness. Jews don’t recognize Jesus as Messiah, Protestants don’t recognize the pope, and Baptists don’t recognize each other in the liquor store. I heard that joke from a Baptist when I was a kid and I still love it. Jesus broke bread with sinners and Republicans and we should do likewise.

Here're your orders: make something beautiful

I woke up this morning and my good woman wasn’t gone, she was asleep beside me, I didn’t feel an aching in my head, no blues around my bed. I made coffee, it tasted fine, not like turpentine. I could put gin in the coffee and make it taste like turpentine but why would I? And that’s how I feel about the Six Supremes who’re trying to take us back to the 19th century. No need to grieve over it, November is coming, and the simple solution is to throw the bums out. Elect a Congress with a two-thirds majority in favor of enlarging the Court to fifteen, which will reverse the reversals. Ninety million eligible voters sat out the 2016 election and that’s how we wound up where we are with this ambitious minority in power. So you’re depressed by this turn of events. Think of the Six, staying home with the shades pulled, their spouses and children going to the hair salon accompanied by plainclothesmen with a bulge under the jacket. They know that they are widely despised. They avoid eye contact with passersby. I doubt they’re ordering takeout: some worker at Domino’s sees Alito’s name on the order, she is likely to tamper with the pizza. The Six are not attending concerts. No picnics for them. No long car trips except to Mississippi, Alabama, and Texas. Clarence and Ginni surely have close friends but after he announced that the Supremes should take a hard look at gay relationships and contraceptives, he must be thinking about the children and grandchildren of the friends, the boy with his hair in a bun, the girl with the tattoos, and what about the paperboy and the waiters at the country club? And what if he takes a wrong turn and runs into the Pride Parade? They might put him on a rainbow blanket and march down the street tossing him in the air, waving his arms and legs, a ridiculous fate for the Leader of the Pack. You and I, my dears, can walk freely through town with a clear conscience, enjoy the breeze in the trees and say hi to the cop on the corner. The Six cannot. The cop is not so friendly, imagining everybody carrying a loaded .45 and if he sees one of the six enablers, he might give them the finger, which so far is protected by the First Amendment. Don’t be disheartened. Deal with the problem. If you’re troubled by inflation, cut back on expenses. Don’t buy sparkling water. Fill up the glass with tap water and if you want bubbles, stick a straw in the water and blow. If you’re depressed by the state of things, skip the news and take a walk beside a large body of water and look at the stars and the moon. The newscaster will say, “Good evening” and then give you fifty-seven reasons why it’s not. Give yourself a break. The Gang of Six is heading for 1845 and I doubt they’ll get to Prohibition before they fade into the sunset and go down in the WWTT chapter of history (What Were They Thinking). The Six couldn’t find abortion mentioned in the Constitution so they dumped Roe but maybe when they go to their physician to deal with their gloominess, they’ll find a medical originalist with a bucket of leeches who’ll bleed them white and administer powerful purgatives until they’re considerably lighter, and thus they will regain their senses and so will we. Meanwhile, remind yourself that other people have thrived under wretched governors so don’t be discouraged. The Duke of Saxe-Weimar threw Bach in jail for daring to think he had individual rights. Dante was sent into exile and he wrote the Inferno so he could put the politician Argenti into the Fifth Circle of Hell. Dostoevsky joined a liberal study group for which, in 1849, he was thrown into prison and sentenced to death by firing squad, and was third in line to be executed when a pardon arrived. He lit out for Paris, London, Berlin, and figured out how to survive, writing Crime and Punishment in serial installments for magazines, avoiding politics. While cruelty is in power, do what Mozart did. Exercise your gifts. Create beautiful things. Wolfgang stayed clear of emperors and did his work and he lives on today and the emperors are just moldy names on marble slabs covered with pigeon droppings. If you can’t write The Marriage of Figaro, write your own marriage and make it a work of art.  

America is missing a holiday maybe

It’s over and gone, but every Midsummer Day I remember the dinner at Hanne and Ole’s farm in Denmark back in 1989 when fifty of us sat in a meadow at long tables with white cloths and good china for a feast of cold soup and salad and white wine, platters of lamb and potatoes, and dessert and coffee, and the Danish lady next to me speaking perfect schoolgirl English, and around ten p.m., as the sky turned dark, we traipsed down to the ocean shore and lit a bonfire and burned a straw witch and all the Danes sang from memory songs they’d known from childhood and we could see far away up the shore, other bonfires, other parties, other witches being burned.

We have no celebration like it in America. There’s no commercial motive behind Midsummer’s Day, no political rationale or religious, it’s about the glory of summer and friendship and the casting out of evil spirits. I was there as an outsider, and in celebration of the day they went out of their way to make me feel welcome. The Danish lady had heard that I was an American author and she read a book of mine and talked about it, which, my being a self-effacing Midwesterner, made me uncomfortable but it was a kind gesture.

Maybe the Fourth could become that sort of celebration. We need some community parties that have a good feeling without a big message. The boomers went in for big music festivals, Woodstock and then the Grateful Dead concerts, thirty thousand people in tribal clothing, seriously stoned, listening to a stoned band on a distorted sound system vamping for twenty-five minutes on a song that was better at four and a half. The Dead concert was not about community, it was about who was not welcome, your parents, teachers, people over thirty.

I attended a strawberry fest once and that was a fine celebration. You pop a big ripe red strawberry in your mouth and you feel your meanness dissipate. That’s why strawberry-rhubarb pie is such a great innovation, combining sweetness and irony. It is a beautiful marriage and marriage, as we know, is the basis of community and the true test of character. The Deadheads were under the drug-induced illusion that they were lonely geniuses, but when old friends and neighbors gather to celebrate, it’s a triumph of hope over experience.

Denmark is a nation of a dozen political parties so you knew there was plenty of stiff disagreement under the surface and, as in any group of people who know each other all too well, various old feuds and misunderstandings and interesting gossip, but they set it aside when the witch is carried in on her pole and consigned to the flames. Let go of the past, summer is here, live these brilliant days one by one, put regret and recrimination behind.

Marriage is a great test and some of us were allowed to retake it until we got it right. To make a life with your most knowledgeable critic is heroic, and the reward is a spacious happiness, no doubt about it. I have no objection to same-sex marriage but it strikes me as a compromise, whereas marrying someone from the other team is a bold move. My parents eloped and married in secret over the opposition of both families and this was a bond between them, they were in love to the very end, though they were as different as could be, a farm boy and a city girl, a stoic and a romantic. My mother loved comedians and laughed at Jack Benny and Lucille Ball and my dad didn’t understand comedy, it struck him as contrary to Scripture. She adored Christmas, he thought it was a pagan aberration, but they worked it out.

And now Jenny walks into the room and asks what I’m writing and she’s going to want me to read it to her and when I do, she’s going to tell me to take out the part about same-sex marriage, that it’ll hurt people’s feelings, but I’m not going to do it. Some of my best friends, et cetera, et cetera, and if you can’t kid your friends, then we have a problem. She and I have been together thirty years and she still mystifies me. We could make Columbus Day into Couples Day: marriage is a voyage into the unknown and when you get there you find out it’s not where you thought you were going, thank goodness.

A Prairie Home Companion An Evening of Story and Song Humor Love & Comedy Tour Old Friends Poetry Prairie Home Christmas Show Solo Songs Stories The Gratitude Tour
Schedule

July 10, 2022

Sunday incl LIVESTREAM

7:30 p.m.

Ryman Auditorium, Nashville, TN

Ryman Auditorium, Nashville, TN

A Prairie Home Companion American Revival comes to Ryman Auditorium on July 10, 2022 with Aoife O’Donovan, Joe Newberry, Heather Masse, Rich Dworsky, Sam Bush, Pat Donohue, Fred Newman, Tim Russell and others. LIVE STREAM AVAILABLE

July 25, 2022

Monday

7:30 p.m.

Brown County Playhouse, Nashville, IN

Nashville, IN

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Nashville, IN for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

July 27, 22

Wednesday

7:30 p.m.

RESCHEDULED Midland Theatre, Newark OH

Newark, OH

Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

July 28, 2022

Thursday

8:00 p.m.

Rescheduled The Kent Stage, Kent, OH

Kent, OH

March 4 in Kent, OH Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

July 30, 2022

Saturday

8:00 p.m.

Door County Auditorium, Fish Creek, WI

Fish Creek, WI

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Fish Creek, Wisconsin for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

October 9, 2022

Sunday

7:00 p.m.

Paramount Hudson Valley, Peekskill, NY

Peekskill, NY

Garrison Keillor brings his solo show to Peekskill NY. Be prepared to laugh and sing along as you celebrate all that unite us.

October 13, 2022

Thursday

7:30 p.m.

Virginia Theatre, Champaign, IL

Champaign, IL

Keillor & Company with Prudence Johnson and Dan Chouinard. A performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

November 6, 2022

Sunday

7:30 p.m.

The Bend Theatre, West Bend, WI

West Bend, WI

Garrison Keillor brings his show to West Bend, WI for a performance of sing-a-longs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

December 4, 2022

Sunday

8:00 p.m.

Broward Center for Performing Arts, Fort Lauderdale, FL

Fort Lauderdale, FL

Keillor & Company with Prudence Johnson and Dan Chouinard bring their show to Fort Lauderdale, FL for a performance of classic love songs, poetry, The News from Lake Wobegon, and a conversation about Why You Should Go On Getting Older

Radio

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The Writer’s Almanac for Friday, July 1, 2022

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Pulitzer Prize winning novelist Jean Stafford was born on this day in 1915. Author of “Boston Adventure,” “The Mountain Lion,” and “The Catherine Wheel.”

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It’s the birthday of the man who wrote, “Man is born free, and everywhere he is in chains”: philosopher Jean-Jacques Rousseau, born in Geneva in 1712.

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A Wednesday drive in the old neighborhood

Another perfect summer and despite all there is to be forlorn about, I feel the same mindless happiness I remember from when I was 20 and running around Minneapolis in a red Mustang with a girl named Maggie and listening to the Cleftones and Cadillacs, the Coasters, the Drifters singing, “Out of the sun, we’ll be havin’ some fun. People walking above, we’ll be making love under the boardwalk.” We had no boardwalk at Lake Calhoun but there were dim places where we sat and necked. She had no plans for me nor did I for her, which was part of the mindlessness. Two young mammals keeping company, enjoying warm weather.

It all came back to me, riding around south Minneapolis Wednesday with my family, looking for the Dairy Queen on 38th Street, two blocks from the Grace & Truth Gospel Hall I attended as a boy in a small separatist sect where I enjoyed the feeling of complete comprehension of absolute truth, from Genesis to Revelation, right up to the age of twelve or thirteen.

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Talking on the phone to Joyce and rejoicing

We sat in the sun and played Scrabble Monday and a few minutes later a vulgar four-letter profanity appeared on my letter rack that I could’ve played for 47 points and did not. I just wasn’t in the mood. I’d spoken on the phone that day with Joyce, a preacher and a favorite cousin of mine. Our grandfathers were brothers, and a long-ago rift between them separated our families for decades and I didn’t meet Joyce until I was an old man. This strange story of two stubborn Scots keeping their distance draws me even closer to her. She’s a student of family history and when we talk Jesus comes easily into the conversation with no change of tone of voice, same as you’d mention your brother or father. He is not in a separate universe.

I’ve tried to say the four-letter word several times and I can’t get it to sound natural, not like my two friends who use it often to bold-face what they’re saying. I don’t object. They’re neighbors and Jesus said to love them so I do, mostly, though the word sounds alarming to me like breaking glass. There’s no kindness about it.

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Here’re your orders: make something beautiful

I woke up this morning and my good woman wasn’t gone, she was asleep beside me, I didn’t feel an aching in my head, no blues around my bed. I made coffee, it tasted fine, not like turpentine. I could put gin in the coffee and make it taste like turpentine but why would I? And that’s how I feel about the Six Supremes who’re trying to take us back to the 19th century. No need to grieve over it, November is coming, and the simple solution is to throw the bums out. Elect a Congress with a two-thirds majority in favor of enlarging the Court to fifteen, which will reverse the reversals. Ninety million eligible voters sat out the 2016 election and that’s how we wound up where we are with this ambitious minority in power.

So you’re depressed by this turn of events. Think of the Six, staying home with the shades pulled, their spouses and children going to the hair salon accompanied by plainclothesmen with a bulge under the jacket. They know that they are widely despised. They avoid eye contact with passersby. I doubt they’re ordering takeout: some worker at Domino’s sees Alito’s name on the order, she is likely to tamper with the pizza. The Six are not attending concerts. No picnics for them. No long car trips except to Mississippi, Alabama, and Texas. Clarence and Ginni surely have close friends but after he announced that the Supremes should take a hard look at gay relationships and contraceptives, he must be thinking about the children and grandchildren of the friends, the boy with his hair in a bun, the girl with the tattoos, and what about the paperboy and the waiters at the country club? And what if he takes a wrong turn and runs into the Pride Parade? They might put him on a rainbow blanket and march down the street tossing him in the air, waving his arms and legs, a ridiculous fate for the Leader of the Pack.

Read More

A weekend in the wilds of Connecticut

I have seen some of the future lately and I must admit it’s very appealing to me. My wife drives through Connecticut, a woman’s voice in the dashboard directing her along a twisting route through small towns laid out in the 18th century, a street plan designed to frustrate intruders, and my daughter in the back seat FaceTimes her roommate Saamiya who is in India, visiting relatives. My daughter is drawn to people, loves to be in a group, and the phone is her instrument of choice, and soon Marisa joins from London, and Erin in New Jersey, Hindu, Orthodox, and Jewish, joined in small talk. Remarkable to me, not to her.

“Can you feel how smooth the car runs?” my wife says. She took it to a garage for an oil change two days ago and the garage texted her videos of two very worn tires and an engine that needed retuning and she texted back her consent. The cost was steep but the advance info lessened the shock. I wish I’d been at the marketing meeting that came up with that idea.

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Just a word about Sunday, then I shut up

Father’s Day is a wonderful joke, a day on which you sit with your brood and someone turns to you and says, “When is Father’s Day? Isn’t it in June?” and you, the father, say, “I have no idea whatsoever.” And that’s the end of it. Mother’s Day is the big deal when tanker ships full of French perfume dock at the bottling plants and four-star restaurants hire extra staff and Father’s Day is the Sunday when someone gives you a bottle of cologne that smells like disinfectant. The price tag is still on it, $1.89.

Women, as we know unless we’re in Texas or in the memory unit, run this world. There was never a single object that a man set down that a woman didn’t reach over and move it. Never a sentence came out of a man’s mouth that a woman didn’t correct. Women decide what we shall eat and what we shall sit on or sleep on, and a man’s opinion is of no more use than that of the family cat. This is a major factor in the popularity of gay marriage: two men decide they want to be free and sleep on cotton sheets and not polyester and have dark brown towels and wear festive colors rather than the prison uniforms women buy for us. The sex is an add-on, mainly it’s about exercising personal taste.

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Blessed are the meek for they shall inherit a shirt

As a Midwesterner, I was brought up to be self-effacing and make no demands of anybody. I don’t honk, I don’t wave at the waiter who’s ignoring me, I don’t want to be a problem. Offer me ranch or blue cheese dressing, I say, “Whatever is easier for you, whichever you have more of, whatever nobody else wants.” “Just choose, damn it,” the host says, and I’m tempted to ask for blue cheese but I don’t want to if it deprives someone else of blue cheese who is on the edge of the cliff already and, denied his dressing, might harm himself. “We have plenty of both,” the host says. But now I’m wondering, “What do I have against ranch? Is it my antipathy to cowboy mythology and the fetishization of guns?” And the host screams, “CHOOSE!” And I ask him, “Which one has less impact on the environment?” And he shows me to the door and locks it after me.

Self-effacement is rare in New York where I live. People don’t go around meeking each other as they do back in Minnesota, because here, the Christian faith is an oddball item, as it was in Jesus’s time. It’s a city of Jews and Muslims and Buddhists and a million people who moved here to escape from fundamentalist families, plus other minorities, Sodomites and Gomorrhians, and the people who designed the Tower of Babel and went into the practice of law.

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Looking down the road, seeing the future

It would appear that five of the Supremes are favoring an absolute right to possess any weaponry whatsoever by whoever has the cash, and to bear arms without restriction in schools, churches, shopping centers, aboard airliners, in the courtroom itself, that a right is a right, period. And when the Executive Quintet opens those doors, we’ll see dramatic changes here in the land of the free and home of the brazen, such as the man police apprehended carrying a gun near Justice Kavanaugh’s home last week, with intent to do harm.

We have 400 million guns now and when we get up to a billion, there will be more men with guns than police can apprehend, and it’s safe to say that no parent will send children to school, even one with armed guards. Law enforcement has been overwhelmed in many cities, including Minneapolis, where police have begun to privatize themselves and hire out as freelance security. Education, I suppose, will move online. Millions of people will become consultants and work out of their homes; manufacturing will all go to China. The closing of schools will likely mean the end of interscholastic sports except fencing, sharpshooting, and bowling, which may be useful for self-defense.

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The meaning of life as it dawned on me the other night

I enjoy writing this column every week but how would you know that, me being from Minnesota, from stoical people, brought up to bite our tongue and persevere through suffering, and if pleasure occurs, be patient, it will soon pass. In other parts of the country, our stoicism would be diagnosed as depression. Sedatives are pretty much wasted on us. Joy is a word on Christmas cards, not used in conversation. At games, the cheerleaders only try to keep the crowd awake, and if our team wins, we think, “Well, I guess it could’ve been worse and next time it probably will be.”

We’re people of few words and that’s why we’ve produced very few writers. Fitzgerald was an Easterner born in St. Paul by mistake and he left as soon as he could and never returned. The poet Robert Bly’s big book was Silence in the Snowy Fields, which pretty much says it all, and then he wrote Iron John about plumbing. As for Louise Erdrich, she grew up in North Dakota.

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Recovering from disaster, thanks to my heroes

I’ve been writing nagging hectoring columns about malfeasance in high places lately, and now it’s time to admit I left the water running in the shower three weeks ago and it leaked down to two apartments below us and caused water damage and now insurance adjustors are working out a settlement and I am required to wear a hazard-orange vest with IN THE EVENT OF ERRATIC BEHAVIOR, CALL — and my wife’s phone number written on the back. I distinctly remember turning the water off, but plaster damage below us says otherwise. So I’m not going to write about the federal judge who threw out the mask mandate that led to the steep rise in COVID cases. I have my own problems.

My wife is a forgiving person. She has not filed for guardianship. She kicks my butt at Scrabble but she’s gracious about it. She rations my bacon cheeseburgers. She tells me if I look bedraggled so I don’t walk down the street and people hand me spare change. And she turns out the light at night and rolls over and puts her arms around me. This is better than a Pulitzer Prize. So I don’t wake up in the morning with an aching in my head and the blues all around my bed and the water tastes like turpentine because my good gal left me here cryin’. She didn’t. She has made coffee and she has read the morning paper so that I don’t need to. When you skip the news, life is a lot more like Anne of Green Gables or The House at Pooh Corner.

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Some news, as we know, is realer than others

Uvalde stays in the mind despite all distractions, a pleasant day at a little summer house in Connecticut and Scrabble on the porch and the drive back to Manhattan on the Merritt Parkway with its arched stone bridges dating back to the days when families went for a “drive” for pleasure — it stays because it is so real. I don’t understand economics, Ukraine is far away, climate change is an abstraction, but the terrified parents across the street from their kids’ school hearing gunshots, they are real, and I have a great-niece who is the same age as the kids in room 112 and I imagine her as the girl who lay on the floor among dead classmates and called 911 and said, “Send the police now, please.” That is my niece, a lively independent spirited girl who loves reading and bonds with her grandma and eats like a trucker but is thin as a rail thanks to the intensity of her life. That girl has a name, like the kids in Texas.

The teachers Eva and Irma are real. They are my fourth-grade teachers, Miss Carroll and Mrs. Moehlenbrock. The Border Patrol trooper in the hallway who said to his two colleagues, “Let’s get this done,” and the three of them burst into 112, I know men who would’ve done that. The shooter is completely unreal, a blank shadow.

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If you are hosting a show with Garrison, please feel free to use the below press photos for marketing, as well as the below short biography. Promo video for purpose of booking is available here.

Garrison Keillor did “A Prairie Home Companion” for forty years, wrote fiction and comedy, invented a town called Lake Wobegon where all the children are above average, even though he himself grew up evangelical in a small separatist flock where all the children expected the imminent end of the world. He’s busy in retirement, having written a memoir and a book of limericks and is at work on a musical and a Lake Wobegon screenplay, and he continues to do “The Writers Almanac” sent out daily to Internet subscribers (free). 

He and his wife Jenny Lind Nilsson live in Minneapolis, not far from the YMCA where he was sent for swimming lessons at age 12 after his cousin drowned, and he skipped the lessons and went to the public library instead and to a radio studio to watch a noontime show with singers and a band. Thus, our course in life is set. 

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