St. Michael, MN
GARRISON KEILLOR and some friends from Prairie Home Poetry, Stories, and Classic Duets Featuring: Prudence Johnson Bob Douglas and Adam Granger Dan Chouinard, music director JULY 4, 2021, 4:00 PM SUMMERFIELD AMPHITHEATER 4300 O’Day Ave. NE, St. Michael, MN 55376 $42/$15 Outside concert FAQs In 2021 we are going bigger, better, bolder, and in the […]
GARRISON KEILLOR and some friends from Prairie Home Poetry, Stories, and Classic Duets Featuring: Prudence Johnson Bob Douglas and Adam Granger Dan Chouinard, music director July 2, 2021, 7:30 PM BIG TOP CHAUTAUQUA, BAYFIELD, WI Reserved $60/$52/$42 The Lake Superior Big Top Chautauqua is a 900-seat music venue and performing arts center, located near […]
Stillwater, MN 6-30
GARRISON KEILLOR and some friends from Prairie Home Poetry, Stories, and Classic Duets Featuring: Prudence Johnson Bob Douglas and Adam Granger Dan Chouinard, music director June 30, 2021, 5:30 PM – 8:30 PM THE AVALON, STILLWATER, MN St. Croix Boat & Packet Co., 525 Main Street South, Stillwater, MN 55082 DINNER, CRUISE, AND SHOW […]
Just Added: Stillwater, MN 6-29
GARRISON KEILLOR and some friends from Prairie Home Poetry, Stories, and Classic Duets Featuring: Prudence Johnson Bob Douglas and Adam Granger Dan Chouinard, music director JUST ADDED June 29, 2021, 5:30 PM – 8:30 PM THE AVALON, STILLWATER, MN St. Croix Boat & Packet Co., 525 Main Street South, Stillwater, MN 55082 DINNER, CRUISE, […]
by Jane Kenyon
Here in purgatory bare ground
is visible, except in shady places
where snow prevails.
Still, each day sees
the restoration of another animal:
a sparrow, just now a sleepy wasp;
and, at twilight, the skunk
pokes out of the den,
anxious for mates and meals. . . .
On the floor of the woodshed
the coldest imaginable ooze,
and soon the first shoots
of asparagus will rise,
the fingers of Lazarus. . . .
Earth’s open wounds — where the plow
gouged the ground last November —
must be smoothed; some sown
with seed, and all forgotten.
Now the nuthatch spurns the suet,
resuming its diet of flies, and the mesh
bag limp and greasy, might be taken
Beside the porch step
the crocus prepares an exaltation
of purple, but for the moment
holds its tongue. . . .
Jane Kenyon, “Mud Season” from Collected Poems. Copyright © 2005 by The Estate of Jane Kenyon. Used by permission of The Permissions Company, LLC on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org. (buy now)
It’s the birthday of German composer Richard Strauss, born in Munich in 1864. He’s known for writing what he called “tone poems” inspired by literary characters. He wrote Don Juan (1889) and Don Quixote (1897) and operas too, of course. In 1905, he wrote the opera Salome, based on the play by Oscar Wilde.
He said, “I may not be a first-rate composer, but I am a first-class second-rate composer.”
It’s the birthday of the playwright Ben Jonson (books by this author), born on this day in London, probably in 1572. His plays include Every Man in His Humour (1598), Volpone (1606), The Alchemist (1610), and Bartholomew Fair (1614). A contemporary, friend, and rival of Shakespeare’s, Jonson was a heavy drinker and a fighter, no “Gentle Will.”
Jonson’s father died before he was born and his stepfather was a bricklayer, so after a good education young Ben spent some time laying bricks and then went off and joined the army. The story goes that he ran to the front of the lines and challenged a random soldier to single combat, then killed him. He went back to London where he got work as an actor. Apparently he wasn’t a very good actor but he was a good playwright. In 1597 he co-wrote a play called The Isle of Dogs, which got him in trouble with the government—it was too subversive, and he was thrown in jail for “leude and mutynous behavior.” He was let out after a few months, but a year later he killed a fellow actor named Gabriel Spenscer in a duel. He was arrested and he should have been hanged, but he pulled out a legal defense called “benefit of clergy”—since he could read the Bible in Latin, he got to go in front of a more lenient court, which rarely sentenced well-educated men. Instead, he got another stint in jail, and was branded on his thumb to remind him that he had almost been executed. In 1604 he co-wrote a play called Eastward Ho! that mocked Scotland—since James VI of Scotland had taken over the throne from Elizabeth, making fun of Scotland was not tolerated and Jonson was once more thrown in jail and informed that his ears and nose would be cut off. This threat never materialized, and when he was released he hosted a banquet with friends to celebrate yet another narrow escape.
Jonson’s plays were more classically inspired than Shakespeare’s, less dependent on bawdy jokes and flashy duels. Jonson made plenty of disparaging comments about Shakespeare. He complained that his fellow playwright had “small Latine, and less Greeke.” And Jonson was probably alluding to Shakespeare, who did have a tendency to rip off plots from other people, when he wrote:
Poor Poet-Ape, that would be thought our chief,
Whose works are e’en the frippery of wit,
From brokage is become so bold a thief,
As we, the robb’d, leave rage, and pity it.
At first he made low shifts, would pick and glean,
Buy the reversion of old plays; now grown
To a little wealth, and credit in the scene,
He takes up all, makes each man’s wit his own :
And, told of this, he slights it. Tut, such crimes
The sluggish gaping auditor devours ;
He marks not whose ’twas first : and after-times
May judge it to be his, as well as ours.
Fool! as if half eyes will not know a fleece
From locks of wool, or shreds from the whole piece?
Unlike Shakespeare, Jonson was known as a slow, meticulous writer. After Shakespeare’s death Jonson wrote:
“I remember the players have often mentioned it as an honor to Shakespeare that in his writing, whatsoever he penned, he never blotted out a line. My answer hath been, would he had blotted a thousand. […] I loved the man and do honor his memory on this side of idolatry, as much as any: he was indeed honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions; wherein he flowed with that facility, that sometimes it was necessary he should be stopped.”
Ben Jonson was famous for his ability to drink—it is said that when he converted from the Catholic Church to the Anglican Church in 1610 he downed the entire chalice of wine during his first communion. His bar of choice was the Mermaid Tavern in Cheapside where he was the ringleader of a group of literary men. There are stories about the great debates and battles of wit that Jonson and Shakespeare had over their pints at the Mermaid, surrounded by the likes of John Donne, Sir Walter Raleigh, John Fletcher, Sir Francis Bacon, and Francis Beaumont—but this is probably not true. More likely it was Jonson and some younger literary disciples who were regular patrons. After Jonson’s death, the playwright Jasper Mayne wrote an ode, “To the Memory of Ben Jonson,” and he wrote: “Such thy drought was, and so great thy thirst, / That all thy Playes were drawne at th’ Mermaid first.”
It’s the birthday of the novelist William Styron (books by this author), born in Newport News, Virginia (1925). He published just eight books during his life — novels, short stories, essays, and a memoir, including Lie Down in Darkness (1951), The Confessions of Nat Turner (1967), Sophie’s Choice (1979), and Darkness Visible: A Memoir of Madness (1990). And since his death in 2006, three more books of his have been published. Letters to my Father (2009) is just that, written between 1943 and 1953, and The Suicide Run (2009) is a book of short stories, five fragments of stories about the Marine Corps. Havanas in Camelot (2008) is a series of personal essays.
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